"This volume grew out of a seminar on scholarly publishing held in Arusha, Tanzania in 2002. It was originally announced for publication as The African Scholarly Writers and Publishers Handbook, as a sequel to the much acclaimed African Writers’ Handbook published by African Books Collective in 19
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99, but was subsequently recast primarily as a collection of essays by book practitioners and a number of African academics. The preface to the volume offers no explanation why the original handbook concept was abandoned, although the essay collection does contain a few more practical papers such as Alois Mlambo’s “Choosing a Publisher”, Mary Jay’s “The Book Publishing Process”, and Charles Bewlay’s “A Publisher’s Expectations of Academic Authors”. Also useful, published as an appendix in the book, is a reprint of CODESRIA’s Guide for Authors, a small booklet published by them in 2003 that contains a great deal of helpful guidance as well as a glossary. The collection takes stock of the current status of academic publishing on the continent. and contains a total of 25 papers, together with an index. Following two introductory essays, papers are grouped under a number of headings and sub-headings: Part 1, Perspectives: Scholars and Publishers, African-Language Publishing, Librarianship; and Part 2, Writing and Publishing; New Technologies. This essay collection offers a rich resource on many aspects of African scholarly publishing today." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2312)
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"Girlfriend als Teil des afrikanischen Videobooms zeigt, dass die Produktion von Filmen im Videoformat eine Möglichkeit für tansanische Regisseure ist, Filme mit ihren eigenen Themen in ihrer eigenen Sprache für den ostafrikanischen Markt gewinnbringend zu vermarkten. Die Swahili-Videofilme sind
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Teil einer populären Kultur Ost-, wie Westafrikas, die ihre eigenen ästhetischen Maßstäbe setzt. Die in Girlfriend sprachlich artikulierten Themen umfassen sowohl populäre Themen wie die Hip-Hop Kultur, als auch für Tansania eher traditionelle Themen, wie die Probleme des Lebens in der Stadt sowie zwischenmenschliche Konflikte. Der Film gewährt Einblicke in die Heterogenität der Menschen Dar es Salaams, insbesondere in die verschiedenen sozialen Gruppen, wie die der Jugendlichen der Hip-Hop-Szene, der Bürgerlichen, der schicken Akademiker und der einfachen ärmlichen Immigranten aus den ländlichen Gegenden Tansanias. Diese Figuren sind im Film besonders durch ihre sprachlichen Merkmale charakterisiert, die entweder von dem Regisseur oder Autor geplant wurden oder die von den für diese Rollen ausgewählten Darsteller automatisch mitgebracht wurden. Girlfriend ist durch seine Verwendung mehrerer Sprachvarietäten ausgezeichnet und zeigt, welch wichtige Rolle die Sprache und der Dialog in tansanischen Filmen spielt. Die Sprachvarietäten Englisch, Swahili, Kiswahili cha Mitaani und Swahili-Englisch Codeswitching dienen der Einordnung der Figuren in soziale Gruppen und charakterisieren die Figuren des Films." (Zusammenfassung S. 84-85)
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"Ce numéro spécial de la revue Takam Tikou est consacré à la formation aux métiers du livre en Afrique francophone et dans d'autres régions du monde en développement. Dans une série de courts articles, il examine les questions de formation et les besoins en formation des différents acteurs
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de la chaîne du livre, notamment les auteurs, les illustrateurs, les éditeurs, les libraires et les bibliothécaires, en particulier ceux qui écrivent et publient des livres pour enfants. Il examine également le rôle des bibliothèques et des associations professionnelles du livre dans le domaine de la formation et comprend des entretiens avec un certain nombre d'éditeurs, de rédacteurs en chef et de libraires de premier plan. En outre, il contient une bibliographie des ressources de formation pour les auteurs et les professionnels du livre (principalement en français), et un répertoire des institutions de formation et des organismes de promotion du livre en Afrique avec les adresses complètes et les détails de contact, ainsi qu'un bref profil sur les activités de chaque institution ou organisation." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2430)
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"A second evaluation of the African Journals Online (AJOL) project http://www.ajol.info/, which examines the development and status of the project since the last evaluation in 2002 to the end of 2005, and when it was handed over to African management, NISC South Africa Ltd. It aims to provide partic
