"Syria’s devastating war unfolds during unprecedented flows of imagery on social media, testing in new ways the media’s influence on decision-makers. Three decades ago, the concept of a “CNN Effect” was coined to explain what was seen as the power of real-time television reporting to drive r
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esponses to humanitarian crises. This essay explores the role traditional and new media played in U.S. policy-making during Syria’s crisis, including two major poison gas attacks. President Obama stepped back from the targeted air strikes later launched by President Trump after grisly images emerged on social media. But Trump’s limited action did not shift policy. Interviews with Obama’s senior advisors underline that the media do not drive strategy, but they play a significant role. During the Syrian crisis, the media formed part of what officials describe as constant pressure from many actors to respond, which they say led to policy failures. Syria’s conflict is a cautionary tale." (Abstract)
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"This report looks at media practices and regulatory tools that are available to address hate speech and racism in the media, with a focus on eight countries, namely Algeria, Egypt, Lebanon, Jordan, Morocco, Palestine and Tunisia. The first part looks at regulatory approaches to addressing these pro
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blems. It, in turn, is broken down into two main sections, one looking at legal regimes, including systems of media regulation, and the second looking at self-regulatory practices in the media and how they deal with racist speech. The second part outlines international standards in this area and, based on these and the legal frameworks and experiences in the region, offers a set of recommendations for better practice directions in this area." (Executive summary, page 3)
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"This article examines representation of the conflict in Darfur by the media in Kenya, South Africa, Egypt and Rwanda. It analyses 850 newspaper articles published from 2003 to 2008 and journalist interviews from Kenya and South Africa. Using Mbembe’s articulation of ‘meaningful acts’ and Bour
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dieu’s field theory, the article highlights how the intersection of geopolitics, symbolic affirmation of unity and ‘Africanness’ and a ritualistic use of official sources led African media fields to mimic the global north in how they have framed the Darfur conflict. The most striking finding from the analysis of how these four countries reported the violence in Darfur is the salience of the ethnic conflict frame. However, the ethnic conflict frame was used in African media differently than in Western media, which often assumed a path-determined relationship between conflict and tribal identities. In contrast, African journalists used the ethnic frame to domesticate the news and as a part of specific political project to demarcate which actors should be understood as Other and with which actors audiences share an affinity." (Abstract)
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"Social media are increasingly popular channels of information on which migrants base their decisions on whether to migrate and the destinations where to settle. While social media offer a relatively cheap, easily accessible, and media-rich means of communication, their use is not without challenges
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for asylum migrants. Various studies describe issues with access and evaluation of the truthfulness of available information for this specific group of migrants. This article discusses social media use by asylum migrants prior to and during migration. This study is based on in-depth interviews with 54 Syrian asylum migrants who recently obtained refugee status in the Netherlands. Syrians were the largest group of migrants applying for asylum in European Union (EU) member states in 2015 and 2016. The findings show that the majority of Syrian asylum migrants have access to social media information before and during migration, often through the use of smartphones. Besides uneven access to technologies, fear of government surveillance restricts the smartphone use of asylum migrants. The results of this study indicate that Syrian asylum migrants prefer social media information that originates from existing social ties and information that is based on personal experiences. Generally, this information is considered more trustworthy. Asylum migrants use various strategies to validate rumors that are present on social media and come from unknown sources. These strategies include checking the source of information, validating information with trusted social ties, triangulation of online sources, and comparing information with their own experience." (Abstract)
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"Against the backdrop of the war in Syria BBC Media Action produced and broadcast 150 episodes of the radio drama Hay el Matar (Airport District) between 2015 and 2017. Funded by the European Commission as part of a broader project aiming to help build an open and inclusive society in Syria, the dra
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ma and an accompanying weekly discussion programme was available online and on BBC Arabic. Set in a fictional Damascus suburb, Hay el Matar followed the daily lives of residents and featured love affairs, family feuds and tragedies. Each episode was scripted by a team of Syrian writers and touched on a different issue - from violence, radicalisation and migration, to economic insecurity and forced marriage. To understand how listeners engaged with Hay El Matar, BBC Media Action commissioned and trained local non-governmental organisations (NGOs) to conduct focus group discussions with listeners in Syria and Lebanon. We found that the drama prompted listeners to think about topical issues, challenges stereotypes and have a view of the Syrian conflict that extended beyond their own personal experience. It also challenged their assumptions and prompted them to talk about and reflect on other people’s multi-faceted experiences of the conflict." (https://www.bbc.co.uk/mediaaction)
