"O livro se concentra no uso do microfone no rádio. Mas vale para qualquer situação. Primeiro apresenta um panorama do radio no Brasil e como é a programação radiofônica. Segunda apresenta a prática, ensinando as técnicas necessárias para bem falar ao microfone." (Descrição da editora)
"This yearbook compiles information on research findings on children and youth and media violence, as seen from the perspective of the United Nations (UN) Convention on the Rights of the Child. The thematic focus of the yearbook is on the influence of children's exposure to media violence. Section 1
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of the yearbook, "Children and Media on the UN and UNESCO Agendas," includes articles on the significance of the UN Convention on the Rights of the Child. Section 2, "Children and Violence on the Screen: Research Articles," includes articles on U.S. television violence and children, the nature and context of violence on American television, and media violence in Japan, Australia, New Zealand, Israel, Europe, and Argentina. Section 3, "Children's Media Situation: Research Articles," contains articles describing children's media access and use in various parts of the world, including Asia, China, Australia, South Africa, and Belgium. Section 4, "Media in the World," provides statistics on children and the media worldwide. Section 5, "Children in the World," details demographic indicators for children worldwide. Section 6, "Children's Participation in the Media: Some Examples," describes examples of positive child participation in the media production process. Section 7 contains international declarations and resolutions regarding children and the media. Section 8 discusses regulations and measures as a basis for building television policy. A bibliography containing approximately 300 references on children and media violence published after 1970 completes the yearbook." (https://eric.ed.gov)
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"Fox has analysed the patterns of foreign and domestic conflict and accommodation that followed the creation and development of the broadcasting industries in Argentina, Brazil, Chile, Colombia, Mexico, Peru, Uruguay and Venezuela. The book is well organised and Fox's style is compelling. Her work o
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ffers a fresh perspective for understanding broadcasting in Latin America. She identifies two clear trends in the countries studied. In those under non-democratic regimes, the media developed in a highly monopolistic fashion, while in those under democratic regimes, commerical broadcasting was subject to regulation in the public interest and grew within a more competitive context. Brazil, Mexico and Venezuela are cases where the media developed in a highly monopolisitc fashion because there was domestic authoritarian rule. In the cases of Peru and Argentina, there was no accommodation between the media and the state, therefore the media, although commercially operated, failed to develop a monopolistic structure. Likewise, in Colombia the state parcelled out the media among different forces, while in Chile the television channels were placed under the administration of universities. In Uruguay, there was competition among different media groups, none of which was directly linked to the state. The book is able to present an alternative to theories of international relations - which usually minimise differences among countries and overplay economic interests - and focus on the domestic developments that took place within each individual nation." (Media Development, issue 1998-1)
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"Focusing on a variety of filmmaker's use of narrative allegories for the “conservative modernization” Brazil and other nations underwent in the 1960s and 1970s, Ismail Xavier examines the way Cinema Novo transformed Brazil's cultural memory. Includes discussions of Black God, White Devil, Land
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in Anguish, Red Light Bandit, Macunaíma, Antônio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies." (Publisher description)
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