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ipating journals with information about the use of their journals within the AJOL service, and offers a variety of analysis, including number of page requests for each journal, registered users of the service, a record and analysis of document delivery requests fulfilled, by country of publication, by journal, and by subject. There is also analysis about the nature of AJOL registered users, collected through a questionnaire mailing, which examines usage information, and areas of special interest of AJOL users. A series of appendices provide tables showing the number of hits per journal for the 2004-2005 period (although these could be somewhat misleading, and number of unique visits to each journal’s AJOL Web pages might give a better idea of the interest in any journal), document delivery requests for each journal, and email alerts requested for each." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1932)
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"Based on original research, this book draws on the author's personal observations and extensive discussions with film makers, media professionals and market players. It is backed by data from a variety of surveys, audit studies and annual reports. Derek Bose uses these sources to arrive at conclusi
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ons that place the issue of media convergence in the framework of film development." (Publisher description)
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"This book is a real novelty: it is not – like many other publications – about radio production or radio management, but about the requirements for building of a radio station. The author has been involved in establishing many radio stations, both big and small ones, for 16 years, and he summari
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ses his knowledge in quite a clear and didactical fashion. He explains the pros and cons of different types of building and location and provides guidelines for calculating the space required for both technical and office areas. Then he gets more technical, discussing acoustic problems and providing practical methods of providing studio isolation. Detailed sections on electrical supplies and technical studio installations follow, and there is useful advice on studio layout as well as on the “central technical area”, i.e. the engine room of any modern radio station. Although aimed at engineers, this book is very accessible for non-technicians too and therefore helpful for anyone involved in the commissioning or building of radio studios." (CAMECO Update 1-2010)
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"1979: Im Iran wird der Schah gestürzt, die islamische Republik entsteht; parallel eskaliert mit dem sowjetischen Einmarsch der Bürgerkrieg in Afghanistan. Bilder über Afghanistan waren seither zumeist Bilder der Zerstörung. Diesen Außenansichten setzt ›Kabul/ Teheran 1979 ff‹ Perspektiven
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aus Kabul entgegen. Nachrevolutionäre Filme aus dem Iran gewinnen Preise auf internationalen Festivals; zugleich steht Kino im Iran selbst für Modernität. Die iranische Filmszene unterstützt und beeinflusst die wieder entstehende afghanische Filmproduktion. Auch die vielen afghanischen Flüchtlinge, die im Iran leben, verbinden beide Länder. So wurde der Bauboom in der Megastadt Teheran maßgeblich von AfghanInnen bewerkstelligt. ›Kabul/Teheran 1979 ff‹ zeigt Geschichte(n), erzählt von iranischen und afghanischen FilmemacherInnen von 1979 bis heute, versammelt Beiträge vom Alltag der beiden Millionenstädte und aus den Flüchtlingslagern im Grenzgebiet der benachbarten Länder." (https://www.bbooks.de/verlag/kabul-teheran-1979ff)
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"In many countries, dedicated plans and policies have been implemented to increase and develop the book publishing sector. In these interventions, books have been recognised as unique products deserving different and exceptional interventions. The salient issues pertaining to book development includ
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e: investment in local authorship and translations; adequate copyright protection; financial assistance to the private sector through subsidies, incentives etc. in various forms; identifying the factors influencing the cost of books and developing strategies to reduce these; securing the necessary political will so that the sector is afforded priority status; human resource development. A South African policy would need to include the above issues, and specific attention would also need to be paid to those factors that would ensure the active participation of those previously marginalised." (Executive summary, page 7-8)
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"This guide is one in a series of excellent resources published by the Community Publishing Project of the Centre of the Book in Cape Town. The project provides funding and technical support for small publishers, individual writers, and writers’ groups in South Africa and helps them to develop pub
