"This article presents insights on a participatory theatre initiative implemented in Kenya, with the aim of understanding the changes that were initiated towards the re-establishment of peace between communities. The project was carried out in the aftermath of the post-election violence that took pl
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ace in the country between 2007 and 2008. Amani People’s Theatre organised a number of theatre-based activities adopting a participatory approach, which ensured the involvement of community members from different tribes. Participants used the plays to re-enact the events, experienced during the conflict and the issues that still affected their communities as a result of those events, and worked together on finding solutions. The article begins with a literature review on Theatre for Development and its progress towards a more participatory approach. This is followed by an introduction of the project and the context in which it took place. The study design and Theory of Change developed for the analysis are then presented, opening the path to a discussion of the findings generated through that framework. Lastly, final reflections bring to light a number of issues that must be considered when working with participatory theatre in peace interventions." (Abstract)
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"This handbook attempts to fill the gap in empirical scholarship of media and communication research in Africa, from an Africanist perspective. The collection draws on expert knowledge of key media and communication scholars in Africa and the diaspora, offering a counter-narrative to existing Wester
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n and Eurocentric discourses of knowledge-production. As the decolonial turn takes centre stage across Africa, this collection further rethinks media and communication research in a post-colonial setting and provides empirical evidence as to why some of the methods conceptualised in Europe will not work in Africa. The result is a thorough appraisal of the current threats, challenges and opportunities facing the discipline on the continent." (Publisher description)
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"Mobile money embodies financial opportunity in Somalia. Deemed convenient, affordable and fast, mobile money has been widely adopted. It has reached a penetration rate of 83% in urban areas, 72% in IDP camps and 55% in rural areas, compared to a penetration rate of 15 for formal bank accounts. Give
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n the depreciation of the local currency and lack of other satisfying and accessible alternatives, people and firms rely heavily on mobile money for their daily money transfers, and mobile money services have been acting as a virtual dollarized currency. Thus, mobile money has become the primary financial instrument in Somalia and Somaliland while cash usage is decreasing. The ecosystem is also already robust, with nearly two thirds of users choosing to keep funds in their mobile accounts rather than cashing them out. Large shares in the value mix of disbursements and bill and merchant payments suggest an expanding ecosystem of institutions and businesses using the system. Most of the success has been due to the home grown nature of mobile money. Mobile Network Operators have managed to nurture, from scratch, a local context appropriate, unique and compelling mobile money ecosystem that meets Somalis’ needs. This is a substantially different environment than telecommunications in countries across the rest of the African continent, which have traditionally been dominated by incoming multi nationals such as India’s Bharti or France’s Orange. Given Somalia’s complex political environment and volatile security conditions, investments in telecommunications have been almost exclusively led by Somalis, both from the diaspora and within the country. As a result, the ICT sector has been able to leverage Somali social and business networks, and has created products uniquely suited to the Somali context. While mobile money services are broadening the reach of financial services for the unbanked, the most vulnerable are more likely to be excluded from the system. Barriers to direct use by the poorest segments include cellular coverage, cost of phone ownership and use, limited access to electrical power, illiteracy and the predominance of mobile money services being offered in USD (rather than the local Shilling valued in rural areas). Nevertheless, there is strong evidence of a social impact Mobile money circulates across groups of different vulnerability levels and in a society of frictionless financial interdependence, mobile money enables more fluidity within the family and clan, and constitutes a lifeline for the poor. Mobile money transfers from NGOs and aid agencies also contribute to flows targeting vulnerable populations." (Executive summary)
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"Domestic journalists covering Kenya’s 2013 General Election worked in an exceptionally challenging media environment; one which was significantly shaped by the 2007 election and post-election violence (PEV). Rooted in literature on peace journalism (PJ), we examine how the PEV of Kenya’s 2007 p
