"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level
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of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many.
In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change.
We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1)
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"Imagining AI: How the World Sees Intelligent Machines is the first volume showcasing research into how different cultures around the globe envision life with artificial intelligence. AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and
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beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time." (Publisher description)
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"En moins de vingt ans, l'édition en sciences humaines et sociales a été considérablement bouleversée. Tout a été réinventé : le marché du livre s'est transformé, le cadre légal a été radicalement modifié, la publication et la lecture en ligne ont connu un formidable essor, l'écritur
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e même des sciences humaines s'est métamorphosée. Face à ces révolutions intellectuelles, techniques et socioéconomiques d'une ampleur inégalée, en faisant dialoguer éditeurs privés et publics, économistes, documentalistes, libraires, juristes, traducteurs, chercheurs, cet ouvrage collectif offre à celles et ceux qui se préoccupent du destin de l'édition en sciences humaines et sociales un premier bilan, à la fois clair et lucide, des changements survenus depuis le début du XXIe siècle." (Description de la maison d'édition)
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"Avancer une évaluation, une mesure des audiences, des auditoires et des pratiques radiophoniques, c'est en premier lieu poser le constat de la permanence de la radio malgré une augmentation considérable de la concurrence médiatique. Cette permanence devait être analysée. Ce fut l'objet du col
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loque « Audiences, publics et pratiques radiophoniques ». Il s'agissait de présenter et confronter un état des lieux de la vitalité, de la diversité des projets et des vocations, de la vivacité des audiences de la radio ; de mettre en lumière les capacités d'adaptation et d'appropriation de ce média à travers les réponses apportées aux attentes des auditeurs, aux demandes sociales ou identitaires et les propositions à l'éclatement des publics et des pratiques radiophoniques ; ses potentiels d'évolutions également par son acclimatation aux territoires différents, aux communautés spécifiques de même qu'à la numérisation des techniques, aux nouveaux supports de diffusion. Confrontant des démarches diverses, apportant des résultats quantitatifs et d'autres plus qualitatifs, présentant des interrogations méthodologiques, des universitaires et chercheurs de France et d'Europe ainsi que d'Afrique ont partagé leurs points de vue dans un colloque qui se voulait fondateur d'une dynamique nouvelle des études sur la radio. Le présent volume, avec son titre employant délibérément les pluriels, rend compte de la richesse de ces échanges organisés à Bordeaux, le 30 novembre 2001, à l'initiative du Groupe de Recherches et d'Études sur la Radio (GRER), basé à la Maison des Sciences de l'Homme d'Aquitaine." (Description de la maison d'édition)
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"In 'Media Compass: A Companion to International Media Landscapes', an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this
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interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more." (Publisher description)
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"• Engagement with traditional media sources such as TV, print, and news websites continues to fall, while dependence on social media, video platforms, and online aggregators grows. This is particularly the case in the United States where polling overlapped with the first few weeks of the new Trum
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p administration. Social media news use was sharply up (+6pp) but there was no ‘Trump bump’ for traditional sources.
• Personalities and influencers are, in some countries, playing a significant role in shaping public debates. One-fifth (22%) of our United States sample says they came across news or commentary from popular podcaster Joe Rogan in the week after the inauguration, including a disproportionate number of young men. In France, young news creator Hugo Travers (HugoDécrypte) reaches 22% of under-35s with content distributed mainly via YouTube and TikTok. Young influencers also play a significant role in many Asian countries, including Thailand.
• News use across online platforms continues to fragment, with six online networks now reaching more than 10% weekly with news content, compared with just two a decade ago. Around a third of our global sample use Facebook (36%) and YouTube (30%) for news each week. Instagram (19%) and WhatsApp (19%) are used by around a fifth, while TikTok (16%) remains ahead of X at 12%.
• Data show that usage of X for news is stable or increasing across many markets, with the biggest uplift in the United States (+8pp), Australia (+6pp), and Poland (+6pp). Since Elon Musk took over the network in 2022 many more right-leaning people, notably young men, have flocked to the network, while some progressive audiences have left or are using it less frequently. Rival networks like Threads, Bluesky, and Mastodon are making little impact globally, with reach of 2% or less for news.
• Changing platform strategies mean that video continues to grow in importance as a source of news. Across all markets the proportion consuming social video has grown from 52% in 2020 to 65% in 2025 and any video from 67% to 75%. In the Philippines, Thailand, Kenya, and India more people now say they prefer to watch the news rather than read it, further encouraging the shift to personality-led news creators.
• Our survey also shows the importance of news podcasting in reaching younger, better-educated audiences. The United States has among the highest proportion (15%) accessing one or more podcasts in the last week, with many of these now filmed and distributed via video platforms such as YouTube and TikTok. By contrast, many northern European podcast markets remain dominated by public broadcasters or big legacy media companies and have been slower to adopt video versions.
• TikTok is the fastest growing social and video network, adding a further 4pp across markets for news and reaching 49% of our online sample in Thailand (+10pp) and 40% in Malaysia (+9pp). But at the same time people in those markets see the network as one of the biggest threats when it comes to false or misleading information, along with Facebook.
• Overall, over half our sample (58%) say they remain concerned about their ability to tell what is true from what is false when it comes to news online, a similar proportion to last year. Concern is highest in Africa (73%) and the United States (73%), with lowest levels in Western Europe (46%).
