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Freedom on the Net 2017: Manipulating Social Media to Undermine Democracy
Top Insights

Sanja Kelly, Mai Truong, Adrian Shahbaz, Madeline Earp, Jessica White (eds.)

Washington, DC; New York: Freedom House (2017), 1060 pp.

"Governments around the world have dramatically increased their efforts to manipulate information on social media over the past year. The Chinese and Russian regimes pioneered the use of surreptitious methods to distort online discussions and suppress dissent more than a decade ago, but the practice ... more

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Strengthening Accountability Through Media in Kenya: Final Evaluation

Catharine Buckell, Sopie Baskett

London: BBC Media Action (2017), 59 pp.

"Funded by DFID, under the Global Grant project, BBC Media Action produced three seasons of the weekly TV and radio programme Sema Kenya (Kenya Speaks). Sema Kenya featured a moderated discussion between a live panel of officials and an audience of ‘ordinary’ Kenyans and was designed to enable i ... ndividuals, communities and governments to be better informed and more engaged in tackling governance challenges. Alongside this, BBC Media Action delivered a mentoring programme, initially with six local radio stations, and later with the national broadcaster Kenya Broadcasting Corporation (KBC), which has the largest footprint in the country. Through this work, BBC Media Action aimed to strengthen the capacity of Kenya’s media sector to produce governance programming that supported and mainstreamed the overall objectives of the project at both the local and national level. [...] Sema Kenya contributed to people being more informed about and engaged in politics. Audiences were more knowledgeable about politics, discussed it more with friends and family, felt more confident in their ability to influence political processes and participated more in governance related activities (particularly at the community level) – all factors that support bottom-up accountability. Audiences themselves linked Sema Kenya with these outcomes. This finding was validated by analysis confirming a significant positive relationship between watching or listening to Sema Kenya and consistently higher knowledge, discussion and confidence to engage in politics, even when taking into account other factors that might influence these outcomes (such as education, age and interest in politics). While Sema Kenya’s audience was more likely to participate in politics, qualitative research respondents rarely attributed their actions directly to what they had heard on Sema Kenya. This reflects findings from advanced quantitative analysis (structural equation modelling) that suggests the link between Sema Kenya and increased political participation is indirect and mediated by political knowledge, discussion and self-efficacy. Supported by an extensive network of broadcast partners that stretched across all 47 counties in Kenya, the discussion programme reached an estimated 12.7 million people over three seasons, with a peak audience of 5.7 million in 2013 – the year of the general election. The show also maintained a loyal audience throughout all three seasons, with around half of all those reached annually tuning in for at least every second episode." (Executive summary, pages 6-7) more

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Entertainment and Media Outlook 2017 – 2021: An African Perspective. An In-Depth Analysis of the Trends Shaping the Entertainment and Media Industry in South Africa, Nigeria, Kenya, Ghana and Tanzania
Quick Overview

Price Waterhouse Coopers (pwc), 8th. annual ed. (2017), 161 pp.

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Media, Diaspora and the Somali Conflict

Idil Osman

Cham: Palgrave Macmillan (2017), ix, 156 pp.

"Media, Diaspora and Conflict demonstrates a previously overlooked complexity in diasporic media by using the Somali conflict as a case study to indicate how the media explores conflict in respective homelands, in addition to revealing its participatory role in transnationalising conflicts. By illus ... more

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Global Pop: Das Buch zur Weltmusik

Claus Leggewie (ed.)

Bonn: Bundeszentrale für politische Bildung (bpb), Lizenzausg. (2017), 392 pp.

"Der Begriff "Weltmusik" war in den 1980er Jahren die gängige Beschreibung für Musikstile, die aus westlicher Perspektive "exotisch" wirkten. Er stand für unterschiedlichste musikalische Traditionen, die oftmals nicht viel mehr gemein hatten, als dass sie plötzlich für den westlichen Markt inte ... more

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Listening In: An Internews Assessment of Community Radio in Tanzania

Brice Rambaud

Internews (2017), 52 pp.

