"Because oral history interviews are personal interactions between human beings, they rarely conform to a methodological ideal. These reflections from oral historians provide honest and rigorous analyses of actual oral history practice that address the complexities of a human-centered methodology."
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(Publisher description)
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"Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African ident
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ities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states." (Publisher description)
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"This cultivation study examined the effects of South Korean soap operas on Vietnamese female audiences. It also assessed cultivation effects in combination with the theory of reasoned action. Based on a survey of 439 female viewers, it explicated the link between South Korean soap opera consumption
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and the emergent phenomenon of transnational marriages involving Vietnamese women and South Korean men. Cultivation effects were confirmed in an international setting. Results also have important real-world implications." (Abstract)
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"Since the late 1990s South Korea has emerged as a new center for the production of transnational popular culture – the first instance of a major global circulation of Korean popular culture in history. Why popular (or not)? Why now? What does it mean socially, culturally and politically in a glob
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al context? This edited collection considers the Korean Wave in a global digital age and addresses the social, cultural and political implications in their complexity and paradox within the contexts of global inequalities and uneven power structures. The emerging consequences at multiple levels – both macro structures and micro processes that influence media production, distribution, representation and consumption – deserve to be analyzed and explored fully in an increasingly global media environment. This book argues for the Korean Wave’s double capacity in the creation of new and complex spaces of identity that are both enabling and disabling cultural diversity in a digital cosmopolitan world." (Publisher description)
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"Through a critical overview of research on religion online, five central research areas emerge related to social practices, online-offline connections, community, identity, and authority online. It is also argued that observations about these themes not only point to specific trends within religiou
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s practice online, but also mirror concerns and findings within other areas of Internet Studies. Thus, studying religion on the Internet provides an important microcosm for investigating Internet Studies' contribution in a wide range of contexts in our contemporary social world." (Abstract)
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"This guide provides students and researchers with a clear set of outlines and discussions of particular methods of research in memory studies. It offers not only expert appraisals of a range of techniques, approaches and perspectives in memory studies, but also focuses on key questions of methodolo
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gy in order to help bring unity and coherence to this new field of study. Key Features: Investigates community remembering and memory in personal narratives Explores the localisation of official national memory Attends to painful pasts and disrupted memory Examines vernacular remembering and personalised media Focuses on the production of social memory in the media Analyses the dynamics of remembering in public confessions." (Publisher description)
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"Der Bedarf an non-fiktionalen Unterhaltungsformaten ist groß: Er beschränkt sich nicht mehr nur auf das klassische »On Air«-Fernsehen, sondern erstreckt sich zunehmend auf zusätzliche, onlinefähige Medienkanäle, die über Computer, Smartphones oder Tablets abgerufen werden können. Das erste
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Buch mit umfassenden Informationen und praxisnahen Anleitungen zur Formatentwicklung non-fiktionaler Bewegtbildangebote – ergänzt um Best Practices, Interviews mit Experten aus der Branche und idealtypischen Konzepten.
Im ersten Teil des Buchs stehen die Grundlagen des TV Developments im Zentrum: Wie gestaltet sich der Kooperationsprozess zwischen Produktionsunternehmen und Sendern und welche Instrumente stehen zur Verfügung, um den Programmbedarf von Sendern zu evaluieren? Es wird ferner aufgezeigt, wie der Prozess der Ideenentwicklung organisiert und Formatideen generiert werden können. Zudem wird am Beispiel von Reality TV-Formaten, Quiz- und Gameshows dargestellt, welche Besonderheiten bei der inhaltlichen Ausgestaltung zu beachten sind. Gezeigt wird, wie Konzepte für Formatideen aufgebaut sein müssen, wie man sich auf den Pitch bei den Senderverantwortlichen vorbereitet, ein Pitch-Tape auszusehen hat und sich die Rechtslage hinsichtlich des Formatschutzes gestaltet. Im dritten Teil werden die spezifischen Herausforderungen beim Development von transmedialen Formaten erklärt: Wie können die Handlungsstränge über die verschiedenen Medienkanäle hinweg strukturiert werden und welche Steuerungsoptionen bestehen, um Entwicklungs-, Produktions- und Konsumtionsrisiken zu mindern." (Verlagsbeschreibung)
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"Namibia gehört heute zu den beliebtesten Fernreisezielen der Deutschen - vielleicht auch deshalb, weil es einst als "Deutsch-Südwestafrika" Kolonie war. Die Erfahrung von Tourismus und Globalisierung rückte in den vergangenen Jahren den europäischen Kolonialismus, der auch die deutsche Geschich
