"Stock taking of organisational forms, methodologies, intentions, themes and aesthetic form of Theatre for Development in Tanzania 1980 to 2002. In spite of the widely criticized dependency on funding organisations, Theatre for Development is still a vibrant form of theatre in Tanzania. The aestheti
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c forms of expression and dramaturgical characteristic make it a genuine artistic genre of its own, while the inherent contradictions of ideal form and pragmatics form part of its dynamic." (Publisher description)
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"This research project in Liberia has tried to do first steps to understand in detail the quality of media, especially radio, in Liberia and what the audience is thinking of and expecting from the media. Being the first of its kind in Liberia after the end of the civil war it has investigated a) the
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quality of media output by means of content analysis and b) audiences perceptions of the media quality extracted from focus group discussions." (Page 4)
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"Journalisten statt Soldaten", so könnte man die neuen Maßnahmen der Friedenförderung im heutigen unruhigen Kongo bezeichnen. Die Stiftung Hirondelle ist eine Initiative zur Friedenssicherung und Völkerverständigung mit Hilfe des Radios. Aus diesem Grund wurde das Konzept “Radio Okapi” entw
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ickelt, welches im Krisengebiet mittlerweile einen hohen Bekanntheitsgrad hat. In Europa ist der Friedensjournalismus ein zwar bekanntes, aber selten eingesetztes Mittel. Erfolgreich zur Deeskalation kritischer Momente wurde er z.B. im ehemaligen Jugoslawien eingesetzt. Mit Radio Okapi, das flächendeckend in einem Land der Größe West-europas aufgebaut wurde, geht die Chance einher, das Grundrecht auf Information durchzusetzen: ein bedeutender Schritt in Richtung Friedensförderung und Deeskalierung." (Verlagsbeschreibung)
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"This study attempts to explore entertainment-education (E-E) radio drama audience responses/reactions, their motivating factors in writing letters to the drama and the relationship between audience responses and over all program goals of the drama, Menta Menged (Crossroads), in Ethiopia. Because en
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tertainment-education mass media programs which aim at promoting pro-social behavior attract huge audiences both in listening and participating due to their entertainment and educational functions, this study explores these audiences’ feedback with the aim to understand the kind of relationship that exists between audiences and the radio drama. The data was collected through a textual or qualitative content analysis of audience letters, and focus group discussions with audience members; and it was qualitatively analyzed and discussed. The data showed that audiences typically have four kinds of reactions: commentaries, appreciations, associations and reflections with the drama, characters and actors. Furthermore, a number of motivating factors, in addition to the drama (both the messages and model characters), influenced audiences to respond to the drama and involved in the writing of letters. Interestingly, their reactions are mixed when compared to the program’s intended outcomes on audience behaviors." (Abstract)
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"Donor policies place great emphasis on the importance of state-building in post-Conflict states, and many donors also recognize the relevance civil society and a professional media sector have for successful transformation processes, says this report. However, operationally and conceptually these a
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reas are treated as separate sectors. Current post-Conflict assistance, this study argues, fails to pay sufficient attention to the links between state institutions, civil society and the media. In the first part, it reviews the current state-building debate and introduces the public sphere framework. For practitioners, the study provides a public sphere assessment toolkit and a toolbox for interventions. The second part provides the reader with a public sphere analysis of Timor Leste, Liberia and Burundi, and recommendations on how to address the specific challenges observed in these countries." (CAMECO Update 5-2008)
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"Theatre has become a prominent tool in the extensive struggle to address social problems in Africa, and it is fairly logical that puppets - as part of the traditional forms of dramatic expression of many African countries - would surface in theatre for social change. A variety of reasons are given
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by theatre practitioners for their choosing puppetry to do this. This paper analyses the reasons given by some of the most prominent practitioners in Africa as a developing continent and the puppet's abilities to act as an efficient code to represent and transmit messages directed toward social change." (Page 1)
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"This paper introduces a set of methods that have been used to capture attitudes and opinions in a conflict environment. Based on an ongoing project in Darfur, it details the two main streams of research: one developed to carry out interviews on the ground to allow people to frame key issues using t
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heir own language and world views; and the other, to keep contact with the formation of opinions from a distance, particularly when the security situation or other obstacles prevent the researchers from being in the field. The result of the combination of the two streams is the production of rich narratives about the actors involved in or affected by the conflict, their interests and the paths they value as the most effective to overcome the crisis and move toward reconciliation. The objective of this, and similar research, is the development of a grassroots diplomacy, a way to include a wider variety of voices in the negotiation process and in the building of a consensual idea of a post-conflict society." (Abstract)
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"Welche Faktoren für die Produktion eines afrikanischen Films in Namibia nötig sind, wird in der vorliegenden Diplomarbeit analysiert. Gegenstand ist die Darstellung der Filmwirtschaft Namibias mit all ihren Aspekten, Vor- und Nachteilen. Sehr konkret wird die Entwicklung der letzten Jahre und des
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Status Quos beleuchtet. Dazu gehört zum Beispiel die Ausbildungssituation für Filmschaffende, die Finanzierungsmöglichkeiten für namibische Filmprojekte und die reale Chance einer publikumswirksamen Auswertung des fertigen Films. Neben diesen nationalen Fragen wird das internationale und deutsche Interesse beleuchtet. "Deutschland und Hollywood treffen sich in Namibia", warum ist das so? Abschließend werden in der Arbeit einige Zukunftsprognosen skizziert." (Zusammenfassung)
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"This paper has highlighted that the mass media can play an important, if not critical, role in both enhancing the flow of information and improving public-private dialogue in the local context. The paper therefore recommends explicitly incorporating media into the approaches of LRED. This means wor
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king to build government and private sector capacity to interact with the mass media and to build the media itself to be an effective institution that can be a catalyst to positive local economic development. Applying both media development and development communication to private sector development, and particularly LRED, is a relatively new area of endeavour. As such, those who tackle this will need to be innovative and adapt existing tools or develop new tools and approaches to working with mass media in the LRED context. The potential benefit of taking this innovative approach will be in making LRED better understood, more participative and more relevant by involving mass media that is the channel for information to and from mass audiences and a potential platform for public debate." (Summary and conclusion, page 17-18)
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"An attempt to analyze the state of the book industries in sub-Saharan Africa thirty-five years after the major conference on publishing and book development in Africa that was held at the University of Ife (now Obafemi Awolowo University), Nigeria, in 1973. Part one of this two-part article starts
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off with a look at the wider picture of development on the continent, and the support – or the lack of it rather for the most part – for publishing, books and libraries by successive African governments over the last three decades. In examining the very substantial body of literature that has been written on African publishing and book development over the last two decades, the author believes a great deal of it is still characterized by far too much generalization, and that there have been dozens of articles recently containing sweeping, mostly unsubstantiated statements to explain the current unsatisfactory state of the book industries in Africa and the factors that hold back its development." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2520)
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"Stealing Empire poses the question, "What possibilities for agency exist in the age of corporate globalisation?" Using the work of Antonio Negri and Michael Hardt as a point of entry, Adam Haupt delves into varied terrain to locate answers in this ground-breaking inquiry. He explores arguments abou
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t copyright via peer-to-peer (P2P) platforms such as Napster, free speech struggles, debates about access to information and open content licenses, and develops a politically incisive analysis of counterdiscourses produced by South African hip-hop artists. From empire stealing through their commodification of countercultures to the stealing empire activities of file-sharers, culture jammers and hip-hop activists, this book tells the story of people defining themselves as active, creative agents in a consumerist society." (Publisher description)
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