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Media and Journalism in Argentina: Politics, Money and Technology

Guillermo Néstor Mastrini, Carla Belén Repetto, Augustín Espada, Martín Razzeto

Tallin; London: Media and Journalism Research Center (MJRC) (2023), 107 pp.

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Reuters Institute Digital News Report 2024
Deep Insights

Nic Newman, Richard Fletcher, Craig T. Robertson, Amy Ross Arguedas, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2023), 167 pp.

"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr ... oss all countries, in the last year. • News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time. • Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection. • Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past. • Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role. • Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year. • Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10) more

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Equidad de géneros en medios: Desafíos de un nuevo paradigma comunicacional

Paola Ramírez Barahona

Buenos Aires: Comunicación para la Igualdad (2023), 129 pp.

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Violence Against Women in the Global South: Reporting in the #MeToo Era

Andrea Jean Baker, Celeste González de Bustamante, Jeannine E. Relly (eds.)

Cham: Palgrave Macmillan (2023), xxiv, 259 pp.

"Bringing together 14 journalism scholars from around the world, this edited collection addresses the deficit of coverage of violence against women in the Global South by examining the role of the legacy press and social media that report on and highlight ways to improve reporting. Authors investiga ... more

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With 700,000 paying subscribers, digital more profitable than print for Argentina’s Clarín

Brian Veseling

World Association of News Publishers (WAN-IFRA) (2023)

"With 30 million readers, and paying digital subscribers surging past 700,000, Clarín has the distinction of having the largest number of paid digital users for any news publisher in Latin America." (Introduction)

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Manual: Instructivo con diseños y planos para construir antenas guía de ondas

Córdoba: [no publisher] (2023), 19 pp.

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Desarmando estereotipos: Una investigación que analiza las publicidades más premiadas de Argentina para entender cómo se reproducen los estereotipos dañinos

Ariadna Carulli, Florencia Luque, Paola Ramírez Barahona et al.

ONU (2023), 30 pp.

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Hitos y desafíos de la TV alternativa, popular y comunitaria

Natalia Vinelli

In: Comunicación popular y alternativa: una revisión dialogada

Claudia Villamayor, Natalia Vinelli (eds.)

Buenos Aires: Mil Campanas (2023), pp. 185-205

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Public Support for Local and Community Media in Three Countries: A Comparative Study

Franz Krüger

African Journalism Studies, volume 44, issue 4 (2023), pp. 310-326

"In the discussion of possible solutions to the business crisis facing legacy media, insufficient attention has been paid to existing arrangements that channel public money to media serving marginalised audiences, particularly in Global South countries. Argentina and South Africa are upper middle-in ... more

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Populists and the Pandemic: How Populists Around the World Responded to Covid-19

Nils Ringe, Lucio Renno (eds.)

London; New York, NY: Routledge (2023), xx, 299 pp.

"Populists and the Pandemic examines the responses of populist political actors and parties in 22 countries around the globe to the Covid-19 pandemic, in terms of their attitudes, rhetoric, mobilization repertoires, and policy proposals. The responses of some populist leaders have received much publ ... more

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Comunicación gubernamental: Reflexiones a partir de los gobiernos kirchnerista 2011-2015 y macrista 2016-2019 en Argentina

Manuela Acha, Alejandra Anoro, Verónica Becerro et al.

La Plata: Universidad Nacional de La Plata, Facultad de Periodismo y Comunicación Social (2023), 166 pp.

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¿Medios feministas?

Sandra Chaher

In: Comunicación popular y alternativa: una revisión dialogada

Claudia Villamayor, Natalia Vinelli (eds.)

Buenos Aires: Mil Campanas (2023), pp. 151-166

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Navigating the Infodemic with MIL: Media and Information Literacy

Felipe Chibás Ortiz, Sebastián Novomisky (eds.)

Buenos Aires; Paris: Defensoría del Pueblo; UNESCO (2023), 284 pp.

"These book’s articles are the result of the First Conference on Digital Literacy, Citizenship and Disinformation in Times of Pandemic, jointly organised by the UNESCO Regional Office in Montevideo, Uruguay, and the Public Defender’s Office of Audience Rights. Five thousand people participated i ... more

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Comunicación popular y alternativa: Una revisión dialogada

Claudia Villamayor, Natalia Vinelli (eds.)

Buenos Aires: Mil Campanas (2023), 243 pp.

"[Este libro] condensa textos elaborados por mujeres que llevan adelante proyectos colectivos, gestionan, producen, investigan, aprenden y enseñan. Recirculan la palabra desde la experiencia pero, también, desde la teoría comunicacional [...] Sobresale una convicción: no es posible transformar e ... more

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Grauen ohne Grenzen: Horror in Film & Literatur

iz3w, issue 394 (2023), pp. 22-41

"Wie einst im ursprünglichen Gothic die verlassenen Schlösser des Feudalismus als Orte des Spuks in die bürgerliche Ära hineinragten, so sind es heute die globalen Ruinen des geplatzten Traums von Freiheit, Gleichheit und Brüderlichkeit, in denen das Grauen haust: Von den vom Immobiliencrash ge ... more

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Argentina: Funding Journalism

Guillermo Mastrini, Carla Belén Repetto, Agustín Espada

Media and Journalism Research Center (MJRC) (2023), 38 pp.