"Internews set out to take stock of community radio stations (CRS) in Tanzania through a rapid, structured assessment. We were determined to understand the extent to which CRS across the country were providing a valuable public information service, and what barriers could be overcome and opportuniti ... more

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The Need and the Opportunities for Sustainability: The Case of Local Radio Stations in Tanzania

Christoph Spurk, Filip Dingerkus

Journal of Media Business Studies, volume 14, issue 1 (2017), pp. 38-59

"Local radio stations have mushroomed in Africa, including Tanzania, partly due to increased support from international donors. However, research results show that the lack of economic viability is a major constraint for local radio stations. They can hardly generate sufficient revenues from adverti ... more

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Community Radio in a Commercial Broadcasting Landscape: Kenya’s Koch FM

Rose N. Kimani

Radio Journal: International Studies in Broadcast & Audio Media, volume 15, issue 2 (2017), pp. 195-210

"Koch FM is a community radio station located in Korogocho, a slum in Nairobi, Kenya. The station aims to provide alternative information, education and entertainment content. Producers at the station and community members who make up the station’s audience have different perceptions of Koch FM’ ... more

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Kenyan Community Radio: Players, Production Processes and Participation

Rose N. Kimani

Bayreuth: University of Bayreuth, Doctoral Thesis (2017), ix, 311 pp.

"Community broadcasting is known as the third tier of broadcasting, occupying the space between commercial and state broadcasters. In Kenya, this sector has been active only since 2004. Despite its recognised value in other contexts across the globe, community broadcasting is still struggling to fin ... d footing in the Kenyan media landscape, and there is a paucity of research on how this sector actually operates – its structures, content and audiences. This work therefore explores the roles and relevance of community radio in the vibrant Kenyan media landscape. Using a complementary mix of qualitative and quantitative methods, three community radio stations with different social contexts, funding and management structures were investigated. The research focused on the ideas and actors behind community radio, its funding and management structures, content, content production processes, listenership patterns and participation practices. Brought to light was that this sector navigates legislation and funding challenges, and juggles between global and local ideals about community broadcasting, most distinct of which are democracy and development. The local, the national and the global inform the ideas under which Kenyan community broadcasting operates, and these ideas are interpreted differently in each context. Communities interact with each of the stations based on their particular local contexts. Not only do they listen to community broadcasters according to specific daily rhythms, but they also mobilise themselves into social formations – most often fan groups and clubs – as a way of collective participation in the life of the station. Contrary to much radio audience research, this work shows that listenership is a distinct activity and participation in and through the media is not only an individual endeavour, but a collective undertaking drawing on pre-existent social solidarities. Community radio content addresses its listeners as different kinds of communities and publics at specific times of the day, and they respond accordingly. As well, there is content transformation across diverse media platforms, which may be a step towards new genres. Despite working within different and hybrid journalistic cultures, the producers play similar roles to their communities across the three contexts including mediation, mobilisation, space-creation, information and entertainment. Of these roles, mobilisation is a strength of community radio. The research reveals the intertwined nature of state, media and audience relationships, and argues for the fact that there are no homogenous audiences even at a micro-level, and that the affective and democratic functions of media participation are intricately linked to each other." (Abstract) more

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Community Radio Programming and Peace Promotion During Political Campaigns in Kenya: A Case of Migori County

Mak'Ouma Enock Ochieng

Rongo University, Master Thesis (2017), xii, 106 pp.

"Migori County is listed by the National Commission on Integration and Cohesion as a political violence hotspot. The aim of this study was to examine the role of community radio programming in peace promotion during political campaigns in Migori. The objectives of the study were: To establish the ty ... more

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Role of Community Radio in Peacebuilding Among the Youth: A Case Study of Pamoja FM in Kibra, Kenya

Mwanzia Tabitha Nzula

Nairobi: University of Nairobi, Master Thesis (2017), xi, 64 pp.

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Job Autonomy: How Kenyan Newspeople Perceive their Journalistic Latitudes

Kioko Ireri

African Journalism Studies, volume 38, issue 2 (2017), pp. 90-114

"National in scope, this survey of Kenyan journalists conducted in 2012–2013 (n = 504) examines job autonomy in news selection decisions, media freedom and predictors of journalistic autonomy. The research also investigates the relationship between Kenya’s media freedom and journalistic autonomy ... more

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Africa Peace Journalism: A Manual for Media Practitioners in East Africa

Fredrick Ogenga (ed.)

Rongo (KE): Rongo University, Center for Media, Democracy, Peace and Security (CMDPS) (2017), xiv, 71 pp.

"This publication is the outcome of the “East Africa Regional Peace Journalism Training Workshop” for journalists covering conflict and peacebuilding in East Africa. Organized by Rongo University’s Center for Media, Democracy, Peace, and Security (CMDPS) in partnership with the African Peacebu ... more

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Internet: Smarte neue Welt

welt-sichten, issue 12 (2017), pp. 12-42

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Radio Listenership Among Women in Kipkelion West Sub-County, Kericho County

Koech Fidelice Chepng'Etich

Nairobi: University of Nairobi, Master Thesis (2017), xii, 77 pp.