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lishing skills. The guide offers practical advice on the main stages of the publishing process, from manuscript preparation, editing, design, printing, through to marketing and distribution, and is intended for both published writers and those who are hoping to break into print. In particular it is aimed to assist individuals and community based organizations, whose books are unlikely to be published by commercial publishers and who wish to pursue the self-publishing route. In addition to guidelines and recommendations for good practice the guide includes stories about publishing “from those who have a great deal of experience and from those who have just begun to learn about it”, among them some of the Community Publishing Project grantees." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2509)
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"Im Oktober 1935 marschierten italienische Truppen in Äthiopien ein, um das afrikanische Land brutal zu unterwerfen; Ende 1937 begingen Soldaten des mit Deutschland verbündeten Japan ein Massaker im chinesischen Nanking. Diese imperialen Exzesse waren für viele Afrikaner und Asiaten mehr als nur
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Vorboten eines grausamen, weltumspannenden Krieges. Nach dem deutschen Überfall auf Polen und dem Kriegsbeginn in Europa bezogen die Alliierten ihre Kolonien in den Zweiten Weltkrieg ein. Zu den Befreiern vom Faschismus zählten Kolonialsoldaten aus allen Teilen Afrikas, sowie Inder, Pazifikinsulaner, Araber, Mexikaner, Brasilianer, Aborigines und Maori. Nach dem Krieg geriet das Schicksal dieser Menschen in Vergessenheit. Dieses aufwendig recherchierte Buch, in dem zahlreiche Zeitzeugen und Veteranen aus allen Kontinenten zu Wort kommen, lenkt den Blick auf Aspekte und Auswirkungen des Zweiten Weltkriegs, die in der westlichen Geschichtsschreibung bislang meist nur eine untergeordnete Rolle spielen." (Bundeszentrale für politische Bildung)
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"This book is the first to offer a global perspective on the unique contemporary media phenomenon of transnational television channels. It is also the first to compare their impact in different regions of the globe. Revealing great richness and diversity across some of the world’s main geocultural
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regions (Europe, the Middle East, Africa, South Asia, Greater China and Latin America), international contributors with in-depth industry knowledge examine the place of these channels in the process of globalization, their impact on the nation-state and on regional culture and politics. The book also considers audiences and geocultural TV markets, providing new ways of thinking about the emerging transnational media order." (Publsiher)
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"Although the retail book trade in Africa face problems and obstacles of equal magnitude as their publishing colleagues, bookselling in Africa has perhaps received less attention and support than the more “glamorous” area of publishing, but as is rightly pointed out in the foreword of this guide
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, booksellers have an important role to play in book development in Africa, and they have the capacity to nurture a culture of reading within the local community. This excellent guide is edited by two highly experienced African booksellers, and it also contains contributions by several successful booksellers from around the continent. Attractively designed and laid out in landscape format, the guide aims to assist both novice booksellers as well those with established businesses. Two introductory chapters set out bookselling in an African context and the role of the bookseller in the book chain, followed by seven themed chapters. These cover the establishment of a bookshop (and examining what opportunities exist for those new to the book trade), business planning and management, training staff, dealing with customers, and maintaining and expanding a bookselling business. They are supported by a number of case studies presenting real-life examples of successes, or failures. A final chapter deals with non-traditional methods of selling books, such as mobile bookselling, book clubs, street vendors, market book stalls, as well as online bookselling. Each chapter contains a wealth of practical, hard-nosed advice, not only on the day-to-day management of a bookshop, but also on all the finer aspects of running a successful retail operation. Additionally, the book includes a number of model guidelines and forms, and other documentation that provide examples of good practice, and good housekeeping. A series of appendices include resources for booksellers, listings of book trade organizations, associations, journals, and useful Web sites." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2482)
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