"In Europe, Germany and France are ahead in digitally embracing trade books, notably !ction, yet are clearly behind the US and UK. But countries as diverse as Austria, Italy, Poland, Slovenia, Spain, and Sweden have recently seen the implementation of an ebook distribution infrastructure, and at lea
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st the largest publishing groups are broadly releasing their new titles as ebooks, aside from print. With retail prices on average significantly higher, as in the English language, and VAT discriminating against ebooks in favor of print, the initial momentum of growth still confronts an environment that is di"cult for early adopters. Yet as Amazon, Apple, Sony, and Kobo have started to roll out localized versions of their online selling platforms and devices, with Google expected to follow soon, significant momentum is building up, and future projections see a double digit market share for ebooks for 2015 in most European markets. In China and Brazil, distinct local factors set those developments clearly apart. In China, mobile is the preferred platform, while “online literature,” often as a serialized stream of content, provides a channel for the dissemination of bookish content well apart from the traditional format of the “book.” In Brazil, educational content may become the main driver for digital." (Executive summary)
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"Is it conceivable that there may be an autonomous evolution of digital publications in developing countries, entirely independent of the richest nations? What support policies could be implemented to promote the growth of this new industry and accompany traditional actors in the process of adapting
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to the changes involved? The digital experiences undertaken in the South suggest that new technologies represent a great opportunity for developing countries - particularly in terms of diffusion -, but on the condition that local entrepreneurs seek out original models adapted to the concrete needs of their communities." (Back cover)
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"One of the cultural and media areas in which the issue of participation – with all its ambiguity – has recently emerged to full significance is the area of literature and publishing. Following the music, film and television industries, the publishing industry is in fact facing a vast renewal du
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e to digitalization processes (assuming digitalization as a complex negotiation between social and technological forces). New textual formats and devices (such as e-books), new forms of distribution (e.g. online retailing), new marketing strategies (e.g. in the social media), new models of business (e.g. the print on demand) are becoming increasingly popular. At the same time digitalization has enabled the creation of a whole new participatory, grassroots publishing market, while grassroots storytelling and social media (e.g. Twitter, Facebook), used as a collaborative writing environment, bring out participatory forms of online writing that continue the tradition started almost fifteen years ago by the so-called “hypertextual fiction” and the avant-gardes before that. In this context, by addressing the theoretical debate and recent social discourses on the e-book, this article suggests a recognition of the diversity of the forms of participation that are ascribed to the new publishing scenario." (Abstract)
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"Nigeria hat eine lange Lese- und Literaturtradition und kann sich mit mehreren renommierten Schriftstellern schmücken. Trotzdem werden im Land selbst kaum Bücher von einheimischen Autoren herausgegeben. Der Verlag Cassava Republic will das ändern. Das ist nicht leicht, aber die Verleger lassen s
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ich von den Hindernissen nicht abschrecken." (Einleitung)
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"As the manuscript treasures in the libraries of Timbuktu and throughout the northwestern quarter of Africa become known, many questions are raised. How did a manuscript culture flourish in the Sahara and in Muslim Africa more generally? Under what conditions did African intellectuals thrive, and ho
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w did they acquire scholarly works and the writing paper necessary to contribute to knowledge? By exploring the history of the trans-Saharan book and paper trades, the scholarly production and teaching curriculae of African Muslims and the formation, preservation and codicology of library collections, the authors of this original volume provide a variety of answers. The select number of invited contributions represents current research in the material, technological, economic, and cultural dimensions of manuscript production, circulation, and preservation, and the development of specific scholarly and intellectual traditions in Saharan and Sudanic Africa." (Publisher description)
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Publishing for Profit is all about the business side of publishing. It focuses on managerial organization (e.g. defining market niches, budgeting, cash flow) and functional organization strategies and techniques (e.g. editorial process management, sales, subsidiary rights, fulfilment). A special cha
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pter is dedicated to returns, and the expanded fourth edition covers electronic publishing and marketing quite substantially. Clearly written, and with a lot o practical examples, this is an excellent source for the managerial aspects of book publishing.