"The study sought to find out radio listenership among women in Kipkelion West Sub-County, to establish the choice of radio programs and stations that interests the women, to assess the preference of radio to other mass communication media among women and to find out the gratifications women seek to ... more

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Everyday Media Culture in Africa: Audiences and Users

Wendy Willems, Winston Mano (eds.)

London: Routledge (2017), 260 pp.

"This volume examines the lived experiences of Africans and their interaction with different kinds of media: old and new, state and private, elite and popular, global and national, material and virtual. By offering a comparative, critical and largely qualitative account of audiences and users across ... a range of national contexts in different regions of Africa, the book examines media through the voices and perspectives of those engaging with it rather than reducing audiences and users to numbers and statistics, ready to be exploited as potential target markets or as political constituencies. The critical, qualitative research perspective adopted in this book enables us to gain a better understanding of how African viewers, listeners and users make sense of a range of media forms; what role these play in their everyday lives and what audience and user engagement can tell us about how citizens perceive the state, how they imagine themselves in the wider world and how they relate to each other. The book argues that the experiences of audiences and engagements of users with a range of media—newspapers, radio, television, magazines, internet, mobile phones, social media—are always grounded in particular contexts, worldviews and knowledge systems of life and wisdom: ‘It is akin to the tortoise. The tortoise never leaves its shell behind. It carries it wherever it goes’ (Chivaura 2006: 221). African media audiences and users carry their contexts and cultural repertoires in the same way a tortoise carries its shell. Thus far, the bulk of academic research on media and communication in Africa has addressed the policy and regulatory aspects as well as the relation between media institutions and the state (Willems 2014a). While studies on media, democratization and press freedom are invaluable, the ways in which ordinary people make sense of, and relate to, media in their everyday lives are largely left beyond consideration. As Barber (1997: 357) has pointed out, ‘[w]hat has not yet been sufficiently explored is the possibility that specific African audiences have distinctive, conventional modes and styles of making meaning, just as performers/speakers do. We need to ask how audiences do their work of interpretation’." (Page 4) more

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Twinning Social Memory and Social Imaginary: Challenges for East African Media Policies

Ullamaija Kivikuru

African Journalism Studies, volume 38, issue 3-4 (2017), pp. 50-73

"The article discusses the significance of the past in the planning of media policies in two neighbouring countries in Africa, namely Kenya and Tanzania. The theoretical frame is composed of four concepts: social imaginary, collective memory, domestication, and liminality. The scrutiny starts from t ... more

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Information Needs and Access to Media Among Sudanese Refugees in Northern Unity State, South Sudan: Findings from a Survey of the Refugee and Humanitarian Communities

Arcata, Calif.: Internews (2017), 43 pp.

"In April 2017, Internews conducted a field assessment that investigated access to media and information needs among Sudanese refugees in Yida, Ajuong Thok, and Pamir, a settlement and two refugee camps in the northern part of Unity State, South Sudan. The assessment followed the February 2017 launc ... more

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Makutano Junction: A Village Soap Opera for Kenyan TV. An Interview with Producer and Mediae.org Director and Co-Founder David Campbell

Ben Stringer, David Campbell

Architecture and Culture, volume 5, issue 1 (2017), pp. 99-113

"Makutano Junction is an ‘edutainment’ soap opera made for local TV stations in Kenya and other East African countries. The show is about a fictional peri-urban village and the people who live in it. The program is made in Kenya, but was devised and is produced by Mediae, a UK based company that ... more

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Plan national de communication du secteur eau, assainissement et hygiene

Ministère de l' Eau, de l' Energie et des Hydrocarbures (2017), 45 pp.

Freedom on the Net 2017: Manipulating Social Media to Undermine Democracy Top Insights

Entertainment and Media Outlook 2017 – 2021: An African Perspective. An In-Depth Analysis of the Trends Shaping the Entertainment and Media Industry in South Africa, Nigeria, Kenya, Ghana and Tanzania Quick Overview

Freedom on the Net 2017: Manipulating Social Media to Undermine Democracy
Top Insights

Entertainment and Media Outlook 2017 – 2021: An African Perspective. An In-Depth Analysis of the Trends Shaping the Entertainment and Media Industry in South Africa, Nigeria, Kenya, Ghana and Tanzania
Quick Overview