"A narrative of publishing in Kenya from the time of the Berlin Conference of 1884 through to the Lancaster House Conference in 1963, spanning the entire colonial period of Kenyan history. It documents publishing activities during the period, from the earliest information bulletins of the colonial s
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ettler state to the Mau Mau liberation movement publications in the 1950s and 1960s during the struggle for independence, and examines how this struggle was reflected in the communications field. Durrani offers a fresh interpretation on an important aspect of Kenyan colonial history from a working class point of view, and aims to provide a new perspective on how communications can be a powerful weapon for social justice in the hand of liberation forces. In terms of its coverage of publishing, the book is primarily concerned with newspaper publishing and magazines, the activities of small printing presses, and those of a wide variety of associations, organizations, trade unions, and nationalist movements that were part of the liberation struggle. It charts the history of these publications chronologically, and gives the full political context of each period. The book, which contains an introduction by Ngugi wa Thiong'o, is a well-documented history of the struggle of Kenyan people against British colonialism and the battle for press freedom and free expression." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 600)
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"Une vue synoptique de la filière du livre et des acteurs qui la composent, dans 14 pays d'Afrique francophone aujourd'hui. L'auteur cherche à faire la lumière sur l'état actuel des industries du livre dans ces pays et, pour chaque pays, fournit un contexte historique et éducatif, des chiffres
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sur les importations de livres (livres importés de France), une évaluation de l'« environnement du livre » avec de brèves informations sur les principales bibliothèques publiques et universitaires, les principales librairies, suivies de descriptions et de profils d'éditeurs et de la nature de leur liste, d'auteurs notables, de domaines de spécialisation, etc. Apparemment, les informations recueillies pour cet ouvrage étaient basées sur une série de questionnaires envoyés aux éditeurs, qui n'ont pas tous répondu. Il est assez surprenant de constater qu'aucun détail sur les associations professionnelles du livre n'est mentionné pour aucun des pays, ni le rôle joué par des organisations panafricaines telles que le Réseau des éditeurs africains. L'ouvrage est également dépourvu de tout appareil documentaire." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 408)
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"Participatory research design appears as an attractive option in the study of community media organisations. It puts the generation of the research question, the design of data collection methods, and the analysis of the results in the hands of the researched. This approach can demystify the resear
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ch process and can be an empowering experience. But, as I found out with my doctoral research, the researcher needs to carefully assess an organisation’s capacity to undertake do-it-yourself research, because, when things go wrong, this approach can also reveal conflicts within an organisation, as well as give rise to tension resulting from the divergent needs of the researcher and those of the researched. This paper describes the troubles that arose during fieldwork conducted at a community radio station, how these unexpected events forced a reformulation of the research question, and how this eventually led to an improved theoretical insight." (Abstract)
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"This is a short, practically oriented and easy to understand guide through the different methods of audience research. It explains how and why audience research can contribute to the programming of local radio stations, and introduces the basics of quantitative research (ie, sampling, writing a que
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stionnaire, etc.) and qualitative research (ie, in-depth interviews, consensus groups and others) with a focus on practical implementation for local radio stations in developing countries. Furthermore, it contains several check lists for those who want to examine their audiences, but are unsure which method is most suitable, or if they are able to carry out the research themselves or should commission an external researcher. On a whole, this is a good manual for beginners to learn more about the use, need, methods and impact that audience research can offer." (commbox)
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"With chapters on Indonesia, Malaysia, Singapore, Vietnam, Thailand, the Philippines, India, Sri Lanka, Bangladesh, Korea, Mainland China, Taiwan, Hong Kong and Japan, the book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspe
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cts of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, transnational and diasporic dimensions of Asian filmmaking and viewing, the politics of language choice, the impact of emerging technologies on filmmaking practice, and modes of exhibition." (Publisher description)
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"There are films that retell biblical narratives and there are films that allude to the Bible or otherwise build on or appropriate biblical themes and images. The eleven lively and provocative articles in this volume explore both types of film, showcasing the cinema's impact on the perception of the
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Bible in modern culture." (Publisher description)
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"The purpose of this book is to provide a first step for anyone interested in discovering popular culture in India today. The chapters cover cinema, television, and radio; newspapers and magazines; music, theater, and literature; and sport, providing an explanation of the critical developments in ea
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ch of these fields. The book also explores the changing lifestyles in India, particularly in the areas of shopping, eating, and other forms of consumerism. Each chapter has its own list of the books, academic papers, and articles in the popular press that I found useful in the compilation of the book." (Preface)
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"Un panorama du « cinéma engagé » sous deux de ses aspects : en première partie, onze auteurs examinent la façon dont le cinéma, dans différents pays et à différents moments de son histoire, aborde le plus chargé de tous les thèmes sociaux, celui de la guerre. La seconde partie entrepren
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d une tâche précieuse d’information à l’intention du cinéphile en faisant état de l’engagement tous azimuts qui caractériserait aujourd’hui tant de cinémas nationaux à travers le monde – à l’exception notable de la France." (Description de la maison d'édition)
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