"Modernisation becomes a hegemonic ideology in Chinese society, while China faces enormous environmental problems. Investigative Journalism, Environmental Problems and Modernisation in China argues that investigative journalism has constructed a discourse of environmental risk that is in contrast wi
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th the discourse of modernisation encouraged by Chinese governments for over half a century. By constructing the discourse of environmental risk, investigative journalism exposes the true nature of modernisation on the one hand, and on the other hand, it reveals the connection between social and environmental injustice and inequality. The bifurcation between the two discourses reflects the rift between environment and modernisation as well as the divergence between people and the state. Investigative journalism demonstrates a counter-hegemonic force against the hegemonic discourse of modernisation to a certain extent. The book starts with an overview of the relationship between the emergence of environmental problems and China's modernisation and focuses on the agendas and practices of environmental investigative journalism, the discourse of environmental risk and the challenges and chances offered by the Internet." (Publisher description)
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"This report, which has been produced by a group of distinguished journalists and their supporters, examines the broad scope of the crisis. It covers countries where media are on the frontline of tough political battles, such as Egypt and Turkey. In Ukraine, for instance, the practice of paid-for jo
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urnalism is a tool routinely used by politicians at election time. The same is true in India. In other countries, including Nigeria, Philippines, and Colombia the precarious working conditions of news staff provide fertile conditions for corruption and “brown envelopes” or under-the-table cash payments to reporters and editors which are a routine feature of journalistic work. The struggles facing journalists in settled democracies, such as the United Kingdom and Denmark, are less brazen, but no less challenging and in a range of countries across the Western Balkans with a shared and painful history, media corruption hinders aspirations to break free from the legacy of war, censorship and political control during decades of communist rule. The story is of an uphill struggle. Everywhere there is a crisis of confidence inside newsrooms caused by crumbling levels of commitment to ethics, a lowering of the status of journalistic work and a pervasive lack of transparency over advertising, ownership and corporate and political affiliations. Government control over lucrative state advertising, which is often allocated to media according to their political bias, remains widespread. At the same time, the elimination in most countries of the invisible wall separating editorial and advertising has created a surge of so-called “native advertising,” hidden advertorials and paid-for journalism. It was this conflict of interest that plunged the crisis-prone UK press into a new bout of handwringing in February 2015 when Peter Oborne, a leading political journalist, quit his job at the Daily Telegraph accusing the management of censoring stories about HSBC bank, a leading advertiser caught up in a tax scandal. These reports tell essentially the same story of deep cuts in editorial investment, undue pressure on newsrooms, and media increasingly dependent upon atypical models of ownership in which media have become the trophy possessions of powerful figures and institutions in pursuit of wider corporate and political objectives." (Introduction, page iii-iv)
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"We asked writers and researchers to examine the quality of coverage and to highlight reporting problems as well as good work. The conclusions from many different parts of the world are remarkably similar: journalism under pressure from a weakening media economy; political bias and opportunism that
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drives the news agenda; the dangers of hate-speech, stereotyping and social exclusion of refugees and migrants. But at the same time there have been inspiring examples of careful, sensitive and ethical journalism that have shown empathy for the victims. In most countries the story has been dominated by two themes – numbers and emotions. Most of the time coverage is politically led with media often following an agenda dominated by loose language and talk of invasion and swarms. At other moments the story has been laced with humanity, empathy and a focus on the suffering of those involved." (Introduction, page 5-6)
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"This is a book about free speech narratives. Stories about how imagination and rational thinking in wildly different cultures capture, imagine, and conceptualize what freedom of speech means. 1989 and 2011 are only two recent (in historic perspective) turning points when freedom of speech and freed