• When it comes to underlying sources of false or misleading information, online influencers and personalities are seen as the biggest threat worldwide (47%), along with national politicians (47%). Concern about influencers is highest in African countries such as Nigeria (58%) and Kenya (59%), while politicians are considered the biggest threat in the United States (57%), Spain (57%), and much of Eastern Europe." (Executive summary, page 10-11)
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"This volume addresses the various historical, philosophical, political and cultural parameters of censorship and freedom of expression as well as current debates involving technology, journalism and media regulation. Geographically, temporally and culturally diverse accounts of censorship and freed
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om of expression are discussed through a broad range of perspectives and case studies. This Companion covers core principles and concerns in addition to more specialist and controversial debates, including those surrounding hate speech, holocaust denial, pornography and so-called “cancel culture”. The collection pays particular attention to the role of the media in both facilitating and suppressing freedom of expression." (Publisher description)
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"Les pratiques « médiactivistes » numériques offrent de nouveaux cadres pour la formation et le développement des mobilisations sociales contemporaines. Elles élargissent le champ de la lutte et incitent à s'interroger sur le rôle que jouent les dispositifs numériques dans l'amplification o
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u l'amoindrissement de l'agir collectif. Cet ouvrage issu d'une recherche scientifique se base sur un travail empirique réalisé en France et en Algérie. Il invite les lecteurs à réfléchir sur les modalités de luttes contemporaines : en effet, les répertoires d'actions collectives ne sont pas figés dans l'espace et dans le temps, mais évoluent sans cesse au contact des dispositifs numériques." (Description de la maison d'édition)
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"News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journal
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ists and news organizations are responding to technological changes in the twenty-first century. Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists." (Publisher description)
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"The book highlights the underlying stakes that are involved in the fight against disinformation, from producing smart tools to generalizing their use beyond the journalistic profession. It considers the MIL theories and methodologies at work in the digital era, especially from the perspective of di
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gital visual literacy. Offering a comparative study of four European national experiences (France, Romania, Spain, and Sweden), the authors also make public policy recommendations to improve the fight against disinformation." (Publisher description)
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"Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism critically
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approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to "degenerate art" exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism." (Publisher description)
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"This paper examines the counter-violent extremism and anti-terrorism measures in Australia, China, France, the United Kingdom and the United States by investigating how governments leveraged internet intermediaries as their surrogate censors. Particular attention is paid to how political rhetoric l
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ed to legislation passed or proposed in each of the countries studied, and their respective restrictive measures are compared against the recommendations specified by the United Nations Special Rapporteur on the Promotion and Protection of the Right to Freedom of Opinion and Expression. A typology for international comparison is proposed, which provides further insights into a country’s policy focus." (Abstract)
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"En septembre 2022, suite à l'assassinat d'une jeune fille kurde iranienne par les patrouilles d'orientation, l'Iran connaît des mois de soulèvements contre le régime. Si ces derniers adoptent de nouvelles formes de contestation, ils sont causés par les mêmes injustices que les précédents mo
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uvements sociaux dans le pays. Ces formes nouvelles ont eu un écho médiatique sans précédent dans le monde. Ce travail de recherche tente de comprendre et d'analyser comment la presse française a couvert ces soulèvementsIl s'interroge sur le cadrage médiatique qui en a été fait afin de déterminer dans quelle mesure cette couverture reflète les préoccupations de l'espace public français et comment elle participe à la construction d'une réalité journalistique." (Description de la maison d'édition)
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"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are
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showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators.
• Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America.
• When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation.
• Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected.
• Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws.
• Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10)
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"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr
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oss all countries, in the last year.
• News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time.
• Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection.
• Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past.
• Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role.
• Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year.
• Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10)
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"This edited collection illuminates the scope with which identities and intimacies interact on a wide range of social media platforms. A varied range of international scholars examine the contexts of very different social media spaces, with topics ranging from whitewashing and memes, parental discou
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rses in online activities, Spotify as an intimate social media platform, neoliberalisation of feminist discourses, digital sex work, social media wars in trans debates and 'BimboTok'. The focus is on their acceleration and impact due to the specificities of social media in relation to identities, intimacies within the broad 'political' sphere. The geographic range of case study material reflects the global impact of social media, and includes data from Belgium, Canada, China, France, Germany, Greece, Italy, Portugal, Spain, Sweden and the USA." (Publisher description)
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"This edited book expands the applicability of peace journalism research beyond war to cover terrorism and radicalization, an issue that has not yet been touched by peace journalism scholars." (Publisher description)
"This topical volume illuminates ethical issues brought to the fore by the COVID-19 pandemic. Drawing on a broad range of case studies from different regions, it provides insights into the multiple and complex ways in which the pandemic has shaped media ethics. Chapters employ a wide range of innova
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tive theoretical and methodological approaches to dissect enduring and emerging ethical questions during the pandemic, providing lucid accounts of axiological dimensions in pandemic discourses, ethics of emotional mood, ethical challenges and dilemmas in news reporting, propaganda, misinformation, disinformation, and Othering. While the case studies in this book are unique, the authors have extrapolated common strands from their analysis of ethical issues applicable to any other country or region during the pandemic, contributing unique perspectives on how media ethics are circumscribed by global health pandemics." (Publisher description)
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