"Acclaimed across the world, prescribed in over 100 universities and colleges, and included in part in The Century's Greatest Reportage (Ordfront, 2000), alongside the works of Gabriel Garcia Marquez, Studs Terkel and John Reed, Everybody Loves a Good Drought is the established classic on rural pove
...
rty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them." (Publisher description for 2017 edition)
more
"Describes the many obstacles involved with literacy promotion in the developing nations of Africa, Asia, and South America. The authors of the 10 articles in this collection share their knowledge and experience of literacy promotion in the developing world, including the challenges faced by those w
...
ho publish, print, and distribute reading materials with limited support and resources. The articles also offer suggestions and possible solutions for increasing the developing world's access to quality indigenous reading materials. Among papers included are: “Reading in Developing Countries: Problems and Issues” (Vincent Greaney); “Developing Local Publishing Capacity for Children's Literature” (Tony Read); “Promoting Children's Book Publishing in Anglophone Africa” (Scott Walter); and “Donated Book Programs: An Interim Measure” (Rosamaria Durand and Suzanne M. Deehy)." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2174)
more
"In fact this paperback is about narration and about text in whatever form: spoken, written or printed. Or even better, this book is about the importance of narrative art. It therefore invests all kinds of storytelling, not only the person-to-person oral tradition, but also the mediated forms of sto
...
rytelling. Is taken for granted that the radio is giving an extra dimension to the spoken word, like books are giving an extra dimension to the printed word, or the cinema or television are connecting texts and visuals again, like woodcut printings have done in the past. Stories from the oral tradition found their way to the mass media like movies, radio and television. Therefore a wide variety of media will be discussed in this book without showing any preference for one medium or another. The focus of interest is more on storytelling then on de media used to tell stories. It is about the athletics of words and the flexible relatedness between the various media. All these media make use of characters to present stories. Therefore characters with stereotyped traits are present in every medium that makes use of narrative or dramatic elements like comic books, photo novels and soap operas. Mass media have been taking over the role of traditional storytelling. Nowadays, it seems as if instead of listening to an individual storyteller, the global community sits down and have stories told by their favourite radio plays and television series like situation comedies and soap series. Some social scientists strongly reject this change in media consumption. They regret the changing patterns in spending leisure time. They regret for example the supposed decline of reading habits which has been considered as an effect of changing media consumption. And they are not the only ones to regret this. On the one hand there are the educationalists worrying about the latest statistics on literacy rates. These figures certainly do not show any worldwide improvements in literacy and numeracy. And there are the publishers too, who regret the declining reading habits. On a global scale the selling of books and other printed matter is at a decline. With an expanding media market, people are spending their leisure time in a more varied way leaving them less time to read. However, despite this conclusion the educational system in whatever country cannot do without a structured transfer of knowledge. And it seems that the most effective medium within the educational system still is the written word, being presented to the people by printed materials. Learning children as well as adults to read and write is the main preoccupation of as many multilateral aid organisations as national governments." (Pages 10-11)
more
"Experience gained in many countries shows that the acceptance and use of participatory processes is essential to achieve sustainable development. However, without tools and materials to support participatory approaches, wishes do not translate into reality. This tool kit of visual materials was pre
...
