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Cómo hacer un video de calidad profesional
Pontificia Universidad Católica de Chile, 2nd ed. (1993), x, 143 pp.
Die Technik des Drehbuchschreibens für Film und Fernsehen
München: TR-Verlagsunion, 3d ed. (1992), 287 pp.
Video Communication: Structuring Content for Maximum Program Effectiveness
Belmont: Wadsworth (1991), xviii, 412 pp.
On camera: O curso de produção de filme e vÃdeo da BBC
São Paulo: Summus Editorial (1990), 276 pp.
"Este é um manual que -- sem ser escrito em linguagem técnica -- é a base dos cursos de treinamento da BBC. O texto enfatiza a prática, desde a idéia original até os toques finais, de tudo que se refere à produção de um programa.Demonstra que, com criativadade, inteligência e domÃnio téc
...
Producir en video. Material pedagógico: GuÃa y videocassette
Lima: Instituto para América Latina (IPAL); Vidéo Tiers-Monde (1989), 3 vols.
"Esta guÃa pretende promover la utilización en formatos menores como alternativas a la televisión de masa y otro medios de comunicación-radio, cine, fotografÃas, diapositivas, ilustraciones, impresos- puesto que el video se presenta como una opción idónea al mensaje, a la situación, al conte
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Low-Cost Film & TV Production in Developing Countries
Bonn: Friedrich-Ebert-Stiftung (FES) (1976), 259 pp.
Film Animation: A Simplified Approach
Paris: UNESCO (1976), 92 pp.
"The purpose of this monograph is to show how smaller film production teams, using only simple equipment and materials, and often restricted by tight budgets, can achieve satisfactory animation effects. Through discussion of what animation can do, the mechanics of motion, and the fundamentals of pre
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Script Writing for Short Films
Paris: UNESCO (1969), 45 pp.
Television and Radio Writing
Boston; Cambridge: Haughthon Mifflin (1958), 544 pp.
"Guide for radio and television writers — Techniques of evaluating the audience — Analyses of special techniques for writing programmes — Advertisements, music, interviews, etc. Drama, serials (p. 145-370) — Political broadcasts, appendices, techniques and bibliographies." (Jean-Marie Van Bo
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