"This volume explores the recent 'adolescent turn' in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of t
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eenage protagonists in a range of recent films from the region, acknowledging the distinct emotional registers that are at play throughout adolescence and releasing teenage subjectivities from restrictive critical and theoretical emphases on theories of childhood. As the first academic study to examine the figure of the adolescent in contemporary Latin American film, New Visions of Adolescence in Contemporary Latin American Cinema thus presents a timely and innovative analysis of issues of sexuality and gender, political and domestic violence and social class." (Publisher description)
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"A atividade assistencial é a mais antiga e tradicional associada à religião como um todo e ao catolicismo em particular, enquanto a atividade televisiva é uma das mais novas e modernas. No Brasil, a maior emissora de TV católica é a Canção Nova, ao passo que a organização vinculada à igr
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eja que mais se dedica ao trabalho assistencial é a unidade nacional da Cáritas. Ambas têm grande abrangência no país, respaldo da Conferência Nacional de Bispos do Brasil (CNBB) e também significativa trajetória relacionada com a política secular. Enquanto a Canção Nova prossegue sendo bastante identificada com Renovação Carismática Católica, a Cáritas Brasileira se pauta em grande medida pela Teologia da libertação. Produzido a partir de trabalho de campo e consulta bibliográfica, o artigo avalia como essas duas importantes entidades católicas expressam atualmente a maleabilidade do catolicismo brasileiro em termos políticos e ideológicos." (Resumo)
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"Narrativas del miedo: Terror en obras literarias, cinemáticas y televisivas de Latinoamérica es una colección de ensayos escritos en inglés y en español en los que se analizan distintas representaciones del miedo como un elemento estructural y simbólico en obras literarias, teatrales y visual
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es de Argentina, Chile, Brasil, Colombia, Costa Rica, República Dominicana y Venezuela. Este libro ofrece una coherente y comprensiva visión de conjunto que abre una discusión sobre una de las más problemáticas consecuencias de la violencia: el miedo. A los largo de los últimos dos siglos, los países de América Latina han experimentado numerosos conflictos tales como guerras, revoluciones, dictaduras, narcotráfico, desplazamientos, exilios, etc. Existen abundantes estudios críticos sobre estas problemáticas, así como también sobre sus representaciones literarias y cinematográficas. Sin embargo, es muy poco lo que se ha dicho sobre el miedo que distintos tipos de violencia infligen en la sociedad, los individuos y sobre cómo estos fenómenos condicionan las representaciones artísticas y literarias. El valor y la originalidad de este volumen yace en el hecho de que enfoca su atención en esta fuerza emocional tan profundamente integrada en la producción de novelas, cuentos, teatro, películas y cómics en América Latina." (Descripción de la casa editorial)
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"The use of social media for news has started to fall in a number of key markets after years of continuous growth. Usage is down six percentage points in the United States, and is also down in the UK and France. Almost all of this is due to a specific decline in the discovery, posting, and sharing o
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f news in Facebook. At the same time, we continue to see a rise in the use of messaging apps for news as consumers look for more private (and less confrontational) spaces to communicate. WhatsApp is now used for news by around half of our sample of online users in Malaysia (54%) and Brazil (48%) and by around third in Spain (36%) and Turkey (30%). Across all countries, the average level of trust in the news in general remains relatively stable at 44%, with just over half (51%) agreeing that they trust the news media they themselves use most of the time. By contrast, 34% of respondents say they trust news they find via search and fewer than a quarter (23%) say they trust the news they find in social media. Over half (54%) agree or strongly agree that they are concerned about what is real and fake on the internet. This is highest in countries like Brazil (85%), Spain (69%), and the United States (64%) where polarised political situations combine with high social media use. It is lowest in Germany (37%) and the Netherlands (30%) where recent elections were largely untroubled by concerns over fake content." (Key findings, page 9)
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"This edited collection provides a unique survey of the ways in which news media organizations across Latin America and the Caribbean cover global, regional and local environmental issues and challenges. There is growing recognition within academia, governments, industries, NGOs and civil society ab
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out the importance of strategic communication and the news media in informing current societal and policy discussions about environmental issues. With this in mind, this volume explores the content of reporting as well as the structural and individual contests faced by media organizations and journalists, with a focus on the very unique political, social, cultural and environmental conditions that affect the countries individually. The book provides a survey of the most relevant and current environmental issues that have attracted public attention across the region and within countries in Latin America and the Caribbean in the first part of the 21st century." (Publisher description)
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"Die kommunikationswissenschaftliche Öffentlichkeitsforschung hat sich in den vergangenen Jahren verstärkt mit transnationalisierten Formen von Öffentlichkeit beschäftigt. Allerdings gehen nur wenige empirische Arbeiten über die (mögliche) Entstehung einer europäischen Öffentlichkeit hinaus.
