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La video dans le developpement: Filmer pour le changement rural

Rico Lie, Andreas Mandler

Wageningen; Rome; Rome: Technical Centre for Agricultural and Rural Cooperation (CTA);FAO (2009), v, 60 pp.

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Nigerian Television: Fifty Years of Television in Africa

Oluyinka Esan

Princeton: AMV Publishing (2009), xvii, 349 pp.

"Appreciating the challenges, role and prospects of the industry was at the very core of the author's raison d'être for writing the text. The research effort informing the book has sought to capture factors shaping the encoding practices of Nigerian television in its five decades of operations. The ... more

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Mobile Phones: The New Talking Drums of Everyday Africa

Mirjam de Bruijn, Francis Nyamnjoh, Inge Brinkman (eds.)

Bamenda (CM); Leiden: Langaa;African Studies Centre (2009), vii, 173 pp.

"This book is about the many ways in which mobile phones are being appropriated by Africans and how they are transforming and are being transformed by society in Africa. A case study from Karthoum (Sudan) shows, how mobile phones are reshaping relationships in a Muslim society, where they enable wom ... more

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L'Afrique sur le web: L'impact d'internet sur les jeunes au Benín entre symbolique et virtuel

Francesca Moratti

Paris: L'Harmattan (2009), 166 pp.

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Genocide: Truth, Memory, and Representation

Alexander Laban Hinton, Kevin Lewis O'Neill (eds.)

Durham: Duke University Press (2009), 349 pp.

"What happens to people and the societies in which they live after genocide? How are the devastating events remembered on the individual and collective levels, and how do these memories intersect and diverge as the rulers of postgenocidal states attempt to produce a monolithic "truth" about the past ... more

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L’état de la liberté de la presse en Afrique centrale. Rapport annuel 2009

Donat M'Baya Tshimanga (ed.)

Kinshasa: Journaliste en Danger (JED) (2009), 110 pp.

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Peace and Communication in Post-Conflict Africa

Africa Media Review, volume 17, issue 1-2 (2009), pp. 1-126

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Media Sustainability Index 2008: Development of Sustainable Independent Media in Africa

Leon Morse (ed.)

Washington, DC: IREX (2009), xix, 411 pp.

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Media and Identity in Africa

Kimani Njogu, John Middleton (eds.)

Bloomington: Indiana University Press (2009), xvii, 333 pp.

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Giving Voice: Instigating Debate on Issues of Citizenship, Participation, and Accountability

Samuel Ayedime Kafewo

Development in Practice, volume 19, issue 4-5 (2009), pp. 678-687

"While there is a near unanimity on the need for participation, there is as yet no such agreement on the type and degree of participation to be adopted in projects. One thing that has never been doubted is the fact that local people have not been accorded their rightful recognition and respect by mo ... more

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Radio in Accra: Communicating Among Linguistically and Ethnically Diverse Audiences

Kwasi Boateng

Intercultural Communication Studies, volume 18, issue 1 (2009), pp. 161-175

"This article explains the change in radio programming in Accra, Ghana, in terms of the concepts of hybridization, hegemony, and the public sphere. It argues that private radio has transformed communication among linguistically and ethnically diverse groups of people. It discusses how local language ... more

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Public Relations Research in Africa

African Communication Research (St. Augustine University Mwanza), volume 2, issue 3 (2009), pp. 351-473

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La caricature et le dessin de presse en Afrique

Paris: L'Harmattan (2009), 239 pp.

