"This book serves as a primer on Church teachings and practices concerning communication issues. It is in fact a quite condensed text on nearly every aspect of Church communication. Eilers views communication as a theological principle that "guides and directs the way we see, study, and live our Chr
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istian faith in a time when communication is central to human society" (Page 23). The first part is a rapid march through "communication spirituality," a comparison of the way the Church and media operate and a discussion of the way they relate to each other; ethical models of communication; the contributions of the Church to communication in society; and citation of numerous papal encyclicals and other Church pronouncements on communication. The book's longest section is its discussion of Pastoral Communication, covering preaching and liturgy as well as communication planning, the specifities of different communication means from interpersonal communication to multimedia, and parish, diocesan and national communication. The final unit deals with evangelizing communication with an emphasis on the importance of understanding its inter-cultural aspects, especially in non-Western cultures. Eilers offers suggestions for using traditional means of communications such as drama, song, pilgrimages for evangelization, and he stresses the importance of inter-religious dialogue." (CAMECO Update 3-2009)
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"Church-based development organisations are distinct from secular NGOs. They have particular organisational features. These are the source of their potential value added, but also their major challenges. Good organisation development (OD) needs to be tailored to these specific contextual characteris
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tics. But faith-based OD goes even further. It integrates the faith of the client and in some cases the consultant to promote change." (Page 2)
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"Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the A
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CK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production." (Publisher description)
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"Among processes towards democratisation, it has been asserted that alternative radio has a central role in the citizen making of the poor. However, it is important to analyse in detail what possibilities an alternative or citizens' radio has to strengthen ideas of citizenship and transform the publ
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ic space into a critical and deliberative public in urban sites. This paper focuses on one local Catholic radio station in Huaycan, a shantytown on the outskirts of Lima. It describes the radio's journalistic work, showing examples of how they mobilise local leaders and monitor democratic processes, such as municipal elections and the district's participatory budget. In addition, it shows how the public uses the radio to channel their claims. It also identifies the factors that prevent the radio from fully empowering the public and transforming public space into a more critical and democratic one." (Abstract)
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"The internet has profoundly shaped how Muslims perceive Islam, and how Islamic societies and networks are evolving and shifting within the twenty-first century. While these electronic interfaces appear new and innovative in terms of how the media is applied, much of their content has a basis in cla
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ssical Islamic concepts, with an historical resonance that can be traced back to the time of the Prophet Muhammad. "I-Muslims" explores how these transformations and influences play out in diverse cyber Islamic environments, and how they are responding to shifts in technology and society. This book discusses how, in some contexts, the application of the internet has had an overarching transformational effect on how Muslims practice Islam, how forms of Islam are represented to the wider world, and how Muslim societies perceive themselves and their peers. On one level, this may be in terms of practical performance of Islamic duties and rituals, or on the interpretation and understanding of the Qur'an. On another level, cyber Islamic environments have exposed Muslims to radical and new influences outside of traditional spheres of knowledge and authority, causing long-standing paradigmatic shifts at a grassroots level within societies. "I-Muslims" looks at how these changes are taking place, including through social networking sites and the blogosphere. This book also explores how the internet has dramatically influenced jihad-oriented campaigns by networks such as al-Qaeda, and has made a significant difference to how forms of Islamic activism and radicalization have been engendered. This book concludes by determining the way forward for the articulation of diverse understandings of Islam online, and how Muslim networks will be further shaped through their relationships with the internet." (Publisher description)
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"Eine Auswahl bestimmter dschihadistischer Dokumente, hier erstmals ins Deutsche übersetzt und wissenschaftlich kommentiert, geben einen Einblick in den Diskurs der dschihadistischen Bewegungen. Es werden Diskussionen aus Onlineforen wiedergegeben, Gedichte bzw. anaschid (agitatorische Lieder), die
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gezielt zur Mobilisierung eingesetzt werden sowie Erklärungen zu dschihadistischen Aktionen, Videos, militärisch-praktische Schriften und biographische Texte geboten." (Verlagsbeschreibung)
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"Der Mainstream-Islam, der sich heute im arabischen Fernsehen und Internet präsentiert, hat [...] eine besondere Charakteristik: er hat eine moralische Botschaft, ist aber nicht vordergründig politisch und wird damit geduldet von den autoritären Regimes, die in populär-religiösen Formaten zumei
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st keine Bedrohung sehen, sondern glauben, die Hinwendung zur Religion vielleicht noch für die eigene Legitimierung nutzen zu können. Er ist alltagskompatibel, aber wertkonservativ, weil er durch transnationale SAT-Produzenten für ein breites Publikum in einer Vielzahl von arabischen Ländern konzipiert ist, ohne dabei Anstoß bei religiösen und politischen Autoritäten erregen zu wollen. Er ist äußerlich fragmentiert, bietet aber dennoch die Möglichkeit der (virtuellen) Vergemeinschaftung und erfüllt damit die Ansprüche von post-modernen Gesellschaften, deren Elemente auf unterschiedliche Weise nach Führung, Sinn und Halt suchen und deren Identität sich in einer globalisierten Moderne über den Islam scheinbar aufwerten lässt. Optimistisch kann man also zusammenfassend von einer Pluralisierung des religiösen Diskurses durch die Medialisierung sprechen sowie von einer verstärkten Alltagsbezogenheit des Islams. Den staatlichen Eliten und den strategisch an sie gebundenen orthodoxen islamischen Einrichtungen und Strömungen wurde mit den religiösen Formaten in den neuen Medien das Monopol der Verbreitung religiöser Wahrheiten prinzipiell entzogen. Aus einer eher pessimistischer Sichtweise lässt sich aber auch feststellen, dass durch die Medialisierung des Islams eine neue Orthodoxie Einzug hält. Denn auch in den ambitionierteren Formaten von Amr Khaled und Yusuf al-Qaradawi geht es nicht um eine Auseinandersetzung über religiöse Streitfragen oder die Gegenüberstellung verschiedener Positionen im Islam, sondern es wird eine individualisierte spirituelle Führung angeboten und von den Rezipienten auch gesucht, die kritisches Denken zugunsten von wertkonservativen Vorgaben vernachlässigt." (Seite 122-123)
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"This article discusses discourses on development in the social space of Kinshasa’s post-Mobutu teleserials. The producers (dramatic artists and born-again Christian leaders; some are both) contend that their work will transform society, counter the social and political crisis and improve the nati
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on in various ways. Pentecostalist Christianity meets the genre of the melodrama in the way the teleserials focus on the individual’s spiritual development. This article argues that the fictive representation of witchcraft relates to a Pentecostalist diagnosis of the crisis and that the narrative unfolding of the teleserials points towards the cultural key scenario asserted by Pentecostal-charismatic churches." (Abstract)
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"Nuestro interés particular por analizar lo sagrado en los medios de comunicación no se refiere a encontrar "huellas" religiosas - cristianas o no - en actividades seculares mediáticas, sino a entender cómo desde los medios se construyen discursos que dan sentido a una nueva significación de sa
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cralidad en sociedades tercermundistas como las nuestras. Esta sacralidad estaría vinculada con nuevas rutas en la búsqueda de la utopía del Absoluto, con preguntas sobre el significado de la muerte, con búsquedas de alianzas y relaciones "fuertes" interpresonales con un objectivo común que trascienda lo individual, con espacios de encuentro ritual donde las personas encuentran nuevas maneras de construir identidades." (Introducción, página 7)
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