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"The article revisits classical debates about the positive and negative relation of popular culture and socio-political developments with regard to the Arab world. Within the Frankfurt School and modern Cultural Studies at times contradictory approaches to the role of entertainment in political cult
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ure are being debated. In Islamic and Middle Eastern Studies rather positive readings of entertainments’ political potential seem to prevail. During the “Arab Spring” the impact of participatory values promoted by both popular culture and the new social media (“entertainment is political”) appeared to be actually tangible. The article discusses the dynamic relation of entertainment television and individualization on a theoretical and empirical level. On the basis of a large body of follow-up discourses of media reception (group discussions) with young Egyptians during the time of the “Arab Spring,” we ask whether contemporary television shows promote both individualization on a cognitive, affective and practical level of experience as well as the appreciation of individualization as a social value. We argue that popular culture reveals tendencies of differentiation and modernization in Arab societies, which are all too often described as “collectivistic.” The case study shows that critical faculty, media literacy and the appreciation of individual articulation can be triggered by entertainment. Moments of “ironic pleasure” and transitions of simulated empathy and stimulated action are discussed." (Abstract)
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"In spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the ‘Arab Revolutions’. In this book, Stefanie Van de Peer traces the
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very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria." (Publisher description)
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"Christian media in a highly fragile region are faced with a number of challenges: the issues of security, trust and persecution have prevented them from develping more inclusive strategies, strengthening their relationship with their audience or conducting qualitative or quantitative audience resea
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rch. The problem of funds and the competitive fundraising market have resulted in low-quality, monotonous productions with limited diversity, and limited capacity to hire professionals in the filed, as well as compromised their vision and strategies. Therefore, the challenges they face have affected their working strategy, negatively impacted their performance and limited their responses to the needs of Christian communities and the wider societies in the region." (Conclusion)
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"The present paper builds on the findings of the previous MedMedia report (Dabbous 2015) by tracking the legal changes that occurred between early 2015 and early 2018. Whenever there are recent legal changes related to broadcasting in general, such changes are mentioned and evaluated. The objective
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is to provide a critical overview of the state of public service broadcasting and the new regulatory reforms introduced since early 2015, in order to assess the impact of the Arab Spring (directly or indirectly) on the nature and performance of the public broadcasting sector in the Southern Mediterranean region, and the extent to which the wheels that were set in motion in 2011 have resulted in an improved and more democratic public broadcasting sector in these countries – one in which the notion of “the public” is supposed to be at the core of the reform endeavor. The structure of the paper follows largely that of the 2015 MedMedia report on public service broadcasting, covering legal reform in each of the Arab countries in the South Mediterranean separately. However, only 5 of the original 8 countries included in the 2015 report are the focus of the present update: Egypt, Algeria, Libya, Tunisia, and Morocco." (Page 3)
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"Beim Stichwort „mündliches Erzählen“ denkt man hierzulande vor allem an „Märchen“, kurze und wundersame Erzählungen der Landbevölkerung vergangener Zeiten. Tatsächlich aber kannten alle Kulturen raffinierte Erzählkünste, die häufig auch Schriftliteratur und Theater inspirierten. Au
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s historischen Berichten über Erzähler und ihre Auftritte, ethnologischen Forschungen und nicht zuletzt durch zahlreiche Erzählungen der verschiedenen Kulturen entsteht eine ebenso informative wie vergnügliche Kulturgeschichte des mündlichen Erzählens. Die bezeichnenden Formen und Funktionen der vielfältigen Erzähltraditionen ergeben ein schillerndes Bild der Kommunikationsform „Erzählen“: die Interaktion zwischen Erzähler und Hörern in den Dörfern Afrikas etwa, die Improvisationstechnik der Epenerzähler Mittelasiens oder die Unterschiede zwischen männlichem und weiblichem Erzählen im islamischen Orient. Öffentliches Erzählen diente stets auch der Verständigung über Werte und Einstellungen. Die modernen Massenmedien können den interagierenden Erzähler nicht ersetzen, was verständlich macht, warum dieses „Urmedium“ neuerdings auch in der „Mediengesellschaft“ wieder eine überraschende Faszination ausübt." (Verlagsbeschreibung)