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Historical Routes Towards Religious Television Fiction in Post-Mobutu Kinshasa

Katrien Pype

Studies in World Christianity, volume 15, issue 2 (2009), pp. 131-148

"In this article I primarily focus upon locally produced television serials (also called maboke, théâtre populaire, or télédramatiques), which constitute one important genre that help to spread what some describe as the Pentecostalist ideology. The main theme of Kinshasa’s post-millennial tele ... dramas is the spiritual battle (Li. litumba ya molimo). They show how the Devil and his accomplices (demons and witches) operate in the material world and thus combat the Christian God. Witches, fools and pastors are the main protagonists of the teleserials. The programmes often conclude with confessions and deliverances. Such rituals are connected with understandings of evil and culturally accepted means of restoration and purification. The moral progression of the serials’ protagonists reflects a didactic purpose, showing the audience how to become a good Christian and how to hold strong in the spiritual battle (Pype 2008). Special effects are deliberately deployed to make manifest the hidden workings of occult practitioners and the miraculous effects of prayers, deliverance rituals and Christian expertise. With regard to the serials’ format, the insertion of Christian songs at the beginning and ending of the episodes, the dropping of Biblical verses into scenes and display of Bible verses in the corners of the screen during the broadcasts indicate the Christian character of Kinshasa’s teleserials. All these characteristics relate both to the instructive goal of the serials and to the intentions of the dramatic artists to create a mood among the audience to watch the programs as divine lessons. As most of Kinshasa’s evangelising artists state, they aim at bringing a spiritual awareness to the audience. They also hope to transmit spiritual knowledge via the interplay of the fictitious narrative, the power of the Word (activated through the multiple Bible verses that are pronounced) and the image (special effects such as visualisations of the occult). The main questions addressed here are how, why and when Kinshasa’s television serials have acquired this Pentecostalist character. I approach Kinshasa’s teleserials not at all as quasi-timeless symbolic documents but as cultural products that carry a history embedded in the significant political and cultural processes Kinois have witnessed." (Page 133) more

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An Assessment of the Role of Community Radio in Peacebuilding and Development: Case Studies in Liberia and Sierra Leone

Brussels; Washington, DC: Search for Common Ground (2009), 5 pp.

"This five-page report details the results of an evaluation of four community radio stations in rural Sierra Leone and Liberia. The evaluation focused on areas still struggling to achieve meaningful development in a post-conflict setting and was designed to assess the relationships between drivers o ... f development and community radio stations. The study found that community radios are significantly impacting development in their communities via relationships with local and international non-governmental organisations (NGOs). The study included an analysis of current radio programming for its impact on local development processes, while an audience survey and focus groups were used to better understand audience perceptions and uses of local radio. Stations were also evaluated on their capacity as independent development agents with an eye towards ongoing peacebuilding functions. According to the report, the impact of community radios falls into two categories: support for programme implementation leading to improved efficacy, broader reach, accountability, and community feedback; and regular airing of education and awareness programming - yielding results in changing attitudes and behaviours. The study found that the community stations had a positive and engaged relationship with local government as well as civil society organisations. Overall, the study found that community radio plays a central role in disseminating information related to development and in improving development outcomes through partnerships at all levels. The study found that sensitisation and awareness programmes were often cited as audiences' favourites, as was interactive, public forum programming. A majority of listeners credited community radio stations with improving basic living conditions and encouraging an attitude of community responsibility and pride. Audiences also expressed a desire for expanded broadcast times. Station leadership was found to be the single overriding factor determining a station's impact and effectiveness. According to the report, the stations also positively contributed to peacebuilding in their communities. Listeners reported a high impact from programmes that address peace and nonviolent conflict resolution. Community stations in all locations were also described as active participants in diffusing potential violent crises. It was found that radio helps marginalised people without access to other means of communications and was universally cited as vital in facilitating peaceful election processes. The report concludes that community radio does play a strong role in local peacebuilding, and that radio stations' promotion of inclusive development processes has a broad impact in promoting sustainable peace. However, it also found that radio's impact is often reliant on the cooperation of government, and that community radio stations are making limited use of their power as media outlets to compel government participation in media." (https://www.comminit.com) more

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Les radios communautaires: Outils de promotion pour la paix, la culture, la démocratie et le développement en Afrique

Abdou Sarr

Association de Lutte contre la Faim et la Pauvreté (ALFP) (2009), 198 pp.

