"Journalists in many countries are experimenting with how to build trust and engage with audiences, and our report examines their efforts. In our study we profile organizations that are working to build bridges with their readers, viewers and listeners and deliver relevant news to local audiences. W
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e surveyed 17 organizations and conducted interviews with representatives of 15 organizations, one of which chose to remain anonymous. Among others we spoke to Chequeado in Argentina, GroundUp in South Africa, Raseef 22 in the Middle East, 263 Chat in Zimbabwe, Krautreporter and Correct!v in Germany, as well as Bristol Cable in the UK [...] Although the groups we surveyed are concerned by the broader phenomena of falling trust in media and media credibility, they are also, by necessity, focused on immediate fixes important to their organizations and readerships. Some believe that media credibility depends on engagement with readers. Some place more emphasis on journalism practices, including audience engagement, ethical standards and news gathering practices. The outlets we profiled use digital technology to communicate with audiences. Some also involve their readers in sourcing and sometimes verifying information. Some conduct focus groups and online surveys. Responding to comments online is part of their engagement efforts. Readers appreciate investigative reporting as well as stories that touch on their daily lives [...] There seems to be a tradeoff between audience size and the quality of content produced. Some groups with large followings (Hivisasa and 263Chat) promote headlines and short snippets rather than carrying out deep investigative reporting [...] Several groups said their audience is different from what their founders had originally expected. The reach of the outlets we surveyed is generally not as diverse as they had hoped. Their audiences tend to be educated and urban and, in some cases, include large diaspora communities. The outlets largely cater to niche audiences, but they have broader reach through their online presence and national influence when their stories are picked up by legacy media or other outlets." (https://gijn.org, accessed: June 8, 2018)
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"Currency research organisations, i.e. organisations conducting research into media use, whose results constitute a nationally valid standard (“currency”) for the advertising business, are of prime importance for developed media systems. In 2017, the global advertising market will reach a volume
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of more than 500 billion US dollars. Nearly a third of that is spent in the USA, but countries such as China, Brazil and Mexico are registering big increases too.(199) Therefore, currency organisations and their research findings contribute not only to the allocation of economically significant resources, but also determine the very existence of media companies and products. Their relevance is thus not only of an (advertising) economic nature, but indirectly bears a political dimension. First and foremost, however, the function of the currency organisations is to provide transparency for the advertisers in terms of the advertising media’s contact performance. The current situation of currency research organisations is heavily shaped on onehand by developments in the media markets, and on the other by historic circumstances and the institutionalisation of the media systems in the various countries. As a general rule, in countries with strongly libertarian institutionalised media such as the USA and Brazil it seems to be harder to establish nationally recognised currencies – in the USA this is even banned through anti-trust laws. Then again, the institutionalisation of currencies may also hit difficulties in a country such as South Korea, where the boundaries between the media and (the rest of) the economic system are somewhat fluid, as the major industry conglomerates have their own media and advertising agencies." (Conclusions)
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"Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News C
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orp, Microsoft) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, Bertelsmann, Sony). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power." (Publisher description)
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"Our study focuses on Sesame Street and sets out to examine how Sesame Workshop, as a ‘nonprofit’ organization targeting children, has been able to continuously transform and make itself relevant in a predominantly commercial children’s television landscape dominated by transnational ownership
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structures. The analysis includes an investigation of Sesame Workshop’s mission statements, organizational structure, annual fiscal reports, promotional material and other written sources from the 1970s to the 2010s. We focus on the Workshop’s own arguments and reasons for why their ‘non-profit’ status was, and still is, better at taking care of children’s interests than the for-profit companies. These understandings are held up against the, at times, very commercial logic guiding the workshop’s business model, and analysed within the economic and political context of children’s television in the United States and the Workshop’s key international target markets. Our theoretical framework draws upon insights from work on political economy and children’s media and comparative media systems." (Abstract)
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"Piers Robinson revisits the debates over what has been called the "CNN effect," a term that assumes media coverage of crises invariably leads to instigating humanitarian responses. While many claimed that interventions during humanitarian crises were influenced by media reporting of suffering peopl
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e, early research indicated that influence was more conditional and dependent upon factors such as policy uncertainty, the political risks, and costs associated with the intervention. Since 9/11, the emergence of the "war on terror" has seen humanitarianism exploited in order to justify invasions of Iraq and Afghanistan and the co-optation of humanitarian organizations as part of winning "hearts and minds." Even though new communication technologies appear to offer the potential for more effective humanitarian responses, the overall space for genuine humanitarian action would appear to have shrunk by the use of it for manipulative organized persuasive communication (propaganda) purposes in the context of the "war on terror" and the aggressive pursuit of perceived Western interests." (Introduction to part 9, page 502-503)
