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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Big Perpetrator Cambodian cinema, the documentary duel and moral resentment
Screen, volume 62, issue 1 (2021), pp. 37-58
"Perpetrator cinema is a new global phenomenon, an unprecedented 21st-century boom in films that deal with genocidal or other mass-killing events by focusing on the perpetrator figure as their main protagonist or interviewee. In many respects it sheds light on the 21st-century emergence of the new p
...
Mitlaufen, zuschauen, mitfühlen: Holocaust-Erinnerung im Fernsehen der Bundesrepublik Deutschland
In: Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2021), pp. 506-533
Endlich genug von Hitler oder bitte noch mehr? Verlage als vergangenheitspolitische Akteur
In: Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb) (2021), pp. 489-505
Changing the Narrative: The Role of Communications in Transitional Justice
Barcelona: Institute for Integrated Transitions (IFIT) (2021), 12 pp.
"This essay argues that communications and narrative must occupy a much more central part of the vision of transitional justice, as in the early years of the field. In some cases, the opportunity is ample, because a clear and inclusive nation-building project is underway. Then, it is critical for tr
...
Screen Shots: State Violence on Camera in Israel and Palestine
Stanford, Calif.: Stanford University Press (2021), ix, 234 pp.
"In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of Israeli occupation of Palestinian territories. Here, cameras have
...
Gukurahundi: Das Laute Schweigen
Zimbabwe im Fokus, issue 72 (2021), pp. 5-15
Das KZ als virtuelle Wirklichkeit: Digitale Raumbilder des Holocaust und die Grenzen ihrer Wahrheit
Geschichte und Gesellschaft, volume 47, issue 1 (2021), pp. 90-121
"Konzentrationslager als virtuelle Realität. Digitale Repräsentationen des Holocausts und ihre Grenzen der Wahrheit. Wenn es um den Holocaust geht, werden die "Grenzen der Darstellung" seit den seit den 1990er Jahren ausführlich diskutiert. Neuere digitale Technologien wie AR, VR und verschiedene
...
Comunicación, información y lenguajes de la memoria: XXV Cátedra Unesco de Comunicación
Bogotá: Editorial Pontificia Universidad Javeriana (2020), 263 pp.
"La Cátedra Unesco de Comunicación en su XXV edición se diseñó como un espacio para reflexionar sobre comunicación, información y lenguajes de la memoria. Con esa perspectiva, se consideró fundamental analizar el papel de la ciencia de la información en los procesos de recuperación, preser
...
Melodrama and Public Pedagogy: The Construction of Memory from Television Fiction
Comunicación y Sociedad, issue e7362 (2020), pp. 1-19
"This article presents the main results of a research project that aims to analyze the construction of cultural memory through fictional series that represented the dictatorship period of Augusto Pinochet in Chile. Based on interviews and focus groups with young people between 18 and 24 years old wh
...
Practitioner‘s Toolkit: Dealing with the Past
Cologne: Academy for Conflict Transformation (2020), 23 pp.
"Societies attempting to ignore atrocities committed in the conflict setting generally find themselves confronted by their persistence. Whether manifesting as unresolved grievance, as social dysfunctionality or an easy reversion to violence, or as a simple reiteration of old animosities, the eventua
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Transcribing Oral History
New York: Routledge (2020), xix, 207 pp.
"Transcribing Oral History offers a comprehensive guide to the transcription of qualitative interviews, an often richly debated practice within oral history. Beginning with an introduction to the field and an overview of the many disciplines that conduct and transcribe interviews, the book goes on t
...
Twenty Years After 'Leave None to Tell the Story', What Do We Now Know About the Genocide of the Tutsi in Rwanda?
Journal of Humanitarian Affairs, volume 2, issue 2 (2020), pp. 40-47
"In 1999, Human Rights Watch (HRW) and the International Federation for Human Rights (FIDH) published an extensive account of genocide in Rwanda, Leave None to Tell the Story. Based on interviews and archival work conducted by a team of researchers and written primarily by Alison Des Forges, Leave N
...
Collective Memory and Oral Text
Berlin: Peter Lang (2020), 374 pp.
"The aim of this monograph is an attempt to examine the relationship between collective memory and oral texts. The material basis for this presentation consists of folklore oral texts, both prosaic and poetic, different as regards their genres (fairy tales, fables, recollections, traditions, legends
...
Digital Witness: Using Open Source Information for Human Rights Investigation, Documentation, and Accountability
Key Guides
Oxford: Oxford University Press (2020), xvi, 360 pp.
The Media of Memory
Paderborn: Schöningh (2020), x, 245 pp.
"This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past. Pušnik and Luthar have collect
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Intermediality in the Visualization of Peace: Contradicting Narratives About Peace and Violence in Timor-Leste
Peace & Change, volume 45, issue 1 (2020), pp. 78-100
"The documentary dalan ba dame was produced by the East Timorese Commission for Reception, Truth and Reconciliation (Comissao de Acolhimento, Verdade e Reconciliaao de Timor-Leste, CAVR) and covers the twenty-four years of Indonesian occupation of Timor-Leste, during which nearly one quarter of the
...
"Video Unavailable": Social Media Platforms Remove Evidence of War Crimes
New York: Human Rights Watch (2020), 94 pp.
"Social media platforms are taking down “terrorist and violent extremist content” more and more quickly, often in response to the demands of governments, but in a way that prevents the content from being used to support investigations into serious crimes, including war crimes. “Video Unavailab
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