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Politiques publiques et participation citoyenne des femmes aux radios communautaires au Sénégal: Impacts sur les droits économiques et civils

Yasmine Smirès

Québec: Université de Laval, Québec (2009), 151 pp.

"La radio, un élément primordial du paysage médiatique africain, a connu un développement fulgurant dans les années 1990, avec la transition démocratique connue par les pays africains à cette période. Cette dernière favorisera la mise en place de radios communautaires, dites de proximité, ... more

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Marke „Osama“: Über Kommunikation und Kommerz mit Bin-Laden-Bildern in Nigeria

Matthias Krings

Peripherie, volume 29, issue 113 (2009), pp. 31-55

"Osama" als Marke: Kommunikation und Handel durch Bilder von Bin Laden in Nigeria. Schon bald nach dem 11. September überschwemmten Bin-Laden-Waren die Straßen und Märkte des überwiegend muslimischen Nordnigeria. Später brachten Sänger und Filmemacher Lieder und Filme heraus, die die Kriege in ... Afghanistan und im Irak kommentierten. Während das Aufkommen solcher Produkte durch die kommerzielle Logik der "Politsploitation" (Armbrust) erklärt werden kann, bleiben die Bedeutung, die Bin Laden zugeschrieben wird, und die kommunikative Nutzung seines Bildes durch eine solche Erklärung weitgehend im Dunkeln. Um über das Konzept der "Politicsploitation" hinauszugehen, wird in diesem Essay eine Reihe von Bin Laden-inspirierten Produkten (Poster, Filme, Aufkleber) näher betrachtet und ihre Bedeutung in Bezug auf den breiteren nigerianischen Kontext interpretiert, in dem sie entstanden sind - zwischen 2001 und 2003, einer Zeit, die durch intensive politische und religiöse Debatten gekennzeichnet war. Ich behaupte, dass die lokalen Bedeutungen und die kommunikative Funktion der Bin-Laden-Bilder auf der Übertragung globaler Konfliktlinien - vereinfacht und reduziert auf "USA gegen Bin Laden" oder "Christen gegen Muslime" - auf lokale nigerianische Konflikte beruhen, die seit 1999 aufgrund der Wiedereinführung der Scharia in zwölf der nördlichen Bundesstaaten zwischen Muslimen und Christen ausgetragen werden. Für eine Reihe nigerianischer Muslime ist Bin Laden eine Ikone einer neuen und radikalen Form des Islam und eine Art "Ersatzprophet" geworden. In gewisser Weise hat Bin Ladens Bild, insbesondere sein Gesicht, eine Lücke in den neuen visuellen öffentlichen Räumen gefüllt, die in den nigerianischen Städten während des letzten Jahrzehnts entstanden sind und die von der Werbung für politische Ideologien und religiöse Überzeugungen dominiert werden. Wie anderswo auch, greift diese Art der visuellen Kommunikation auf die anthropologische Logik der Werbung für Ideen und Produkte durch die Gesichter bekannter religiöser oder politischer Persönlichkeiten zurück. Innerhalb dieser Logik entwickelte sich Bin Ladens Gesicht zu einem Markenzeichen des radikalen Islam und zu einer Ikone der gerechten und selbstlosen islamischen Führung und wurde als solches von Mitgliedern der muslimischen Massen genutzt, um eine neue radikale Identität sowohl gegenüber ihren christlichen Landsleuten als auch gegenüber ihren eigenen politischen und wirtschaftlichen Eliten zu vermitteln.° (Zusammenfassung) more

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Communication and Development in Africa

African Communication Research (St. Augustine University Mwanza), volume 2, issue 2 (2009), pp. 203-350

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Internationales Handbuch Medien
Quick Overview

Hans-Bredow-Institut

Christiane Matzen; Anja Herzog (eds.)

Baden-Baden: Nomos, 28th ed. (2009), 1308 pp.

Internationales Handbuch Medien Quick Overview

Internationales Handbuch Medien
Quick Overview