"This article begins with a literature review of Participatory Photography (PP) that highlights how this tool has been mostly implemented for action research, advocacy, and public health purposes. It shows how scholars have only quite recently begun to recognise its ability to generate change among
...
PP participants. This is followed by a description of the project that was carried out in Kenya, including its background, objectives and daily activities related to peacebuilding. Offering insight into crucial aspects of this work, examples of the photographs taken by participants and related stories are presented. The conclusion is preceded by reflections on the effectiveness, limitations and potential risks involved in carrying out PP projects in post-conflict settings." (Abstract)
more
"The subject of this paper is communicating with indigenous communities via grassroots comics, in this case the Khwe San who live in Platfontein in the Northern Cape province of South Africa. The study is largely informed by contemporary shifts in development theory, particularly that of participato
...
ry communication, which values individuals who live in the community as active participants in the research process. The use of grassroots comics is based on theoretical concepts surfacing in current literature regarding the field of development communication nd is somewhat critical of older, top-down theories of development." (Abstract)
more
"This article discusses the trial of visual research methods in a socio-economic research and development project with women subsistence farmers and their families in two regions of Papua New Guinea. It reports on the benefits and challenges of three visual research methods (drawing, participatory p
...
hotography, and picture elicitation) to explore the agricultural practice of women subsistence farmers and their families. The paper discusses the potential of these methods for enhancing community engagement, reducing the power imbalance between researchers and participants, and promoting dialogue and reflection to better understand the needs and practices of subsistence farmers." (Abstract)
more
"Natürlich ist Grundlage unserer Arbeit auch der Pressekodex. Darüber hinaus haben wir überlegt, was ist das Besondere von uns als katholisches Lateinamerika-Hilfswerk, als „Adveniat“. Wie spielt das mit rein in unsere Bildethik, unsere Ethik in der Öffentlichkeitsarbeit, die Ethik unserer B
...
erichterstattung. Die Grundlage für uns ist der Mensch als Ebenbild Gottes mit seiner unveräußerlichen Würde. Notleidende Menschen und Menschen in Krisensituation wollen wir daher immer auch als Subjekte ihres Handelns darstellen und nicht als Opfer. Ganz wichtig ist außerdem: Wir akzeptieren das Recht auf das eigene Bild. Es gibt bei uns auch keine gestellten Bilder, selbst wenn das möglicherweise auf Kosten der Bildauswahl geht, die hinterher zur Verfügung steht. Wenn zum Beispiel ein Journalistenteam in einem Armenviertel für uns ein Projekt, das von „Adveniat“ unterstützt wird, recherchiert und dazu Familien in diesem Viertel besucht, dann werden nur mit Einwilligung dieser Menschen Fotos gemacht. Wenn eine Familie sich also schämt für ihre ärmliche Hütte und nicht möchte, dass man drinnen Bilder macht, dann gibt es eben nur ein Bild vor der Hütte – und damit müssen wir auskommen. Es kommt durchaus vor, dass wir Bilder, die wir gerne gesehen hätten, nicht bekommen. Möglicherweise gibt es dann am Ende sogar mal kein Motiv, bei dem wir sagen, das ist richtig plakattauglich oder es muss lange darum gerungen werden, weil kein entsprechendes Bild verfügbar ist." (S439-440)
more
"This guide is made for civil society activists who plan to run wallposter comics workshops within their own organisations or groups. All steps needed to run a workshop are fully explained in the guide and it should be used together with our manual “How to make wallposter comics”, which should b
...
e given as a handout to the participants. To arrange a wallposter comics workshop you need two trainers, a hall, pens, papers, and access to a copying machine. Your participants (about 15-20) should be motivated people, e.g. community activists, who wish to have their voices heard about issues they want to raise." (Page 3)
more
"This guide starts with "the three principles of visual communication": Humans are visual first, verbal second; our decisions and actions are based more on emotional reactions than rational thought; visuals are the most effective communications vehicles for evoking emotion and getting people to take
...
action. It then presents "Seven Rules of the Road" for those seeking to maximise the impact of visuals: 1. Don't assume others will react to a picture or video the same way you do. Test visuals with your intended audience. (Cost-effective strategies are offered for how to carry out such testing). 2. Pair your pictures with words for highest impact and to cement them deeper into your audience's memory. 3. Make sure your images match your message. 4. Use genuine, not generic, pictures. 5. Invest the most in the first picture your audience sees, and in overall design quality. 6. To use pictures effectively, be diligent about taking them and storing them for easy sharing. 7. Choose your subjects carefully." (commbox)
more
"Communicators who work with photography and video in the development context know the power visuals can have in bearing witness to the reality people living in poverty face. When contextualized, visuals can transcend distance and create a global dialog around topics in need of deeper understanding
...