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"This ethnography uses the Syrian case to reflect more broadly on how the networked age reshapes contemporary warfare and impacts on the enactment of violence through images and on images. In stark contrast to the techno-utopias celebrating digital democracy and participatory cultures, Donatella Del
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la Ratta’s analysis exposes the dark side of online practices, where visual regimes of representation and media production dramatically intertwine with modes of destruction and the performance of violence." (Publisher description)
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"Publics around the world overwhelmingly agree that the news media should be unbiased in their coverage of political issues, according to a new Pew Research Center survey of 38 countries. Yet, when asked how their news media are doing on reporting different political issues fairly, people are far mo
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re mixed in their sentiments, with many saying their media do not deliver. And, in many countries, there are sharp political differences in views of the media – with the largest gap among Americans. To build off Pew Research Center’s earlier findings about U.S. news media habits and attitudes, this new cross-national survey begins to study these dynamics globally. The survey finds that a median of 75% across 38 countries say it is never acceptable for a news organization to favor one political party over others when reporting the news. Just 20% say this is sometimes okay. People in Europe show the greatest opposition to political bias in their news." (Page 3)
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"Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how imag
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es work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures." (Publisher description)
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"Conspiracy theories are a ubiquitous feature of our times. The Handbook of Conspiracy Theories and Contemporary Religion is the first reference work to offer a comprehensive, transnational overview of this phenomenon along with in-depth discussions of how conspiracy theories relate to religion(s).
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Bringing together experts from a wide range of disciplines, from psychology and philosophy to political science and the history of religions, the book sets the standard for the interdisciplinary study of religion and conspiracy theories." (Publisher description)
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"Dans des pays caractérisés par une profusion d’images essentiellement venues d’autres continents, et par une production très inégale, voire inexistante, quels ont été les modèles dominants de production ? Quels sont ceux que les mutations en cours font émerger ? Quels sont les enjeux é
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conomiques, industriels et sociaux de cette mutation numérique ? Quels en sont les principaux acteurs ? Qu’en est-il de la participation et du rôle des États ? Quels liens financiers, politiques, juridiques, demeurent avec les anciennes métropoles coloniales, avec les nouveaux acteurs de la production ? Qu’en est-il des équipements et de la formation des personnels ? Des contributions de chercheurs abordent ces questions en différents pays d’Afrique et du Moyen-Orient, sous des angles économiques, sociologiques et historiques. Complémentairement, six témoignages de producteurs évoquent leur métier, et les questions spécifiques qui se posent pour eux en travaillant en et avec ces aires géographiques." (Présentation)
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"This study reveals that news briefs are the most commonly found type of pieces published in the emerging Syrian media sector. Together, news briefs, news reports and feature stories constitute 90 percent of what was published during the monitoring period. Investigative reports were very rare. News
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briefs were not only the most common in news agencies and electronic newspapers but also in a large number of online and print magazines. Military and field developments as well as political issues were the most frequent topics that the Syrian media covered. Services and infrastructure, social, and rights-related topics had limited coverage in the Syrian media during the monitoring period. The issue of refugees also had limited coverage in the articles and reports published by the Syrian media during the monitoring period. One of the main structural weaknesses in Syrian media outlets is the very low number of sources that are citied in news briefs, news reports and feature stories – the overall average number of sources was less than one per article." (Findings and recommendations, page 43)
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"Le présent ouvrage s'intéresse à la socio-économie de l'audiovisuel au Maroc. Il dresse un panorama des différents questionnements qui concernent le secteur de l'audiovisuel, ses acteurs institutionnels et économiques, ainsi que la dynamique qui les anime. De précieux renseignements y sont f
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ournis sur des sujets divers affectant le quotidien des Marocains: les modes de financement de l'audiovisuel; l'impact de la couverture publicitaire; la diffusion en TNT; la convergence technologique et l'innovation; les spécificités des usages du mois de Ramadan pour l'économie audiovisuelle; le rôle de l'État et de la libéralisation; la promotion de la citoyenneté et de la diversité culturelle amazigh; les réseaux sociaux et les nouveaux outils de développement du secteur audiovisuel marocain. Autant de questions auxquelles l'auteur apporte les réponses les plus appropriées." (Description de la maison d'édition)
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