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residential elections informed and shaped journalists’ practice around the 2013 Kenyan General Election. The article is based on qualitative interviews with 16 Kenyan print journalists and editors at the Daily Nation and Standard newspapers as well as interviews with 6 Kenyan media specialists. Our analysis finds the 2007 PEV significantly constrained journalistic practice in three ways: first, journalists witnessed violence in 2007 which anchored their 2013 coverage; second, interviewees felt a ‘collective guilt’ at journalism’s failure to provide responsible coverage in 2007 creating a ‘culture of restraint’ and third, journalists felt compelled to ‘sanitize’ potentially inflammatory language creating a tension between journalists’ duty to inform and strong desire to avoid contributing to conflict. This article concludes by siding with a growing critical chorus of PJ scholars critiquing its often “individualist” approach and calling for greater attention towards structural factors such as perceived social constraints when conceptualizing and theorizing the agency of journalists working in post conflict environments." (Abstract)
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"The paper summarizes evidence on food insecurity in Sub-Saharan Africa and strategies to provide information on innovative agricultural practices to smallholder farmers. The research in this paper is then discussed within the context of research on information and communication technologies (ICTS)
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for development. Next, the paper presents the ICT-enhanced participatory radio campaign approach and ICT innovations introduced by Farm Radio International, a Canadian nongovernmental organization. The paper analyzes two participatory radio campaigns that use both listening groups and ICTs to engage African farmers. Research on these radio campaigns in six African countries is reported to examine how the participatory approach impacted listenership, knowledge and initial adoption of agricultural techniques and practices presented in the radio campaigns. The authors conclude that the findings of research on these projects could be highly relevant for increasing awareness and adoption of agricultural practices in Sub-Saharan Africa." (Abstract)
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"KANA TV is the most popular station with over 30% share and an average audience of almost 3 million while EBS comes second reaching half the audience KANA TV reaches. EBC1, JTV, and Nahoo close out the top 5 stations which comprise 81% of total share." (Slide 9)
"This publication takes a look at current developments in the field of audience research in media development and presents three case studies testing innovative methods that can be of use for research, monitoring, and evaluation. They are meant as an orientation and inspirational source for future p
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rojects in this domain. Based on the information assembled in this study we make the case that media development needs audience research to improve its projects. Media development actors need to know more about the impact on their final beneficiaries if they want their work to be truly successful. However, it does not always make sense for media development actors to conduct or commission expensive and broadly representative research. Budgets and project sizes are limited, and often the results of market or academic research efforts are only of very general use to a particular media development project in question. Therefore ways have to be found to conduct focused audience research in media development – in order to gain specific and relevant knowledge directly related to the interventions. The three case studies we present in this publication are directly related to ongoing media development projects. They apply tailor-made approaches to a particular setting. On top of this, we have assembled more general knowledge from the literature and past studies in audience research that are of relevance here." (Executive summary)
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"The present report provides the findings of a combined baseline evaluation of “‘I Love My Country:’ Promoting Localized Understanding and Peaceful Coexistence in South Sudan” (PLUPC) funded by the Peace and Stabilization Operations Program (PSOPS) of the Canadian government, and endline eva
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luation of the project, “‘I Love My Country’: Strategic Communications for Peace Building in South Sudan” (SCPB) funded by the European Union (EU). The goal of the “‘I Love My Country:’ Promoting Localized Understanding and Peaceful Coexistence in South Sudan” project is to build greater understanding and application of key concepts embodied within the Agreement on the Resolution of the Conflict in the Republic of South Sudan (ARCSS) through key stakeholder meetings, participatory theater performances, civil society engagement, small-scale peace initiatives, short media productions, and radio drama production and broadcast. The project began on December 15, 2016 is expected to end on June 15, 2018. The purpose of the “‘I Love My Country’: Strategic Communications for Peace Building in South Sudan” project is “to promote social cohesion, resilience, and the peaceful resolution of conflicts among individuals and communities in South Sudan” by strengthening national platforms for diverse and constructive and promoting peace, tolerance, and reconciliation with key groups and individuals. Search for Common Ground, iHub, UNESCO, and Catholic Radio Network launched the project in November 1, 2014 and it was concluded on March 1, 2017. The objectives of the baseline evaluation for PLUPC are to update the analysis of local conflict dynamics in the targeted zones for outreach activities, collect baseline data for project indicators, to reflect upon the Objectives and Theory of Change (TOC) of the project, and to evaluate potential risks to project participants, implementing staff, and partners. The final evaluation for SCPB seeks to measure changes in key indicators after the implementation of activities, evaluate the project using OECD-DAC criteria (relevance, effectiveness, efficiency, impact, and sustainability), and provide lessons learned and recommendations to inform future peace building activities in the country." (Executive summary)