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"At the forefront in its field, this Handbook examines the theoretical, conceptual, pedagogical and methodological development of media literacy education and research around the world. Building on traditional media literacy frameworks in critical analysis, evaluation, and assessment, it incorporate
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s new literacies emerging around connective technologies, mobile platforms, and social networks. A global perspective rather than a Western-centric point of view is explicitly highlighted, with contributors from all continents, to show the empirical research being done at the intersection of media, education, and engagement in daily life. Structured around five themes—Educational Interventions; Safeguarding/Data and Online Privacy; Engagement in Civic Life; Media, Creativity and Production; Digital Media Literacy—the volume as a whole emphasizes the competencies needed to engage in meaningful participation in digital culture." (Publisher description)
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"This chapter has outlined the philosophical motivations and strategic practices of philanthrocapitalists, interrogating the key place of communication technology and media storytelling within their humanitarian activities. It also explored the central critiques of philanthrocapitalism that have eme
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rged in response, suggesting that oppositional narratives have played only a minor role in public sphere debates. Fundamentally, philanthrocapitalists have recognized the key role that advocacy plays in setting the agenda of media, policymakers, and the public, cultivating a number of powerful tools to ensure that the stones that get the most attention are those that reflect their own priorities and strategies for humanitarian action. Indeed, at a time when approximately 63 percent of Americans get their news from Facebook, the philanthrocapitalist agenda of the newly created Chan-Zuckerberg Initiative might have the best media platform yet to shape and measure the perspectives of the public. Looking forward, it seems that some balance is needed between recognizing the good work that these philanthrocapitalists can achieve, on one hand, while having opportunities to hold them accountable and propose alternative solutions, on the other." (Conclusion)
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"This qualitative content analysis has examined coverage of poverty-related issues by Oklahoma Watch, a nonprofit news organization with a mission of covering public problems, particularly those of disadvantaged people. The first set of coverage constituted the body of stories written on poverty fro
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m the organization's founding until the start of a cooperative project. The second set of coverage was the video interviews the organization did in cooperation with the Gaylord College of Journalism and Mass Communication at the University of Oklahoma to focus on this topic in neighborhoods in nearby Oklahoma City. The analysis of coverage showed that in a very broad sense the coverage was similar in that it, in both cases, addressed socioeconomic issues, poor governance, decreasing social cohesion, and various issues connected with personal behavior. However, as Table 1 showed, the specific topics of coverage differed substantially within these categories while showing some commonalities. For example, coverage that generally related to issues of governance or policy focused more on deep systemic issues such as health care in the earlier coverage. The concerns that emerged from the interviews with residents in the later project were centered more on basic daily concerns such as problems with roads and street lights. Concerns about education were evident in both sets of coverage." (Discussion, page 12)
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"Press freedom worldwide deteriorated to its lowest point in 13 years in 2016, driven by unprecedented threats to journalists and media outlets in major democracies, intensified crackdowns on independent media in authoritarian settings, and moves by the Russian and Chinese regimes to increase their
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influence beyond their borders. The share of the world’s population that enjoys a Free press according to the Freedom of the Press report criteria stood at just 13 percent, meaning fewer than one in seven people live in countries where coverage of political news is robust, the safety of journalists is guaranteed, state intrusion in media affairs is minimal, and the press is not subject to onerous legal or economic pressures." (Page 3)
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"'Half the Sky' is an ambitious humanitarian documentary about the global crises in gender discrimination. Based on Nicholas Kristof and Sheryl WuDunn's book (Kristof and WuDunn 2010), the nearly four-hour documentary visits six countries to explore six issues: gender-based violence in Sierra Leone,
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sex trafficking in Cambodia, education in Vietnam, female genital mutilation in Somaliland, intergenerational prostitution in India, and economic empowerment in Kenya. Heather McIntosh explores the role of celebrity in telling these stories. Six American actresses, each of whom visits a country, meet local activists and survivors, and leam about the situation. Drawing on scholarship about documentary representation and celebrity, McIntosh engages critical perspectives that charge that the appearance of notable personalities simplifies complex issues, and overshadows survivors' voices. She evaluates the success of 'Half the Sky' and the film's attempt to cast celebrities as moral agents helping viewers emotionally connect to the issues and the people involved. Ultimately, she questions the film's ability to overcome the tensions between suffering and poverty, and glamour and Western privilege." (Introduction to part 7, page 380-381)
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"Remembering the Holocaust is a central part of historical awareness and political culture in reunified Germany, Israel, and the United States. But can the same be said for other parts of the world? How have societies that were not affected by occupation and extermination measures under the Nazi reg
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ime dealt with the legacy of the Holocaust? How have minorities with their own experiences of persecution reacted to specific acts of remembrance? How does demographic change affect memory? In what ways have immigrants come to terms with the central significance of the Holocaust? From a global perspective and in different national and regional contexts, international experts analyse the worldwide transformation of Holocaust remembrance. The fourteen case studies focus on the genesis and functions of remembrance in Europe, North and South America, Israel, North Africa, South Africa and Asia. The volume identifies and discusses contradictions and challenges in a process often referred to as the ‘globalisation’ or ‘universalisation’ of Holocaust remembrance." (Publisher description)