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Daher analysieren wir anhand der medienöffentlichen Debatten in 15 Ländern über die Klimapolitik – ein Thema, das oft als möglicher Kristallisationspunkt für die Entstehung transnationaler oder gar „globaler“ Öffentlichkeiten dargestellt wird – inwieweit die Akteursensembles in der Berichterstattung von Qualitätstageszeitungen, Regional- und Boulevardzeitungen transnationalisiert sind und welche Reichweite eine etwaige Transnationalisierung aufweist. Die Analyse zeigt eine beträchtliche Transnationalisierung, die teils über eine Europäisierung hinausgeht. Allerdings ist die Berichterstattung je nach Untersuchungsdimension unterschiedlich transnationalisiert: Transnationalisierte Bezüge zeigen sich eher in „schwacher“ als in „starker“ Form: Ausländische oder supranationale Akteure werden häufiger in der Berichterstattung erwähnt, als dass sie selbst zu Wort kommen. Zudem ist die horizontale Transnationalisierung stärker ausgeprägt als die vertikale: Bezüge auf Akteure aus anderen Ländern finden sich häufiger als Bezüge auf supranationale politische Organisationen. Die Analyse zeigt zudem Länder- und Medienunterschiede, die grosso modo die Befunde der Forschung zu Klimawandel-Kommunikation und europäischer Öffentlichkeit bestätigen: In wirtschaftlich von Klimaschutzmaßnahmen betroffenen Ländern ist die Berichterstattung stärker national geprägt. In Qualitätstageszeitungen ist die Berichterstattung stärker transnationalisiert als in Boulevard- und Regionalmedien." (Zusammenfassung)
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"Publics around the world overwhelmingly agree that the news media should be unbiased in their coverage of political issues, according to a new Pew Research Center survey of 38 countries. Yet, when asked how their news media are doing on reporting different political issues fairly, people are far mo
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re mixed in their sentiments, with many saying their media do not deliver. And, in many countries, there are sharp political differences in views of the media – with the largest gap among Americans. To build off Pew Research Center’s earlier findings about U.S. news media habits and attitudes, this new cross-national survey begins to study these dynamics globally. The survey finds that a median of 75% across 38 countries say it is never acceptable for a news organization to favor one political party over others when reporting the news. Just 20% say this is sometimes okay. People in Europe show the greatest opposition to political bias in their news." (Page 3)
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"Contemporary BRICS Journalism: Non-Western Media in Transition is the first comparative study of professional journalists working in BRICS countries (Brazil, Russia, India, China, and South Africa). The book presents a range of insider perspectives, offering a valuable insight into the nature of jo
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urnalism in these influential economies. Contributors to this volume have conducted in-depth interviews with more than 700 journalists, from mainstream and online media, between 2012 and 2015. They present and analyse their findings here, revealing how BRICS journalism is envisioned, experienced, and practised in the twenty-first century. Compelling evidence in the form of journalists’ narratives reveals the impact of digital culture on modern reporting and the evolving dynamic between new media technology and traditional journalistic practice. Insightful comparisons are made between BRICS countries, highlighting the similarities and differences between them. Topics covered include professionalism, ethics and ideals, community journalism, technological developments in the newsroom and the reporting of protest movements." (Publisher description)
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"Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally
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, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas." (Publisher description)
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"Designed as a text with introductions to each section and chapter, the volume brings together diverse perspectives on globalization and communication and includes significant emerging aspects of International Communication research such as diaspora audience and global publics." (Publisher descripti
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on)
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"Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how imag
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es work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures." (Publisher description)
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"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count
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ry, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22)
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"Os jovens possuem uma cultura própria que se revela de acordo com o contexto de sua história. Perceber a notável diversidade de expressões juvenis presentes na Igreja do Brasil, apresentar cenários em que vivem os jovens e, concomitantemente, oferecer pistas de ação para os animadores, lider
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anças e agentes de pastoral visando ajudá-los a melhor acompanhar os adolescentes e jovens é intenção desta obra. Cada um dos quatro capítulos apresenta pistas de ação, propondo aos animadores e agentes de pastoral juvenil e a todos os que atuam com este grupo, possibilidades de atividades a serem realizadas tanto pelos agentes quanto junto aos adolescentes e jovens. Estas visam ajudar no acolhimento e integração concreta dos jovens na comunidade, estreitando laços entre eles e as ações pastorais da comunidade em que possam atuar. Isto porque se o jovem assume a sua vocação, sua função de sujeito eclesial e auxilia nos processos cibernéticos, não mais evangelizamos os jovens, mas com eles." (Descrição da editora de livros)
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"Most Western-driven theories do not have a place in Black communicative experience, especially in Africa. Many scholars interested in articulating and interrogating Black communication scholarship are therefore at the crossroads of either having to use Western-driven theory to explain a Black commu
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nication dynamic, or have to use hypothetical rules to achieve their objectives, since they cannot find compelling Black communication theories to use as reference. Colonization and the African slave trade brought with it assimilationist tendencies that have dealt a serious blow on the cognition of most Blacks on the continent and abroad. As a result, their interpersonal as well as in-group dialogic communication had witnessed dramatic shifts. Black/Africana Communication Theory assembles skilled communicologists who propose uniquely Black-driven theories that stand the test of time. Throughout the volume's fifteen chapters theories including but not limited to Afrocentricity, Afro-Cultural Mulatto, Venerative Speech Theory, Africana Symbolic Contextualism Theory, HaramBuntu-Government-Diaspora Communications Theory, Consciencist Communication Theory and Racial Democracy Effect Theory are introduced and discussed." (Publisher description)
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