"In the late 2010s, the Internet overtook television as the most popular media format in Russia. It was also the time when Russian-speaking YouTube went political: well-known bloggers started producing political content, opposition politicians became the most popular YouTubers, and finally mainstrea
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m journalists migrated to the platform, a move precipitated by Covid-19 isolation when the demand for Russian-speaking content on YouTube skyrocketed. Therefore, it came as no surprise that when the war started it was YouTube that became the main battlefield for independent Russian journalists, including those who had moved out of the country. However, YouTube was also used by Russian propaganda for years with great effect. For that reason, the Russian government was hesitant to block YouTube, unlike other global platforms that Kremlin censors blocked immediately after the war started. That provided time for Russian users to adapt and install censorship circumvention tools. The other platform that was not immediately blocked was Telegram, and Russian journalists didn’t miss that opportunity to talk to their audience either." (Summary, page 4)
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"The fourth edition of the Global State of Democracy Report comes at a time when democracy is under both literal and figurative assault around the world. The steady drumbeat of such warnings—included in the previous edition of this report, which was produced at the height of the Covid-19 pandemic
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always runs the risk of becoming background noise, as today’s crisis can quickly become tomorrow’s new normal. But the dangers are real. Beyond the lingering pandemic, today’s wars and a looming global recession, lies the challenge of climate change and all it entails—severe weather events, the necessary green transition and multi-fold consequences for democratic governance [...] But contrary to what democratic pessimists may suggest, authoritarian countries and alternative systems of government have not outperformed their democratic peers. Discontent at the neverending stream of Chinese lockdowns and the tens of thousands of draft dodgers fleeing Russia for an uncertain existence in the South Caucasus and Central Asia show that it is not just in democracies where the social contract is in urgent need of renewal." (Preface)
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"This book is about postcolonial memory in the Netherlands. This term refers to conflicts in contemporary society about how the colonial past should be remembered. The question is often: who has the right or ability to tell their stories and who do not? In other words: who has a voice, and who is si
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lenced? As such, these conflicts represent a wider tendency in cultural theory and activism to use voice as a metaphor for empowerment and silence as voice’s negative counterpart, signifying powerlessness. And yet, there are voices that do not liberate us from, but rather subject us to power. Meanwhile, silence can be powerful: it can protect, disrupt and reconfigure. Throughout this book, it will become clear how voice and silence function not as each other’s opposites, but as each other’s continuation, and that postcolonial memory is articulated through the interplay of meaningful voices and meaningful silences." (Publisher description)
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"The call to decolonize African Studies has a profound influence on the field, with varying degrees of success. This article addresses this topic in relation to the author’s personal experiences in the publishing industry in Namibia. By describing the attempt to publish a historical book about Nam
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ibian beer with a well-known German–Namibian publishing house, the lingering power of German–Namibian settler colonialism becomes clear. This article renders visible the power structures within the Namibian book market that perpetuates a whitewashed version of Namibian history and argues that decolonizing knowledge cannot succeed without paying attention to the (private) publishing industry." (Abstract)
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"David Nemer draws on extensive ethnographic fieldwork to provide a rich account of how favela residents engage with technology in community technology centers and in their everyday lives. Their stories reveal the structural violence of the information age. But they also show how those oppressed by
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technology don't just reject it, but consciously resist and appropriate it, and how their experiences with digital technologies enable them to navigate both digital and nondigital sources of oppression—and even, at times, to flourish. Nemer uses a decolonial and intersectional framework called Mundane Technology as an analytical tool to understand how digital technologies can simultaneously be sites of oppression and tools in the fight for freedom. Building on the work of the Brazilian educator and philosopher Paulo Freire, he shows how the favela residents appropriate everyday technologies—technological artifacts (cell phones, Facebook), operations (repair), and spaces (Telecenters and Lan Houses)—and use them to alleviate the oppression in their everyday lives. He also addresses the relationship of misinformation to radicalization and the rise of the new far right. Contrary to the simplistic techno-optimistic belief that technology will save the poor, even with access to technology these marginalized people face numerous sources of oppression, including technological biases, racism, classism, sexism, and censorship. Yet the spirit, love, community, resilience, and resistance of favela residents make possible their pursuit of freedom." (Publisher description)
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"Este libro se lee con mucha facilidad y nos describe con gran amplitud y rigurosidad investigativa ese paisaje mediático de la ciudad, donde conviven la expresión pública, la comercial y la comunitaria. Es un texto que nos cuenta que la radio sigue vigente y muy presente en la vida de la gente,
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pero igualmente advierte que ella existirá y será más fuerte mientras hable menos y escuche más a su audiencia." (Óscar Pérez, Página 6)
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"Brand creation and management has undergone a substantial change in recent years as a result of new communication strategies, adaptation to the digital transmedia paradigm, and interaction with consumers. The use of an audio identity as a variable in this architecture and its inclusion in the diffe
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rent points of contact with consumers has generated a growing interest in audio branding. This article responds to the need to establish a conceptual basis and the state of the art in order to advance in the in-depth study of the discipline through a systematic review of the literature. This review was carried out in the Web of Science databases for the 2011–2020 period. After the initial filtering, a total of 36 articles were analysed and divided into four areas of relevance: phonetics in brand names, audiovisual advertising and branding, local city or country branding, and political branding." (Abstract)
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"The purpose of this guide is to share the basics of installing a solar-powered HF radio station. For some years now, Rhizomatica has been working to “modernize” HF technology, allowing the transmission and reception of digital information. HF technology offers many advantages for autonomous com