and action for social change." (Page 25)
more
"Listen deeply. Tell stories. This is the mantra of the Center for Digital Storytelling (CDS) in Berkeley, California, which since 1993 has worked with nearly 1,000 organizations around the world and trained more than 15,000 people in the art of digital storytelling. In this revised and updated edit
...
ion of the CDS‘s popular guide to digital storytelling, co-founder Joe Lambert details the history and methods of digital storytelling practices. Using a '7 Steps' approach, Lambert helps storytellers identify the fundamentals of dynamic digital storytelling—from seeing the story to assembling and sharing it [...] A companion website brings the entire storytelling process to life." (Back cover)
more
"The specific objectives of this paper are to review and evaluate the print material used by the GIZ [in Karnataka] and examine if it can be read, understood and related to by the participants; to provide a channel for clear and understandable communication that supports and incorporates the visual
...
language of the participants; to suggest effective ways for a branding and communication strategy and provide recommendations for further actions." (Objectives)
more
"Gubrium and Harper describe how visual and digital methodologies can contribute to a participatory, public-engaged ethnography. These methods can change the traditional relationship between academic researchers and the community, building one that is more accessible, inclusive, and visually appeali
...
ng, and one that encourages community members to reflect and engage in issues in their own communities. The authors describe how to use photovoice, film and video, digital storytelling, GIS, digital archives and exhibits in participatory contexts, and include numerous case studies demonstrating their utility around the world." (Publisher description)
more
"Discussion of the visual politics of solidarity, in relation specifically to the representation of suffering and development, has been grounded in analysis of images. This paper seeks to expand this debate by exploring the organizational politics that shape and are shaped by these images. The paper
...
is inspired by production studies in the cultural industries and draws on interviews with 17 professionals from 10 UK-based international development and humanitarian organizations, who are engaged in planning and producing imagery of international development and humanitarian issues. It discusses how power relations, tensions, and position-taking shape the arguments and choices made by NGOs producing images of suffering and development. I focus on two arenas of struggle about how to visualize solidarity: (a) intra-organizational politics - specifically tensions within NGOs between fundraising and/or marketing departments, and communications, campaign and/or advocacy departments, and (2) inter-organizational politics: the competing tendencies towards convergence, cohesiveness, and collective identity of the humanitarian sector, and competition, distinction, and divergence between organizations on the other. I show that NGOs' visual production is an area of conflict, negotiation and compromise, and argue for the crucial need for attention to organizational politics in the production of visual representations of distant suffering in order to uncover diverse and competing motivations, and the forces driving current humanitarian and development communications." (Abstract)
more
"Through two case studies, this paper evaluates the value of the feminist visual methodology Photovoice as an interactive consultation tool with rural Rwandan women working in agriculture. This exploratory study suggests that it is possible, through an adapted Photovoice process, to engage and empow
...
er women in the production of information about what is most relevant to them, and reach and engage practitioners and officials through an exhibition of participants' photographs and captions. This confirmation of Photovoice's applicability with rural women in the generation of information that captures the attention of stakeholders demonstrates its potential for reproducibility in other development contexts." (Abstract)
more
"Any scientist or engineer who communicates research results will immediately recognize this practical handbook as an indispensable tool. The guide sets out clear strategies and offers abundant examples to assist researchers-even those with no previous design training-with creating effective visual
...
graphics for use in multiple contexts, including journal submissions, grant proposals, conference posters, or presentations. Visual communicator Felice Frankel and systems biologist Angela DePace, along with experts in various fields, demonstrate how small changes can vastly improve the success of a graphic image. They dissect individual graphics, show why some work while others don't, and suggest specific improvements. The book includes analyses of graphics that have appeared in such journals as Science, Nature, Annual Reviews, Cell, PNAS, and the New England Journal of Medicine, as well as an insightful personal conversation with designer Stefan Sagmeister and narratives by prominent researchers and animators." (Publisher description)
more
"The manual has been designed as a resource for teachers or educators interested in using visual images to promote interactive discussion and critical thinking amongst young people about racism and discrimination. The resource can be used within diverse educational settings and is most appropriate f
...
or use with young people above the age of twelve. Each poster is accompanied by key learning points as well as several interesting facts or pieces of information which are intended to be used to provoke further discussion. Related human rights touched upon by each poster are also provided from the Universal Declaration of Human Rights. Wherever possible we have included a short interactive activity that can be carried out with students or a series of suggested questions to ask, in order to introduce the topic of each poster." (Introduction)
more