"This article presents an overview of the emergence of sustainability themes in communication for development and argues that there is an urgent need for a framework of sustainability indicators for communication for development and social change projects around the world. It fills a crucial gap in
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the growing body of literature by first synthesizing the most relevant data currently produced by global and local institutions, NGOs, UN-based organizations, academics, and professionals regarding assessment indicators for development projects, and second, produces a framework of sustainability indicators that can be used by a wide variety of people in the field to assess the sustainability of existing projects and the sustainable potential of planned ones. It then tests the framework in two representative cases." (Abstract)
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"En las décadas de 1970 y 1980 varias salas limeñas se llenaban de familias que iban a ver las largas y melodramáticas producciones de cine que llegaban desde la India. Hoy esas salas ya no existen, pero eso no impide que la incidencia del cine indio se haya mantenido –dvd piratas mediante– n
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i que este atraiga a nuevos fans. Ya no se trata únicamente de espectadores pasivos: además de mirar y escuchar, muchos jóvenes de origen popular se han decidido a bailar y cantar, imitar y reinventar. Esta breve etnografía propone algunas claves de lectura para la nueva dirección que el cine de Bollywood está tomando en Perú." (Página 133)
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"This anthology aims to portray the “soft” power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy
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. In addition to contributions that directly engage with the notion of soft power, a number of essays in the volume testify to the attractiveness of Bollywood cinema for ethnically diverse groups across the world, probe the reasons for its appeal, and explore its audiences' identification with cinematic narratives." (Publisher description)
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"Media and Terrorism brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is a perfect student text and is an
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essential handbook on the dynamics of war and the media in a global context." (Publisher description)
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"The Report is composed of four thematic parts. Part 1 describes the conceptual framework and relates the findings of the Networked Readiness Index (NRI) 2012. In addition, Part 1 features selected expert contributions on the general theme of hyperconnectivity. Part 2 includes two case studies showi
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ng the efforts that two countries, Azerbaijan and Mauritius, are making to develop ICT and fully leverage their potential benefits. Part 3 comprises detailed profiles for the 142 economies covered in this year’s Report, providing a thorough picture of each economy’s current networked readiness landscape and allowing for international comparisons of specific variables or components of the NRI. Part 4 includes data tables for each of the 53 variables composing the NRI, with rankings for the economies covered as well as technical notes and sources for the quantitative variables used." (Executive summary, page xi)
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"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
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e Passion of the Christ (2004) are but three notable examples. Each of those movies, however, was first produced in America for American audiences. In the case of Karunamayudu (1978), a Telugu commercial movie of Jesus' life, the target audience was South Indian viewers raised on a steady diet of mythological and social films and immersed in a pluralistic religious environment unlike any Western society at the time. In this essay I explain how and why this film, with its unique production history, was co-opted by evangelicals for Christian witness in India." (Abstract)
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"This essay argues against reducing the recent history of global television to an oversimplified transition between ‘statist’ and ‘consumerist’ dispensations. As apparently irreconcilable ideologies of television, the statist and consumerist models represent two ways of imagining the relatio
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n between the deployment of media and the project of modernity. Despite their surface differences, both share a tendency to imagine television in primarily ‘representative’ rather than ‘constitutive’ terms: they both evaluate television according to its ability to represent or address supposedly pre-existing publics, as opposed to its power to help constitute those very publics. I develop the question of the constitutive potential of television by reconsidering a decade of Indian television history – the mid-1970s through the mid-1980s – that is generally dismissed as a transitional phase between statist and consumerist paradigms. Through a discussion that is empirically grounded in the Indian experience, I propose categories that might inform comparative explorations of media and modernity in an age of globalization." (Abstract)
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"The very rapid growth in the Indian media industries and the vibrancy of India's popular culture are making a working understanding of the Indian scene a prerequisite for any serious study of media in the twenty-first century. As one of the largest and most influential emerging economies in the wor
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ld today, India now plays a crucial role in any serious discussion of social and economic change taking place at the global level. As new commercial and political alignments take shape in the face of new global circumstances, thinkers and decision-makers are inexorably drawn towards the reality of a new India being forged in the technological and cultural flux of global media flows. Taking an innovative interdisciplinary approach to the complex field of Indian media and society, this book combines a rich descriptive account with critical analysis designed to engender informed debate amongst students, academics and other researchers." (Back cover)
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"The current report presents the highlights of five country assessments that were undertaken to identify the communication and information needs of indigenous peoples. The starting point for this regional initiative was that access to information and communication avenues have an empowering element,
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and play a significant role in strengthening democratic governance, making it more inclusive, responsive and accountable [...] The assessments focused on a systematic analysis of major development issues faced by indigenous peoples, including in terms of representation in state agencies. They considered media and communication landscapes–encompassing freedom of expression and information, the safety of journalists, and community media, particularly radio–and how different factors facilitate or hinder information and communication for indigenous peoples, including the potential of new modes of digital communication and information and communication technology (ICT)." (Executive summary, page 1)
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"Mediated forms of communication increasingly influence the social relations and different spheres of life in the regions of South Asia, Southeast Asia and in the Arab-speaking region. In order to understand the profound social and political changes that go hand in hand with these medialisation proc
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esses, an independent and systematic media perspective needs to be generated from within the disciplinary framework of Area and Islamic Studies. This volume has a strong focus on the internet and on the diversity of internet-based communication in the three regions mentioned above. Furthermore, it stresses the need for a new cross-media approach that goes beyond the analysis of single media and helps to understand the transnational and local dynamics of an increasing media convergence." (Publisher description)