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te weit stärker als gemeinhin angenommen prägte, ins allgemeine Bewusstsein. Das Buch legt eine Bilanz der Spurensuche nach Erinnerungsorten der oft unrühmlichen deutschen Kolonialgeschichte vor. In 30 leicht verständlich geschriebenen Einzelbeiträgen präsentiert es Personen, Institutionen, Ereignisse und Vorstellungswelten. Albert Schweitzers Hospital Lambaréné, Hagenbecks Tierpark und die "Hunnenrede" Kaiser Wilhelms II. zählen hierzu ebenso wie der Berg Kilimandscharo, den der Deutsche Hans Meyer als erster Europäer bestieg, Bernhard Grzimeks Film "Serengeti darf nicht sterben" oder der "Sarotti-Mohr". (Verlagsbeschreibung)
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"This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage,
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and examples of how they apply to the creative industries around the world." (Publisher description)
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"Myanmar durchläuft derzeit einen rasanten gesellschaftlichen Öffnungsprozess. Nicht zuletzt wachsen die Freiräume für politische Aktivisten, Journalisten und Filmemacher. Welche Wirkungen aber haben Filme auf politische Reformen in Myanmar, dessen Medienzensur zu den striktesten Zensursystemen
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der Welt gehörte? Dabei ist es sinnvoll zwischen Film per se, der sicherlich wenig zur Demokratisierung und Verbesserung der Menschenrechtslage beiträgt und politischem Film zu unterscheiden. Der politische Film in Form von Videoaktivismus und Dokumentationen hingegen beeinflusst durch Aufklärung, Anregung zu Diskussionen und Mobilisierung gesellschaftliche Öffnungsprozesse in Myanmar." (Abstract)
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"In dieser Ausgabe wollen wir die neuen Filmszenen der südostasiatischen Filmproduktion näher betrachten und würdigen. Gleichzeitig wollen wir eine erstmals in deutscher Sprache erscheinende Gesamteinführung in das Thema »Film in Südostasien« anbieten. Den folgenden Fragen wurde dabei eine be
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sondere Relevanz beigemessen: Wie gestaltet sich grundsätzlich das Verhältnis Gesellschaft und Film in Südostasien? Welche Rolle spielte der Film in den großen Auseinandersetzungen des 20. Jahrhunderts: der kolonialen Niederwerfung, der nationalen Befreiung und der langen Kriege der Blockkonfrontationen? Wie versuchten herrschende Eliten mit Filmen ihre hegemoniale Stellung abzusichern? Welche herrschaftskritischen Filme entstanden? Wie beeinflussten Wirtschaftsentwicklung und sozialer Wandel die Themen, die in Filmen aufgegriffen wurden? Wie werden Genderverhältnisse reproduziert oder in Frage gestellt? Welche Filme übten ihrerseits großen Einfluss auf bestimmte Generationen aus?" (Editorial, Seite 3)
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"Dealing with uncertainty has been an important and distinct topic for PBL Netherlands Environmental Assessment Agency (formerly MNP) and the Dutch National Institute for Public Health and the Environment (RIVM), in terms of analysis and communication. Acting responsibly with regard to this issue is
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important; particularly where policy analyses are concerned. Without adequate attention to the role and implications of uncertainty, the outcome of research and assessments may be of limited value and could result in incorrect policy decisions, with all the attendant consequences. However, the general public does not always appear in need of very detailed information in ‘documents full of subtle distinctions’. Consequently, information on uncertainty is not always considered relevant, understood, or even noticed. Thus, uncertainty remains an awkward issue and a challenge for the authors of policy reports. This Guide comprises hints and points of attention, as well as questions that researchers should try to answer when communicating about uncertainty (e.g. in written reports and presentations). It is not intended as a protocol; every situation is unique and demands its own approach. Thus, the Guide for Uncertainty Communication is intended to support the researcher/communicator in making well-considered choices. Communication on uncertainty regarding a particular study requires having a clear picture of why this communication is important and to whom it should be addressed. For this, the issues and concerns of the intended target audience(s) must be known, as well as all relevant uncertainties involved in the study and their possible effects on the results of the study. This involves serious reflection on certain topics, such as on where uncertainties originate, what significance and/or implications they have, if uncertainty may be reduced, on the context of the study, and on the manner in which uncertainty was dealt with in the study. The purpose of the study will strongly determine what uncertainty information would be relevant. For example, a study which primarily deals with the effects of policy measures will focus less on uncertainty about the severity of environmental problems than would be the case when a newly emerging environmental problem is explored. Addressing these questions, ideally, would provide a clear insight into all relevant aspects of uncertainty, which should be communicated effectively to the intended target audiences. This Guide is set up to support this process." (Preface, pages 4-5)
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"Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the
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cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers." (Publisher description)
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