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munication in remote areas, and from our experience, it is possible and feasible to train people without much previous technical experience in the installation and use of solar-powered HF communication systems. This guide is an attempt to share the learnings from on-the-ground experiences and interactions with communities, and to facilitate and support further training processes for the use and installation of HF-based communication networks. The guide is aimed primarily at facilitators of training processes in HF radio and as reference material for people who have at least some prior knowledge of HF radio. In other words, it is not aimed at novices or people who are completely new to the subject." (Introduction)
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"Superheld*innen sind in der Krise: Gut und Böse, Richtig und Falsch sind nach starken sozialen und politischen Umbrüchen längst nicht mehr klar und eindeutig. Für das Genre ein eklatantes Problem. Religion und Glaube könnten hier Orientierung bieten, verlieren aber - so der gängige Vorwurf -
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ihrerseits immer stärker an Bedeutung in einer säkularen Welt. Die Beiträger*innen des Bandes bieten einen ersten Zugang zu diesem Phänomen und kommen zu dem erstaunlichen Befund, dass religiöse Motivik dagegen ungebrochene Hochkonjunktur in der superheroischen Popkultur feiert. Figuren, Themen, Ikonographie, Symbole: Das religiöse Spielfeld des Superheroismus ist mannigfaltig." (Verlagsbeschreibung)
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"This special issue aims to examine the ways in which games and gaming are connected to and potentially accelerate undemocratic and bigoted movements while simultaneously highlighting projects and perspectives from games and games research that learn from analyzing these issues and then use that kno
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wledge to work towards social justice and against oppression. This introduction presents the logic of the special issue and suggests a path for reading the contributions, starting with those articles which trace the relationship between games and oppression and then moving to those that occupy this problem space and offer potential steps toward solutions. This special issue contains nine peer-reviewed articles as well as a game review, an interview with a designer of games for media literacy education, and two reports that offer practical guidelines for anti-oppressive, reflexive, and revolutionary game design. Each contribution is briefly summarized here." (Introduction, page 1)
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"In this article, we analyze experiences in which Brazilian and Kenyan artivists (artists who are activists) used animation to challenge colonial hierarchies that devalue Global Southern knowledges, histories, and stories. We draw from ethnographic observations, in-depth interviews, and artivists
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f experiences in two animation workshops: (a) Portrait of Marielle, produced with Kenyan artivists in Nairobi; (b) Homage to Wangari Maathai, produced with Brazilian artivists in Salvador. We ask: how can artivist creative practices be used as tools for global movement building, contesting the colonial legacy of fragmented relationships between Global South peoples? We evoke decolonial and standpoint intersectional feminist perspectives to propose an understanding of artivism that considers the specificities of Global South contexts, connecting it to two axes: (a) establishing dialogical spaces and (b) mobilizing memories and histories. Our understanding of South-to-South artivist dialogues results from the ways in which notions of "pluriversality", "incompletness" and "humility", which stem from Latin American and African scholarship are intertwined. When marginalized groups exchange "situated knowledges" and express themselves through artivism from "intersectional standpoints" or "lugares de fala", this can have a binding nature, creating transformative connections between Global South peoples." (Abstract)
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"Die Methode der Kamera-Ethnographie ist ein zeigendes statt beschreibendes Verfahren und nutzt Kameraführung, Schnitt und Montage im Rahmen einer visuellen Analytik und performativen Wissensform. Bina Elisabeth Mohns Programmschrift zeigt, wie Kamera-Ethnographie auch nonverbale Praktiken in ihren
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Choreographien und bildhaften Figuren in den Blick rückt: Anstelle einer videographischen Aufzeichnungslogik wird davon ausgegangen, dass Forschungsgegenstände zunächst noch gar nicht sichtbar sind. Durch eine reflexive Pragmatik des Sehens und Zeigens leitet die Kamera-Ethnographie dazu an, die Prozesse ethnographischer Beobachtung, Erfahrung und Entdeckung mit filmischen Mitteln zu gestalten und selbst das Publikum in eine forschende Rezeption einzubinden." (Verlagsbeschreibung)
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"This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what 'the Kremlin' is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the
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Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or 'recursion', showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare." (Publisher description)
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"In the context of the International Year and International Decade of Indigenous Languages, a Global Call for Research Papers was commissioned with the aim to show a diversity of scholarship in the field of Indigenous languages and related issues. The international peer-review team carried out a com
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prehensive review process of nearly 300 papers from 63 countries, facilitated the final compilation of 38 selected papers by researchers from 26 countries, and the production of 10 articles by peer-reviewers. Overall, this multilingual collection includes 48 articles by researchers and analytical pieces by peer reviewers from 30 countries. This initiative aims to contribute to the creation of favourable conditions for knowledge-sharing and dissemination of good practices on Indigenous languages, as well as growth and development through elaboration of new knowledge." (Back cover)
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"Currently, 1.5 billion people live in countries with low Intercultural Dialogue where global challenges such as absolute poverty, terrorism and forced displacement are more prevalent. To forge effective cooperation and sustain peace, strengthening Intercultural Dialogue must be a priority. For the
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first time, We Need to Talk presents evidence of the link between intercultural dialogue and peace, conflict prevention and non-fragility, and human rights. Building upon the groundbreaking data from the new UNESCO Framework for Enabling Intercultural Dialogue, this report highlights key policy and intervention opportunities for intercultural dialogue as an instrument for inclusion and peace. Using data covering over 160 countries in all regions, the report presents a framework of the structures, processes and values needed to support intercultural dialogue, examining the dynamics and interlinkages between them to reveal substantial policy opportunities with broad spanning benefits." (Short summary)
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