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Different Global Journalisms: Cultures and Contexts

Saba Bebawi, Oxana Onilov (eds.)

Cham: Palgrave Macmillan (2023), xvi, 205 pp.

"This edited collection seeks to better understand how journalism across cultures differs, presenting an in-depth exploration of global practices that departs from the typical Western-centric approach. Journalists across the world are trained, generally speaking, within Western models of reporting a ... more

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Reuters Institute Digital News Report 2023

Nic Newman, Richard Fletcher, Kirsten Eddy, Craig T. Robertson, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2023), 158 pp.

"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are ... showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators. • Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America. • When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation. • Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected. • Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws. • Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10) more

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Observatorio Iberoamericano de Ficción Televisiva OBITEL 2023. As produtoras independentes e a internacionalização da produção de ficção televisiva na Ibero-América = Las productoras independientes y la internacionalización de la producción de ficción televisiva en Iberoamérica
Deep Insights

Maria Immacolata Vassallo de Lopes, Juan Piñon, Catarina Duff Burnay, Rosario Sánchez Vilela, Mónica S. Kirchheimer (eds.)

Santiago de Chile: Ediciones Universidad Católica de Chile (2023), 367 pp.

"Probablemente, el indicador más elocuente del descenso en la producción es que, sumados, los mismos países produjeron en 2022 un 54% de lo que producían en 2012. El gráfico 3 muestra las caídas ocurridas en cada país. A nivel agregado, los niveles de producción de 2012 son similares a los ... de 2017, pero a partir de ahí empieza una disminución que se agudiza durante la pandemia, se recupera parcialmente en 2021 y vuelve a caer en 2022. A los factores ya mencionados como algunas de las posibles causas de la caída, el descenso inversión publicitaria y desplazamiento de hacia las plataformas, cabe considerar otros dos que apuntan a la sustitución: la ya consolidada presencia de telenovelas turcas y de otros orígenes incipientes y también la competencia de las reposiciones. La brecha en la calidad visual de las realizaciones de fines de los años 90 en adelante, respecto de las actuales, es baja. Telenovelas históricas como Terra Nostra, Betty la Fea o Pasión de Gavilanes se reprograman y son consumidas de un modo parecido a las actuales. Un elemento recurrente entre los capítulos nacionales de este informe es relevar la importancia de la reposición de materiales ya exhibidos. Los intercambios de contenidos audiovisuales entre países iberoamericanos han estado presentes por décadas, pero hay fuertes diferencias en las cantidades de producciones que cada país importa o exporta. Asimismo, también hay diferencias en la variedad de orígenes desde los que se importan contenidos. En los capítulos nacionales se muestra la cantidad de títulos y horas de ficción televisiva de estreno iberoamericana de exhibida en el país durante 2022. Vistas individualmente, muestran los consumos locales. Sin embargo, al combinarlas, revelan los flujos de intercambios de producciones entre países.Eso es lo que se muestra en la tabla 3, usando las horas como unidad de medida. La tabla 3 puede leerse vertical y horizontalmente. Leída verticalmente, muestra el origen de la ficción televisiva de estreno exhibida en cada país. Horizontalmente, muestra los distintos países en que se exhibió ficción televisiva originada en un país [...] La tabla 3 muestra que el principal país exportador de ficción televisiva en Iberoamérica es México, al igual que en los años anteriores. En 2022 vendió contenidos a todos los países, salvo Portugal, siendo además, con la excepción del cono sur, el principal exportador hacia cada uno de los países de la región. En segundo lugar, tanto en volumen como en cantidad de países a los que exportó, está Brasil. Un caso llamativo es Colombia: no sólo redujo sus exportaciones en casi un 60%, sino que su producción se redujo en un 53%, fundamentalmente por la reducción en la producción de telenovelas. Los casos de España y Portugal son interesantes en 2022 por la misma razón que lo fueron en 2021. Su volumen de producción los ubica sólo por debajo de Brasil o México y muy por encima de todos los demás países. La factura de sus realizaciones es de alto estándar. Sin embargo, sus niveles de exportaciones no alcanzan al 5% de lo producido." (Páginas 26-28) more

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El rol del periodismo en contextos de polarización en tres países de la región: Ecuador, Argentina y Perú

María Sosa Mendoza

Lima: Instituto de Defensa Legal (IDL); Hanns-Seidel-Stiftung (2023), 21 pp.

Reuters Institute Digital News Report 2024 Deep Insights

Reuters Institute Digital News Report 2024
Deep Insights