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"This Radio Distribution Module contains the collective knowledge of the Internews South Sudan team gained over three years’ experience conducting radio distributions within the United Nations Protection of Civilians sites (PoCs) and surrounding communities [...] “Part I. Context” describes th
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e information and media landscape in South Sudan and the continued prominence of radio in people’s lives. It summarizes research on the importance of information access for health, education, and peacebuilding outcomes, and highlights Internews’ radio distribution activities in service of these aims. “Part II. Case Study” details radio distributions conducted in the Bentiu PoC and Malakal to expand information access and listenership for Boda Boda Talk Talk and Nile FM programs. The case studies also include lessons learned, particularly the adaptive programming over time, in order to offer recommendations for future radio distributions." (Page 3)
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"This edited collection argues that the connective and orientation roles ascribed to diasporic media overlook the wider roles they perform in reporting intractable conflicts in the Homeland. Considering the impacts of conflict on migration in the past decades, it is important to understand the capac
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ity of diasporic media to escalate or deescalate conflicts and to serve as a source of information for their audiences in a competitive and fragmented media landscape. Using an interdisciplinary perspective, the chapters examine how the diasporic media projects the constructive and destructive outcomes of conflicts to their particularistic audiences within the global public sphere. The result is a volume that makes an important contribution to scholarship by offering critical engagements and analyzing how the diasporic media communicates information and facilitates dialogue between conflicting parties, while adding to new avenues of empirical case studies and theory development in comprehending the media coverage of conflict." (Publisher description)
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"In South Sudan, media capture, media market and audience segmentation are driven by: the ongoing civil conflict (since 2013), ethnic and linguistic divisions, a lack of rule of law, the legacy of clientelistic networks in the media and the government, a stark urban-rural divide, and a lack of infra
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structure and funding that could support sustainable media development. In Tanzania, media capture, and media market and audience segmentation are driven by: the dominance of the CCM that enables the government to establish a legal framework to restrict freedom of the press, stark rural-urban and ZanzibarMainland divides, and a lack of local and community media in rural areas due to poor infrastructure and a lack of managerial skills. In Bangladesh, media capture, media market and audience segmentation are driven by: the political polarisation of the media and journalists’ unions between the dominant AL and BNP political parties, the combination of political polarisation and low journalistic professionalism preventing politically unbiased reporting, and connections between corporate media owners and political elites that lead to politically-motivated corporate media strategies. In South Africa, media capture, media market and audience segregations are driven by: the lack of sustainable funding available to independent media outlets, prohibitive costs limiting their readership to the economic elite, and the dominance of the (politically controlled) SABC as the only source of media catering to lower-income segments of the population." (Executive summary, page vi-vii)
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"Cette étude présente une évaluation du développement des médias à Madagascar dans un contexte de retour au fonctionnement démocratique des institutions suite à la crise politique des années 2009-2013 qui s’est traduite par une forte instabilité politique et un marasme économique. Elle
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est basée sur les Indicateurs de Développement des Médias (IDM) de l’UNESCO. Son intervention devrait constituer un outil pour la promotion du développement des médias." (Résumé exécutif)
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"Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, esp
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ecially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture." (Publisher description)
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