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"This chapter explores the complicated ways in which journalists became subjects within the stories of Ferguson and Baltimore through a particular focus on the discursive identification of journalists as either victims or perpetrators of violence. It focuses on two evaluative frameworks: journalists
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as victims and journalists as perpetrators of violence. The former comprises the self-presentation of journalists as under attack by the very subjects they cover. The second narrative springs from various actors inside and outside of journalism who are upset by the patterns of news coverage around Ferguson and Baltimore. Compared to the graphic images of journalists being tear-gassed, forcibly arrested, or trampled upon by police and protestors, examples in which the press may be considered as perpetrators of violence necessitate a more nuanced interpretation. As tragic as the events in Ferguson and Baltimore were, they also serve as instructive episodes for examining discourses of media accountability and the journalistic assumptions and patterns that emerge." (Abstract)
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"Berg examines the conditions under which Peruvians of rural and working-class origins leave the central highlands to migrate to the United States. Migrants often create new portrayals of themselves to overcome the class and racial biases that they had faced in their home country, as well as to cont
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rol the images they share of themselves with others back home. Migrant videos, for example, which document migrants’ lives for family back home, are often sanitized to avoid causing worry." (Publisher description)
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"Governments around the world have dramatically increased their efforts to manipulate information on social media over the past year. The Chinese and Russian regimes pioneered the use of surreptitious methods to distort online discussions and suppress dissent more than a decade ago, but the practice
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has since gone global. Such state-led interventions present a major threat to the notion of the internet as a liberating technology. Online content manipulation contributed to a seventh consecutive year of overall decline in internet freedom, along with a rise in disruptions to mobile internet service and increases in physical and technical attacks on human rights defenders and independent media. Nearly half of the 65 countries assessed in Freedom on the Net 2017 experienced declines during the coverage period, while just 13 made gains, most of them minor. Less than one-quarter of users reside in countries where the internet is designated Free, meaning there are no major obstacles to access, onerous restrictions on content, or serious violations of user rights in the form of unchecked surveillance or unjust repercussions for legitimate speech." (Page 1)
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"To thrive in a marketplace that is increasingly competitive, slower-growing, and dependent on personal recommendations, companies must develop strategies that engage, grow, and monetize their most valuable customers — i.e., their fans. To do so, they must combine excellent content with breadth an
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d depth of distribution, and then bring it all together in an innovative user experience, in which the content is discoverable easily on an array of screens and at an attractive price. Simply capturing the natural growth in consumers and their uptake of services and content with existing approaches is no longer sufficient. Across the industry, the resulting quest to create the most compelling, engaging, and intuitive user experiences is now the primary objective for growth and investment strategies — and technology and data lie at their center." (Executive summary)
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"Der Begriff "Weltmusik" war in den 1980er Jahren die gängige Beschreibung für Musikstile, die aus westlicher Perspektive "exotisch" wirkten. Er stand für unterschiedlichste musikalische Traditionen, die oftmals nicht viel mehr gemein hatten, als dass sie plötzlich für den westlichen Markt inte
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ressant und doch mit den dortigen Hörgewohnheiten kompatibel waren. Diesen Prozess der kulturellen Globalisierung und Aneignung bezeichnen Kritiker als koloniales Relikt, schreibt die Vermarktung von "Weltmusik" doch zuweilen die globalen asymmetrischen Machtverhältnisse fort. Nichtsdestotrotz haben es Labels, Privatleute und Communities geschafft, Hörern auf der ganzen Welt diverse Musiktraditionen näherzubringen und kulturelle Vermischungen und Transfers zu bewerkstelligen. Zusehends richtet sich der der Blick nun auf die vielfältigen, eigenständigen und unbequemen Sounds beispielsweise aus Afrika, Lateinamerika oder Asien und den hybriden Charakter vieler transnationaler Musikproduktionen, die eine "Weltmusik 2.0." oder einen "Global Pop" begründen. Dieses Buch stellt Konzepte und Diskurse sowie Akteure, Ausprägungen und Erscheinungsformen der abseits des Mainstreams bestehenden globalen Populärmusik vor und erhebt dabei nicht den Anspruch, die unermessliche Fülle regionaler Sounds zu dokumentieren oder gar zu systematisieren." (Verlagsbeschreibung)
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"Most alternative media research has examined media content and the production process, largely ignoring another important component: the audiences of alternative media. To narrow this gap, this study investigates audience participation in one alternative media outlet: community radio. Case studies
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were conducted on 2U.S. community radio stations through participatory ethnography, in-depth interviews, and a listener survey. Results suggest that community radio continues to be relevant in this digital era. While people lose faith in mainstreammedia and become increasingly suspicious of online content, they still consider community radio the most trustworthy. The study also demonstrates the limitations of audience participation in community radio, and the difficulties this medium faces in adopting new technologies and adapting to this digital world." (Abstract)
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