"The essays in this collection focus on [...] the organization of material and immaterial resources necessary for local cinema to endure as a valuable and vibrant alternative to other forms of cinema. In line with the mission of applied research, the main normative goal inspiring our project is rath
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er practical: to support local cinema and the education of local filmmakers in addressing the cultural effects and challenges brought about by globalization and digitalization. The essays in this collection pick up particular aspects of these challenges and invite the reader to problematize local cinema as a cultural form that is both vulnerable and valuable." (Preface)
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"This book traces the trajectory of the community archives movement, expanding the definition of community archives to include sites such as historical societies, social movement organisations and community centres. It also explores new definitions of what community archives might encompass, particu
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larly in relation to disciplines outside the archives. Over ten years have passed since the first volume of 'Community Archives', and inspired by continued research as well as by the formal recognition of community archives in the UK, the community archives movement has become an important area of research, recognition and appreciation by archivists, archival scholars and others worldwide. Increasingly the subject of papers and conferences, community archives are now seen as being in the vanguard of social concerns, markers of community-based activism, a participatory approach exemplifying the on-going evolution of 'professional' archival (and heritage) practice and integral to the ability of people to articulate and assert their identity." (Publisher description)
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"Die vorliegende Studie kommt zu dem Schluss, dass der öffentliche Rundfunk bezüglich einiger, aber nicht bezüglich aller Merkmalen der Vorstellung eines «Media Commons» entspricht. Sollten sich öffentliche Rundfunkorganisationen also als «Media Commons» beschreiben wollen, müssten sie zuer
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st die Merkmale weiterentwickeln, bei denen sie als «Grenzfall» oder «Tragödie» evaluiert wurden. Bereits jetzt dürfte es aber in den meisten untersuchten Ländern schwierig werden, eine andere Medienorganisation auf nationaler Ebene zu finden, die dem Ideal einer gesellschaftlichen Medienorganisation näherkommt als der öffentliche Rundfunk. Öffentliche Rundfunkorganisationen sind jedoch, wie hier abschließend kurz gezeigt wird, vielerorts unter Druck, eingespart zu werden. Obwohl diese Einsparungen durch Parteien und Regierungen beschlossen werden, sind alle Gesellschaftsmitglieder – also alle «Media Commoners» – indirekt dafür mitverantwortlich." (Ausblick, Seite 241-242)
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"Transnational Media: Concepts and Cases provides a clear and engaging overview of media communication from a global and a region-based perspective. Rather than focusing on just complex theories and industry-specific analyses, this unique book offers an inclusive, comparative approach to both journa
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lism and entertainment media--introducing readers to the essential concepts, systems, transnational influences, and power dynamics that shape global media flow. Broad coverage of different media forms from Asia, Africa, the Americas, Europe, and Oceania offers country-based and transnational perspectives while highlighting examples of media trends in television, radio, film, journalism, social media, music, and others." (Publisher description)
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"This book analyses representations of sustainable everyday life across advertising, eco-reality television, newspapers, magazines and social media. It foregrounds the discursive and networked basis of sustainability and demonstrates how such media representations connect the home and local communit
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y to broader political, social and economic contexts. The book shows how green lifestyle media negotiate issues of sustainability in varying ways, reproducing the logic of existing consumer society while also sometimes providing projections of a more environmentally friendly existence. In this way, the book argues that everyday lifestyles are not an irredeemable problem for environmentalism but an important site of environmental politics." (Publisher description)
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"Artificial intelligence (AI) is now receiving unprecedented global attention as it finds widespread practical application in multiple spheres of activity. But what are the human rights, social justice and development implications of AI when used in areas such as health, education and social service
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s, or in building “smart cities”? How does algorithmic decision making impact on marginalised people and the poor? This edition of Global Information Society Watch (GISWatch) provides a perspective from the global South on the application of AI to our everyday lives. It includes 40 country reports from countries as diverse as Benin, Argentina, India, Russia and Ukraine, as well as three regional reports. These are framed by eight thematic reports dealing with topics such as data governance, food sovereignty, AI in the workplace, and so-called “killer robots”. While pointing to the positive use of AI to enable rights in ways that were not easily possible before, this edition of GISWatch highlights the real threats that we need to pay attention to if we are going to build an AI-embedded future that enables human dignity." (Back cover)
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"At the heart of the challenges to democracy posed by digital media are three core problems: 1. Platform monopolies: two or three corporations control not only our means of communication, but also the content which is distributed, both of which are core aspects of our democracy. Whilst the market po
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wer and global mobility of these companies make it possible for them to avoid national regulatory measures, either by moving operations elsewhere or simply ignoring them; 2. Algorithmic opacity: algorithmic engines are using huge quantities of personal data to make ever more precise predictions about what we want to see and hear, and having ever increasing influence over what we think and do, with little transparency about how they work or accountability for their impact; and 3. Attention economy: the dominant business model of digital media prioritises the amplification of whatever content is best at grabbing our attention, while avoiding responsibility for the impact that content has on our collective wellbeing and our democracy. The negative impact is brutally clear from both the literature and the world around us." (Introduction, page 14)
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"In this article, we posit that Maori radio as it is structured in Aotearoa/New Zealand is at the same time national, international and transnational. Based on a research project that we carried out with the radio station Tautoko FM, we show that this station caters for national Ngapuhi audiences, t
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hat it engages in international networking with other iwi-based radio stations and that it has invested in transnational connections with diasporic audiences. As a result, it has constructed a public sphere for both national and transnational indigenous audiences. This is facilitated by the changing nature of radio as a medium, which is evolving into a multimedia experience incorporating broadcasting, live streaming, websites and social media. Maori radio in Aotearoa/New Zealand is one example of a global trend in which indigenous communities have adapted new media technologies to re-centre notions of national identity. The digital media landscape allows them to form indigenous media networks, to narrate indigenous experiences in new ways and to acquire attention for indigenous struggles." (Abstract)