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"This paper reviews, critically, the discourse of research publication policy and the directives of the regional and global organisations that advise African countries with respect to their relevance to African scholarly communication. What emerges is a readiness to use the concepts and language of
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the public good, making claims for the power of technology to resolve issues of African development. However, when it comes to implementing scholarly publication policies, this vision of technological power and development-focused scientific output is undermined by a reversion to a conservative research culture that relies on competitive systems for valuing and accrediting scholarship, predicated upon the systems and values managed by powerful global commercial publishing consortia. The result is that the policies put in place to advance African research effectively act as an impediment to ambitions for a revival of a form of scholarship that could drive continental growth. While open access publishing models offer solutions to the marginalisation of African research, the paper argues that what is also needed is a re-evaluation of the values that underpin the recognition of scholarly publishing, to better align with the continent’s articulated research goals." (Abstract)
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"As ACCU decided to conclude its programmes in book development in the fiscal year of 2009, “ACCU Experts Meeting on Book Development and Reading promotion in Asia and the Pacific” was held from 8 to 10 December 2009 in Tokyo, Japan. 20 experts and officials from the field of book development an
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d reading promotion, who closely worked with ACCU participated from 18 countries in Asia and the Pacific. The participants shared the current situation of the book development and reading promotion in their countries and how ACCU’s such activities contributed to their countries and in the region. On the third day of the Meeting, Culture Division and Education Division together held the Symposium “Asia-Pacific Regional Cooperation for the Promotion of Culture and Education” inviting 63 experts and government officials in book development and non-formal education gathered from 24 countries." (ACCU website, 23/2/2011)
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"Diese Arbeit beschäftigt sich mit den Auswirkungen der digitalen Ökonomie auf die Buchbranche. Während sich die Branche über einen langen Zeitraum in einem relativ stabilen Marktumfeld befand, ergeben sich aus der Digitalisierung ihres Kernprodukts und der Entwicklung neuer Technologien wie z.B
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. von Lesegeräten, die in der Lage sind, Texte in einer dem physischen Buch vergleichbaren Qualität darzustellen, vielfältige Herausforderungen. Die Musikindustrie sah sich Ende der 1990er Jahre mit einerähnlichen Situation konfrontiert, weshalb sie in dieser Arbeit als Referenz für die Auswirkungen von Digitalisierungsprozessen dient. Für die Musikindustrie führten diese Prozesse durch den Markteintritt neuer Wettbewerber und durch eine illegale Verbreitung der Inhalte zu einem tiefgreifenden Wandel des gesamten Sektors, der auch als Krise der Industrie bezeichnet wird. Es stellt sich die Frage, ob die Buchbranche mit ähnlichen Entwicklungen rechnen muss. Das Ziel der vorliegenden Arbeit ist es also, die für die Krise der Musikindustrie verantwortlichen Faktoren aufzuzeigen und ihre Relevanz für die Buchbranche zu untersuchen, um daraus das Krisenpotential für die Branche abzuleiten." (Gegenstand und Ziel der Untersuchung, Seite 8)
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"El objeto de este trabajo lo constituyen las traducciones a otras lenguas de libros de ficción (narrativa y poesía) y pensamiento (ensayo) de autores argentinos, en el período que se extiende entre 2002 y 2008. Si bien nuestra investigación tiene en cuenta, como marco de referencia, el mercado
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global del libro y la industria editorial, el trabajo específico se centra en este tipo de producción (ficción y ensayo vinculado con las humanidades y las ciencias sociales), porque entendemos que este tipo de libro constituye un campo con ciertos elementos comunes (tanto en el plano de la producción como en la circulación y la recepción) y, a la hora de la traducción, presenta algunos problemas —y posibilidades— similares." (Metodología, página 17)
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Publishing and Alternative Licensing Models in Africa (PALM Africa) has been a two-country research programme conducted in South Africa and Uganda, using action research to explore the potential of open access and flexible and open intellectual property licences with the aim of enhancing the impact
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of African publishing.
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