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om of the press emerged, or at least powerful efforts were made to support its emergence, although disheartening backlashes followed in several countries. This book also tells many other free speech narratives that emerged, or evolved outside the frames of 1989 and 2011, also with several troublesome repercussions. The fall of the Berlin wall in 1989, the year of largely velvet revolutions (in the words of Vaclav Havel), brought freedom of speech to Central Europe and Eastern Europe. It also increased the hope that freedom of speech and democracy can prevail in more and more countries on the earth. This book examines, in some historic perspective, to what extent this hope has become reality since and prior to 1989, also in light of the Arab revolutions of 2011." (Introduction, page 1)
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"Gerade in Ländern des Globalen Südens gibt es eine beeindruckende Vielfalt kritischer Spielfilme aller Genres, vom Roadmovie bis zur Groteske. Mal sind sie explizit politisch, mal eher angedeutet und metaphorisch, um die Zensur zu umgehen oder um eindimensionale Interpretationen zu unterlaufen. I
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hre Filmstile, Themen, Kameraperspektiven, Schnitttechniken, Sprachen und Schauspielkünste mögen hiesige Sehgewohnheiten bisweilen irritieren – aber das ist gut so! Die postkolonialen hybriden Formen all dieser filmgestaltenden Mittel laden zu immer neuen gegenseitigen Entdeckungsreisen ein. Spielfilme sind ein wunderbares Medium der Verständigung über gesellschaftliche Unterschiede und Süd-Nord-Bezüge hinweg." (Editorial, seite 17)
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"This article investigates the intersection of digital and social inequality in the context of disaster recovery. In doing so, the article responds to the optimism present in recent claims about “humanitarian technology” which refers to the empowering uses and applications of interactive technol
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ogies by disaster-affected people. Drawing on a long-term ethnography with affected communities recovering from Typhoon Haiyan that hit the Philippines in 2013 triggering a massive humanitarian response, the article offers a grounded assessment of the role of social media in disaster recovery. In particular, the article focuses on whether any positive consequences associated with digital media use are equally spread among better off and socially marginalized participants. The analysis reveals sharp digital inequalities which map onto existing social inequalities. While some of our already better-off participants have access to a rich media landscape which they are able to navigate often reaping significant benefits, low-income participants are trapped in a delayed recovery with diminished social media opportunities. The fact that some participants are using social media to recover at a rapid pace while others are languishing behind represents a deepening of social inequalities. In this sense, digital inequality can amplify social inequalities leading to a potential “second-order disaster.” This refers to humanly perpetuated disasters that can even surpass the effects of the natural disaster." (Abstract)
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"Lisa Marie Gadatsch liefert mit dieser Künstlermonographie eine erste umfassende Studie des filmischen Gesamtwerks der indisch-amerikanischen Regisseurin Mira Nair. Nairs Filme changieren zwischen Arthousekino, Hollywood und Weltkino und reflektieren den vielschichtigen kulturellen Hintergrund der
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Ausnahmeregisseurin. Die Autorin stellt die kulturellen Kontraste, Referenzen und Ambivalenzen als integralen Bestandteil Nairs postkolonialer Filmkunst heraus und erkennt in ihrem Kino eine transkulturelle Filmpoesie, die paradigmatisch für eine Generation junger und global inspirierter Filmschaffender ist." (Verlagsbeschreibung)
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"This paper provides one of the first studies on the role of social media in articulating individuals’ experiences and memories and (re-)shaping collective memory in contemporary China. It investigates how social media enable and facilitate the participation of ordinary citizens in distributing an
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d accumulating alternative narratives and memories of the past against the authoritarian version by taking the debate over China’s Great Famine – a topic long considered a political taboo – on Sina Weibo, one of the country’s most popular social media sites, as the case study. This study demonstrates that weibo provides people with an alternative communicative sphere for sharing previously suppressed, marginalised, “unofficial” memories as civil disobedience and accumulating them into an alternative collective memory that is relevant to the changing socio-political context of China." (Abstract)
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"This report gives forecasts for online video spend and consumption, where available, for 40 markets in which online video is at varying stages of development. From markets such as Singapore, where 85% of the population claims to access online video (according to GlobalWebIndex, 2014), to countries
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where online video is still in its early stages of growth, what we see is that online video consumption has risen sharply over the past few years and has begun to attract budget-switching from TV advertising. TV remains, of course, the world’s most popular advertising channel, and will be so for some years yet. Nevertheless, networks and studios are having to adapt to the new importance of digital." (Introduction, page 1)