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"This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today’s global challenges in the film industry such as industry
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change, digital transformation, and shifting audience tastes. Based on insights from fields such as cultural economics, media economics, media management and media governance studies, the authors illustrate how public spending shapes the financial fitness of national and international film industries." (Introduction)
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"This article argues that New Zealand’s Pacific news media are key sites where producers negotiate identity, community and belonging through what are described as locative practices. A qualitative analysis of interviews with 23 Pacific media producers and journalists finds that, regardless of thei
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r location or size, Pacific news media routinely invoke and perform community and are more like smaller, hyperlocal community media in the intimacy of their relationship with their audiences. Producers achieve this by foregrounding their Pacific identities, their connection to community and traditional values of service. Indeed, it is these locative practices, more than others, that underpin the distinctiveness of Pacific and other ethnic media and their enduring relevance to ethnic audiences." (Abstract)
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"National and Regional Internet Governance Forums (NRIs) are the stars of the 2017 Global Information Society Watch. The story of NRIs began two years after the first global IGF held in 2006. In 2008, stakeholders from Kenya, Uganda, Tanzania and Rwanda organised national forums and a subsequent Eas
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t African IGF, to prepare for and discuss common concerns in anticipation of the global forum held later that year in Hyderabad. Soon after, many other national and regional initiatives emerged, impacting the global forum from the bottom up, enhancing inclusiveness and the broad engagement of multiple stakeholders. Today there is widespread agreement that national and regional forums constitute an important part of the IGF process, that their rise has added significance to the global forum and, at the same time, strengthened national and regional initiatives in their quest for inclusive, participatory decision making on their home turf. This GISWatch edition is the first comprehensive look at national and regional IGF initiatives from a critical, civil society perspective. In all, 54 reports are presented, including seven reports addressing cross-cutting themes, 40 covering national IGFs, and seven examining regional initiatives." (Preface)
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"Currency research organisations, i.e. organisations conducting research into media use, whose results constitute a nationally valid standard (“currency”) for the advertising business, are of prime importance for developed media systems. In 2017, the global advertising market will reach a volume
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of more than 500 billion US dollars. Nearly a third of that is spent in the USA, but countries such as China, Brazil and Mexico are registering big increases too.(199) Therefore, currency organisations and their research findings contribute not only to the allocation of economically significant resources, but also determine the very existence of media companies and products. Their relevance is thus not only of an (advertising) economic nature, but indirectly bears a political dimension. First and foremost, however, the function of the currency organisations is to provide transparency for the advertisers in terms of the advertising media’s contact performance. The current situation of currency research organisations is heavily shaped on onehand by developments in the media markets, and on the other by historic circumstances and the institutionalisation of the media systems in the various countries. As a general rule, in countries with strongly libertarian institutionalised media such as the USA and Brazil it seems to be harder to establish nationally recognised currencies – in the USA this is even banned through anti-trust laws. Then again, the institutionalisation of currencies may also hit difficulties in a country such as South Korea, where the boundaries between the media and (the rest of) the economic system are somewhat fluid, as the major industry conglomerates have their own media and advertising agencies." (Conclusions)
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"Emerging literature highlights that in the Pacific, the use of participatory video (PV) is a new trend in research and community action. It can be employed as a tool to empower communities to have agency over their media outputs, meaning that they have full control of the content creation, producti
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on and distribution processes. But to date there is still a dearth of studies that fully explore its potential use in different contexts, especially within diasporic networks. To address this gap, a pilot project was undertaken where PV methodologies were tested in collaboration with a diasporic Pacific community group based in West Auckland, New Zealand. This report feeds back on the overall process of developing the pilot project." (Abstract)
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"The Handbook of International Crisis Communication Research articulates a broader understanding of crisis communication, discussing the theoretical, methodological, and practical implications of domestic and transnational crises, featuring the work of global scholars from a range of sub-disciplines
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and related fields. It provides the first integrative international perspective on crisis communication; articulates a broader understanding of crisis communication, which includes work from scholars in journalism, public relations, audience research, psychology, political science, sociology, economics, anthropology, and international communication; explores the topic from cross-national and cross-cultural crisis communication approaches; includes research and scholars from countries around the world and representing all regions; discusses a broad range of crisis types, such as war, terrorism, natural disasters, pandemia, and organizational crises." (Publisher description)
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"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered t
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his sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others." (Publisher description)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"This Global Information Society Watch tracks the state of communications surveillance in 57 countries across the world – countries as diverse as Hungary, India, Argentina, The Gambia, Lebanon and the United Kingdom. Each country report approaches the issue from a different perspective. Some analy
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se legal frameworks that allow surveillance, others the role of businesses in collecting data (including marketing data on children), the potential of biometrics to violate rights, or the privacy challenges when implementing a centralised universal health system. The perspectives from long-time internet activists on surveillance are also recorded. Using the 13 International Principles on the Application of Human Rights to Communications Surveillance as a starting point, eight thematic reports frame the key issues at stake. These include discussions on what we mean by digital surveillance, the implications for a human rights agenda on surveillance, the “Five Eyes” inter-government surveillance network led by the US, cyber security, and the role of intermediaries." (GIS website)
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