"The markets we do include are a very diverse bunch, from the very closed and politically tightly controlled such as Laos; through a large number of nations on the African continent which have seen a sudden improvement in digital infrastructure thanks to the landing of several new submarine intercon
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tinental fibre optic cables over the past few years; and not forgetting markets like Trinidad & Tobago, which seems to enjoy a large choice of TV channels to serve a relatively modest population; or indeed Iran, fresh from its welcome back into the international fold following the suspension of UN sanctions in January 2016. For each market, we give some economic data sourced from the IMF, as well as our estimates and forecasts for advertising expenditure and growth in its ad market to 2018. We also provide a short commentary setting out an overview of the media market in question." (Page 1)
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"In 2006, Chinese officials revealed an extensive plan to increase the nation’s soft power in Africa through a number of initiatives to increase the presence and relevance of Chinese media in Africa. However, the question remains: Has China been successful in enhancing its soft power via its news
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media expansion in the African region? Although it is easy to find sweeping proclamations regarding the popularity of Chinese media throughout Africa, there have been limited efforts to systematically measure the effect of these media on African public opinion toward China. This study seeks to fill this void. Using Pew Global Attitudes Project data, I explore correlations between attitudes toward China and the extent of the Chinese media presence across six African nations in 2013. In addition, to better test for a causal effect of the post-2006 expansion, I employ a second analysis in which I compare these relationships in 2007 with these same relationships in 2013. By comparing changes in these relationships over time, this analysis provides tentative empirical support that the sweeping efforts undertaken to expand the reach and relevance of Chinese media in Africa have moved African public opinion in the desired direction." (Abstract)
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"By the turn of the 21st century, animation production has grown to thousands of hours a year in the People's Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book
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is an historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film, the book takes comparative approaches that link SAFS animation to contemporary cultural production including American and Japanese animation, Pop Art, and mass media theory. Through readings of classic films such as Princess Iron Fan, Uproar in Heaven, Princess Peacock, and Nezha Conquers the Dragon King, this study represents a revisionist history of animation in the PRC as a form of "postmodernism with Chinese characteristics." (Publisher description)
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"With regards to professional role orientations, South Korean journalists found it most important to report things as they are, to provide analysis of current affairs, and to monitor and scrutinize business and political leaders. The relevance of these roles was fairly undisputed among the interview
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ed journalists as the relatively low standard deviations indicate. Likewise, there was a strong consensus among the respondents over the little importance of supporting government policy and conveying a positive image of political leadership. Still, a majority of journalists in South Korea found it important to be a detached observer, to promote tolerance and cultural diversity, to set the political agenda, to provide information people need to make political decisions, to let people express their views, to advocate for social change, and to motivate people to participate in political activity. To provide entertainment and relaxation, as well as politically more assertive roles like supporting government policy and conveying a positive image of political leadership, were supported by only a minority of respondents." (Journalistic roles, pages 1-2)
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"Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became m
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ajor box office hits. The emergence of the phenomenally popular "J-Horror" genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion." (Publisher description)
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"While a decade ago much of the discussion of new media in Asia was couched in Occidental notions of Asia as a "default setting" for technology in the future, today we are seeing a much more complex picture of contesting new media practices and production. As "new media" becomes increasingly an ever
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yday reality for young and old across Asia through smartphones and associated devices, boundaries between art, new media, and the everyday are transformed. This Handbook addresses the historical, social, cultural, political, philosophical, artistic and economic dimensions of the region's new media. Through an interdisciplinary revision of both "new media" and "Asia" the contributors provide new insights into the complex and contesting terrains of both notions." (Publisher description)
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"The chapter examines the complex relations of communication processes, generations and cultural memory in the socio-cultural setting of North Vietnam. It critically reviews present scholarly work in the flourishing, but scattered, field of memory research in communication and media studies, and dis
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cusses links to Mannheim’s sociological concept of generations. The theoretical concepts of generation and cultural memory demonstrate several commonalities along the lines of time and space, experiences, perceptions and mediation processes as determining dimensions. The chapter presents an exemplary case study of a family in Hanoi and probes a respondent-centred empirical approach to describe these relations in terms of memory-related communication repertoires. The repertoire-oriented analytical framework proved to be an efficient tool to elicit and merge perspectives on memory and communication practices from the research material." (Abstract)
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"Internet freedom has declined for the sixth consecutive year, with more governments than ever before targeting social media and communication apps as a means of halting the rapid dissemination of information, particularly during antigovernment protests. Public-facing social media platforms like Fac
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ebook and Twitter have been subject to growing censorship for several years, but in a new trend, governments increasingly target messaging and voice communication apps such as WhatsApp and Telegram. These services are able to spread information and connect users quickly and securely, making it more difficult for authorities to control the information landscape or conduct surveillance. The increased controls show the importance of social media and online communication for advancing political freedom and social justice. It is no coincidence that the tools at the center of the current crackdown have been widely used to hold governments accountable and facilitate uncensored conversations." (Page 1)
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"An emerging topic in the development field is how information and communication technology (ICT) can be used for economic and social development. The general approach relies on technological determinism, whereby the discussion revolves around how and to what extent will ICT support development. It