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"This companion workbook is designed for use in tandem with the Saferworld/IHRICON Training of trainers’ manual on gender and security for the media and civil society in Nepal. It contains tools, hand-outs, briefing information sheets, selected reading materials for exercises, daily learning diari
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es and a list of useful resources on gender and security sector reform (SSR) for journalists and civil society." (Page 2)
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"This publication updates a 2005 review of communication in Poverty Reduction Strategies (PRS). It includes four country case studies (Ghana, Tanzania, Moldova, and Nepal) and a regional analysis of Latin America and the Caribbean. It explores how the use of strategic communication has expanded beyo
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nd the PRS and is now being integrated into national development planning and implementation. Many of these strategies are shifting their focus from a “dissemination and publicity strategy” to a“communication program” that emphasizes information intervention beyond the traditional campaign, workshop or seminars. Compared with the 2005 review, the main difference is the institutionalization of communication, moving beyond the one-time experience for the first set of PRSs to broader, deeper sustained communication in support of poverty reduction and national development strategies. A second major difference is expanding beyond communication and participation in PRS formulation to PRS implementation, monitoring, and evaluation." (Executive summary)
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"This case study demonstrates Panos’s integrated approach to communication for development: combining first person testimony, relationship-building, inclusive dialogue and working with the mainstream media so that the voices of people most affected by development issues contribute to national-leve
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l understanding and decision-making. It examines the long battle by the fishing and farming communities on the shores of Pakistan’s Manchar Lake to achieve national recognition and action on the pollution caused by a government-led land drainage project that has steadily been destroying their livelihoods and health. Panos London and Panos South Asia, local and national civil society organisations (CSOs), the community of Manchar, and local and national media worked together on a range of communication activities and outputs culminating in a People’s Assembly in 2007. The different activities, and the strength of the media coverage they generated, drew provincial and national government officials into dialogue, resulting in a number of positive outcomes for the people of Manchar Lake." (Introduction)
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"Based on the study estimates, the total contribution of CBIs to the Bhutanese economy in 2008 was 5.5% of GDP or Nu.3,009 million; 10.1% of total employment or 25,215 persons; 4.0% of total exports or Nu. 912.4 million; 6.9% of total imports or Nu.1,604.8 million. The contribution of CBIs to GDP wa
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s only Nu. 648.8 million or 2.8% in 2001, but it increased almost fivefold by 2008. In other words, CBIs grew at a rapid pace of about 21.3% per annum, outperforming the national economy, which grew at 9.0% during the period. Interestingly, each of four CBI groups surpassed the national growth rate during this period. The core and interdependent CBIs grew the fastest at 123% per annum, followed by the non-dedicated support industries at 14.5%. The high rate of growth of core CBIs during this period is due to the low base of growth. Prior to the year 2000, the main core CBIs such as printing press, literature, films, TV and cable TV, IT and IT-enabled services hardly existed. Their significant growth took place only after the year 2000. Given the unique structure of the Bhutanese economy and the differing growth among CBI groups, the partial CBIs are relatively more significant in Bhutan. The core and partial CBIs accounted for an overwhelming 75% of the total CBI share of GDP in 2008. This is because many of the core and partial CBIs flourished due to economic liberalisation, which became more systemic, especially after 2005. This is also due to the promotion of cultural tourism. The core CBIs accounted for about 34%, partial contributed 41%, non-dedicated support industries accounted for 14%, and the interdependent CBIs 11% of the total value added of CBIs. The relatively small share of the interdependent CBIs is due to the weak manufacturing base in Bhutan." (Executive summary, page 5-6)
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This publication outlines four communication approaches used by United Nations organizations: (i) behaviour change communication; (ii) communication for social change; (iii) communication for advocacy; and (iv) strengthening an enabling media and communications environment. The second part provides
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an in-depth exploration of Communication for Development efforts within seven United Nations agencies, programmes and funds: FAO, ILO, UNAIDS, UNDP, UNESCO, UNICEF and WHO, followed by case studies that demonstrate C4D in practice either as part of a larger project or as a ‘stand alone’ project contributing to the strategic objectives of the organization.
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"Peace journalism finds its place in newspapers and magazines, on radio and television, in film and documentaries, in digital media and mainstream cultural events such as public exhibitions and debates. There are also transnational online communities like Avaaz.org, which is dedicated to organizing
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“citizens of all nations to close the gap between the world we have and the world most people everywhere want.” At the heart of the matter lies power. Excluding, invisibilizing, and marginalizing people facilitate all kinds of travesty and injustice. Including, making visible, and placing people at the centre of decision-making uphold their human rights. Thus, peace journalism falls squarely within the realm of the right to communicate – strengthening the ability of people and communities to make known their economic, political, social, and cultural aspirations and urging them to live in peace with one another." (Editorial, page 2)
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"This article explores the use of sound in the context of two BBC World Service development-focused social realist radio drama productions in Afghanistan (New Home, New Life) and Nepal (Sweet Tales of the Sarangi). It examines the various ‘sound strategies' employed to enhance the realist aspirati
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ons of the productions, while examining the ‘creative labour’ employed in crafting discrete ‘acoustic environments' or ‘soundscapes'. It argues that sound helps to index narrative, but in doing so suggests that too specific a rendering of sound environment may confound the abilities of listeners to construct a satisfying sense of place and therein affect any sense of social realism derived." (Abstract)
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"Is it conceivable that there may be an autonomous evolution of digital publications in developing countries, entirely independent of the richest nations? What support policies could be implemented to promote the growth of this new industry and accompany traditional actors in the process of adapting
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to the changes involved? The digital experiences undertaken in the South suggest that new technologies represent a great opportunity for developing countries - particularly in terms of diffusion -, but on the condition that local entrepreneurs seek out original models adapted to the concrete needs of their communities." (Back cover)
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