"A useful resource book for teachers, writers, illustrators, educators and academics concerned with children's literature. Includes chapters on the development of indigenous children's literature for a culturally heterogeneous society and offers ideas on how to market children's books, and, at the s
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ame time, how to create and sustain a reading culture among young readers." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1564)
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"Based on Mda's experience in Southern Africa, the book shows how drama and theatre can be used effectively in social development. Mda argues, that communication should be democratized, that it should increase participation and promote equity and self-reliance. If theatre is to play a role in the de
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velopment concerns faced by communities, a carefully thought-out method of combining intervention and participation is needed to provide a genuine two-way communication to revitalize cultural expression." (Mothers & Children, 2/1994, page 8)
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"In December 1991, upon the initiative of the London-based World Association for Christian Communication (WACC) in collaboration with Isis International in Manila and the International Women's Tribune Centre (IWTC) based in New York, the concept of the Women Empowering Communication global conferenc
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e was crystallized. Now, over two years later, and after several planning meetings and preparatory work, the global conference. Women Empowering Communication in Thailand is a reality. Isis International, in addition to its principal role as a co-organizer, wanted to make a tangible contribution to the conference. Thus we bring to you this issue of Women in Action, a collection of articles on women's experiences in community media from the regions of Africa, Asia, Caribbean, Latin America and the Pacific. The conference participants constitute representatives of women's networks, alternative media, grassroots groups, the academe and other disciplines. It seems only fitting that we share with them how individual women and women's groups have creatively expressed themselves in various media forms in the community setting. In fact, we have featured some of the participating groups in the conference such as Video SEWA, Sistren Theatre Collective, and Cine Mujer. These women have set inspiring examples of how we can utilize varying media expressions not only to attain, self-empowerment but also to improve the portrayal of women in media. They have shown us the similarities in the lives and struggles of women all over the globe, despite cultural and geographical boundaries. What is even more encouraging is that these women's voices come from the community. They have successfully explored in very creative ways the use of low cost media such as song, dance, street theater, drawings, posters, puppetry and flipcharts. There are many other women's groups who have done some very good work in community media such ; as FIRE (Feminist International Radio Endeavour), a feminist radio program in Costa Rica and the East Sepik Documentation Project in the Pacific. We also acknowledge the value of traditional forms of expression such as arpilleras and tapestries, woven stories on cloth by women in Chile, Peru and the Philippines and the khanga, a piece of cloth used as a communication tool by women in Africa.. What we have presented here is but a microviewing of women's experiences in community -media. In bringing this to the Women Empowering Communication conference, we join in the gathering of women i communicators who will enrich us with the breadth and depth of their experiences in media." (Editorial)
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"A résumé of the author's Book and Publishing Assistance Programs: A Review and Inventory. Examines the book needs of Africa, and evaluates the impact of donor-supported publishing and book development programmes in Africa. Contends “if donor support is to lead to long-term sustainable publishin
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g, it has to assist the selling of books as well as the making of them." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1408)
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"Describes the activities of the first Wesleyan mission press in South Africa." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1722)
"Action Magazine is a non-government donor-funded project based in Harare, which produces a magazine for schools targeted at top primary level using a 'popular publishing' format - with comic book elements, fun and games features, cartoons, etc. - to present health and environmental science material
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in a manner which is attractive and easily accessible to children. The magazine was distributed to every school in Zimbabwe and, more recently, to some other countries in the Southern African region. This evaluation assessed the use of the magazine in Zimbabwe and in Botswana. Issues examines included children's visual literacy and appreciation of the health education messages, as well as the broader impact of health and environment science information on schools, children and the wider community, especially the remote and disadvantaged rural communities." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2014)
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"A selection of some of the best analytical writings on African and Third World publishing and book development. Contains 12 contributions on publishing in Africa, most reprinted from The African Book Publishing Record, including some individual country studies." (Hans M. Zell, Publishing, Books & R
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eading in Sub-Saharan Africa, 3d ed. 2008, nr. 214)
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"Provides an insight into the changing book situation in Zambia and highlights the shortage of books in general and books for children in particular. Asserts that the industry has a solid base upon which to build." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 11
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76)
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"A report on the national seminar on primary textbook publishing organized by the Educational Materials Unit, Ministry of Education, Zambia." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1185)
"The drive towards homogeneity is not irresistible. These challenging essays by journalists, independent producers and researchers describe indigenous television in Brazil, in Africa, Europe and the Middle East, Aboriginal networks in Australia and the Deep Dish Satellite Network's alternative cover
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age in America of the Gulf War. Against the odds, local initiatives around the world are creating new opportunities for national, regional and ethnic identities to find expression through the medium of television." (Publisher description)
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