pared in response to the repeated demands from people working in the field for materials that can help decision makers, project staff, training institutes, trainers and artists initiate the process of developing their own local materials to address their specific concerns. While the need for greater access to this material is clear, we hesitated for some time in putting out a global tool kit for three main reasons. First, because development is rooted in the social, cultural, economic, and political context of societies and its institutions, visual materials should be a reflection of these realities and hence, of necessity, are location-specific. Can a global tool kit, then, serve a useful purpose? After much field experience, we have concluded that the answer is "yes." Over the last ten years, we have found that participatory training is more likely to take root and spread if local trainers and artists have some visual materials to spark their imaginations and, in some sense, to use as models. Just reading about a "pocket chart" is not sufficient; seeing and handling one makes all the difference in understanding the material, its applications, and possible uses. Second, despite the importance of visual materials, readers should not conclude that community development work requires prepared visuals. Many of the activities described can be conducted without the materials included in this kit. For example, maps can be drawn on the ground, and voting can be done by putting stones in squares scratched in the dirt. Issues surrounding gender analysis can be discussed effectively in a group without any visual aids at all. It is up to practitioners to change, simplify, and adapt the materials to their own needs. At the same time, we have found that visual materials are extremely effective in breaking class, gender, education, literacy, professional training, and status barriers. This is true at both the community and agency levels. At the community level they empower those who are not used to speaking up-such as women and the poor-to express themselves and their ideas through drawing, role plays, songs, stories, puppetry and through manipulating materials that are simple to use." (Preface)
more
"Visual literacy is a characteristic all human beings inherently possess. Yet because of our cultural and social differences, we interpret visual symbols and representations, such as drawings, pictures, and artefacts, in different ways. How and why people use visual images to represent complex ideas
...
and processes is the focus of How People use Pictures. It is the first comprehensive review of the literature on visual literacy in over a decade, and offers new insights into this complicated issue. Written for practitioners interested in communicating with local people using pictures and visual symbols and for researchers interested in gaining a deeper appreciation of the 'language of the visual', this book provides detailed annotations of over 100 key references, as well as an extensive list of useful institutions and resources." (Publisher description)
more
"This is a booklet with expenences of drama and theatre practices in Western Kenya. Practices that have in common that they were — in one way or another— aiming at development at a “grassroots” level. Something else they have in common is that these expenences are only known by a limited num
...
ber of people. Performers are mostly concerned about the now-and-how and not so much about recording their expenences [...] The overall aim of this booklet is to expose the potential of drama/theatre as a learning rnedium, a working rnethod and a cornmurncation tool. This could inform grassroots NGOs, educationalists, drama teachers, theatre workers, animators, youth groups, community leaders, development organizations and policy makers." (Introduction, page 5)
more
"Gives practical guidelines to enable non-artists to make their own visual aids such as discussion starters, picture cards, flannelborads and community maps. Includes sections on common pictorial conventions; how to draw and use colour, how to copy and adapt pictures, how to make and use a range of
...
people-Centred visual aids; and how to plan and conduct training workshops on visual communication. Also examines the failure of one-way 'message' driven communications, the neo-Colonial assumptions of research on visual literacy and promotes a 'people-Centred' alternative to building visual literacy skills and capacity." (Catalogue Intermediate Technology Publications 2000)
more
"Bisher fehlte eine zuverlässig recherchierte, allgemein zugängliche und übersichtliche Informationsquelle über die Telefonseelsorge (TS). In über 100 regionalen Zentren ist die TS vertreten. 800.000 Anrufe jährlich und 6.000 Mitarbeitende zeigen an, wie viele Menschen unmittelbar mit TS zu tu
...
n haben. In den Beiträgen werden die Arbeitsweise sowie die gesellschaftliche und kirchliche Funktion der TS vorgestellt. Die Beiträge behandeln Entstehung und Selbstverständnis der TS, Funktion und Gestalt des Ehrenamtes, die Organisation auf lokaler und auf Bundesebene. Zwei Beiträge sind den Herausforderungen durch die Revolutionierung der Telefontechnik gewidmet. Nach der Beschreibung komplementärer Dienste (Krisenberatungsstellen) schließen sich Beiträge über den Ort der TS im kirchlich- theologischen und im sozialpsychiatrischen Feld an. Ein Lexikonteil gibt dem Leser kurz und präzise Antwort auf seine Fragen. Die wichtigsten Grundlagenpapiere, eine Zeittafel, eine Liste der TS-Stellen mit Postadressen in Deutschland, Österreich, der Schweiz, Luxemburg und Straßburg sowie ein Index machen das Buch auch zu einem Nachschlagewerk." (Verlagsbeschreibung)
more