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"The year under review in this report (May 2014 to April 2015) shows that journalists and media workers remain victims and, too often, targets in the deadly power struggles on which that they report. Within this time period, 14 journalists lost their lives, mostly in targeted attacks. Pakistan was t
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he world’s most deadly country for journalists, while Afghanistan experienced heightened levels of violence and a spike in journalist killings leading up to and after the country’s protracted presidential election. Bangladesh has also carved a bloody name as a deadly arena for journalists, particularly for those operating in the online space. The year witnessed a rise in religious extremists in Bangladesh brutally murdering and targeting journalists and bloggers in their homes and on the street. The digital realm is the newest frontier of conflict for press freedom but it also presents tremendous opportunities for informing, connecting with audiences and in harnessing regional solidarity and action. This report explores some of the battles won, such as the concerted campaign and victory that rid India of the of the controversial Section 66A of the Information Technology (IT) Act, and some of the mighty battles ahead to stop new laws and censorship that inhibit the flow of information." (Foreword, page 3-4)
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"Global press freedom declined in 2014 to its lowest point in more than 10 years. The rate of decline also accelerated drastically, with the global average score suffering its largest one-year drop in a decade. The share of the world’s population that enjoys a Free press stood at 14 percent, meani
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ng only one in seven people live in countries where coverage of political news is robust, the safety of journalists is guaranteed, state intrusion in media affairs is minimal, and the press is not subject to onerous legal or economic pressures." (Page 1)
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"The rapid development of the information society has accentuated the importance of digital divides, which refer to economic and social inequalities among populations due to differences in access to, use of, or knowledge of information and communication technologies (ICT). This book discusses the cu
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rrent state of digital divides, ranging from global." (Publisher description)
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"The report reveals that for most respondents, Christianity is a concept that is foreign to Turkish culture. Whilst this situation is a consequence of the low numbers of Christians, it is also influenced by educational content and the media. Despite the rich history of Christianity in Turkey, the ex
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istence of numerous ancient Christian sites and centuries of living side by side, only a fraction of the public has a good level of knowledge about Christian history and practice. More creative and holistic inclusion of Christianity in formal education curricula and in the mass media can contribute to improved understanding and the public’s ability to recoup and value its lost heritage. More than half of the respondents state that neither the media nor the public is objective in its treatment of non-Muslims. It may be helpful to develop a deeper understanding of this reported partiality in future research. Questions also arise regarding the public’s significant over-estimation of the proportion of Christians in the general population and whether this is linked to fear or perceptions of bias." (Conclusion)
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"A Western paradigm has dominated approaches to communication and journalism studies – particularly in the areas of theory, analysis and law and ethics. This article backgrounds important critiques of that paradigm, and considers how globalized communication and media studies has become, before ex
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emplifying how a secular Buddhist perspective might offer 2,500 year-old analytical tools that can assist with media analysis, law and ethics. The article proposes the Buddha’s Four Noble Truths, particularly the sila (moral/ethical) dimension of the fourth truth, the Noble Eightfold Path (magga), can serve as a fruitful tool for informing communication theory and analysis, and media law and ethics. The article begins by assessing the extent to which communication and media studies in Asia and the Pacific has shifted to accommodate non-Western approaches. In media analysis, it suggests the Buddha’s teachings on Right Speech (samma vaca) offer key understandings to assist with the deconstruction of media texts. In media law and ethics, it extends the application of Right Speech principles to comparing defences to libel (defamation) as they have developed in four Western jurisdictions." (Abstract)
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"As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philipp
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ines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black and white illustrations and detailed information on comics of sixteen countries and regions – their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan." (Publisher website)
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