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assumes the benefits of ICT as inherent. This approach ignores that ICT is created and experienced within a socially divisive and complex space. A more critical and sociological analysis is needed for development studies to better understand the implications of ICT initiatives. In this article, I argue that Saskia Sassen's analytical framework of technology and society as embedded avoids this technological determinism and allows social theorists to account for social and material aspects of ICT. To support this alternative framework, I present a case study of a rural ICT initiative in Gujarat, India, and discuss how this reconceptualization reveals more nuanced understanding of ICT and society. Based on interviews and field research, I find that technology creates new social understandings for the rural ICT users, but also that society shapes the technology to make it inaccessible for them." (Abstract)
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"This book offers an in-depth account of social media, journalism and collective memory through a five-year analysis of Weibo, a leading Chinese micro-blogging platform, and prism of transitional China in a globalizing world. How does society remember public events in the rapidly changing age of soc
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ial media? Eileen Le Han examines how various kinds of public events are shared, debated, and their historical significance and worthiness of remembrance highlighted on Weibo. Journalism plays a significant part in mobilizing collective remembering of these events, in a society with rapidly changing topics on the platform, the tightening state control, and nationalism on the rise. The first five years of Weibo reflect a dramatic change in Chinese society, where journalists, media professionals, and opinion leaders in other fields of expertise, together with ordinary citizens directly affected by these changes in everyday life collaborate to witness the rapid social transition." (Palgrave Macmillan website)
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"This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre. With contributions from leading scholars in the field, the book illuminates theatre in a diverse range of global contexts and regions. Divided into three sections - histories and cultural memorie
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s; place, community and environment; and poetics and participation - the chapters interweave cutting-edge theoretical insights with examples of innovative creative practice that traverse different places, spaces and times." (Publisher description)
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"Through the narratives and movements of survivors of the war in Lanka these interconnected essays develop the concept of 'survival media' as embodied and expressive forms of mobility across borders." (Publisher description)
"This year we have evidence of the growth of distributed (offsite) news consumption, a sharpening move to mobile and we can reveal the full extent of ad-blocking worldwide. These three trends in combination are putting further severe pressure on the business models of both traditional publishers and
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new digital-born players – as well as changing the way in which news is packaged and distributed." (Overview & key findings)
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"This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if ex
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amined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization." (Publisher description)
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"This book explores how personalized content and the inherent networked nature of the mobile media could and do lead to positive externalities in social progress in Asian societies. Empirical studies that examine uses of the mobile phone and apps (voice mailing, SMS, mobile social media, mobile Weib
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o, mobile WeChat, etc.) are featured as a response to calls for theorization of the mobile media's efficacy as a tool for citizen engagement and participation in civic and political affairs, especially in the search for collective solutions to widespread social problems of food safety, pollution, government corruption, and public health risks. Considering the vast cultural diversity of Asian societies that are shaped by different levels of political, social, economic, and religious development, the book offers nuanced studies that provide in-depth analysis of the mobile media and political communication in a variety of communities of leading Asian countries. From the country-specific studies, broad themes and enduring concepts emerge." (Publisher description)
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"In this report, we analyse six examples of digital journalism start-ups developing new editorial priorities, distribution strategies, and funding models for an increasingly digital Indian media environment. After years of slow growth, internet use and digital advertising has grown very rapidly in I
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ndia in recent years, powered especially by the spread of mobile internet use, and double-digit growth in both the number of users and which in advertising is expected to continue. India now has the second-largest number of internet users in the world and rapid growth in internet use and digital advertising is seen by many as the biggest market opportunity outside China since the internet took off in the United States in the 1990s. The start-ups we examine here are examples of how Indian journalists, technologists, and entrepreneurs are working to develop different contentbased (the Quint, Scroll), aggregation-based (InShorts, DailyHunt), or nonprofit (The Wire, Khabar Laharirya) models for doing journalism fit for a digital India." (Executive summary)
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"This book addresses the persistence of the optical media piracy trade in the Philippines and Vietnam. It goes beyond arguments of defective law enforcement and copyright legal systems by applying sociological perspectives to examine the socio-economic forces behind the advent of piracy in the regio
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n. Using documentary and ethnographic data, in addition to resistance and ecological theories in sociology of law and technology as the overall theoretical framework, the book investigates factors that contribute to this phenomenon and factors that impede the full formalization of the optical media trade in the two countries. These factors include the government's attitude towards the informal sector and strong resistance to tougher IPR protection, unstable and sometimes conflicting policies on technologies, burdensome business registration process and weak enforcement of business regulations, bureaucratic corruption and loopholes in law enforcement system as well as trade ties with China. In addition to that, the book highlights the social background of the actors behind the illegal business of counterfeit CDs and DVDs, thereby explaining the reasons they continue to persist in this type of trade. It invites policymakers, law enforcers, advocates of anti-piracy groups, and the general public to use a more holistic lens in understanding the persistence of copyright piracy in developing countries, shifting the blame from the moral defect of the traders to the current problematic copyright policy and enforcement structure, and the difficulty of crafting effective anti-piracy measures in a constantly evolving and advancing technological environment." (Publisher description)
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