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Fotoreporter im Konflikt: Der internationale Fotojournalismus in Israel/Palästina
Bielefeld: transcript Verlag (2017), 456 pp.
"Das Handeln von Fotojournalisten in Konflikten stellt einen bisher wenig beachteten Teilbereich des Auslands- und Konfliktjournalismus dar. Felix Koltermann wirft erstmals in Form einer vergleichenden Kommunikatorstudie einen differenzierten Blick auf journalistisches Handeln internationaler, israe
...
Culture of the Selfie: Self-Representation in Contemporary Visual Culture
Amsterdam: Institute of Network Cultures (2017), 115 pp.
Handlungsempfehlungen für eine diversitätssensible Mediensprache
Frankfurt am Main: Goethe-Universität (2016), 94 pp.
"Im ersten Teil der Broschüre geht es um übergreifende Themen wie die Verwobenheit der Diversitätsdimensionen, die Möglichkeit, Diversität durch Binnenpluralität herzustellen, den Zusammenhang von Bildkomposition und Hierarchien und um die Besonderheiten des Mediums Video. Der zweite Teil beha
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Photography in Latin America: Images and Identities Across Time and Space
Bielefeld: transcript Verlag (2016), 242 pp.
"Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologie
...
Out of Syria, Inside Facebook
Leipzig: Institut für Buchkunst (2016), 224 pp.
"During her studies at the University for Graphics and Book Art in Leipzig, Dona Abboud had mostly only contact via Facebook with her family and friends in Syria. The book presents 10 Syrian men and women with almost 2000 photos of their Facebook pages, supplemented by interviews and short biographi
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PhotoVoice: Facilitator’s Guide
Rutgers (2016), 132 pp.
"PhotoVoice: A creative and effective tool for purposes such as monitoring, participatory research, data collection and capacity building. This guide has been developed to help you prepare, organise and facilitate a PhotoVoice training course in low, middle and high-income countries." (Back cover)
Mächtige Bilder: Zur Dekolonisierung des Blicks in der angolanischen Fotografiegeschichte
Fotogeschichte, volume 36, issue 141 (2016), pp. 15-24
"Im Folgenden gebe ich zunächst einen kurzen historischen Überblick über die bedeutsamen Genres und Momente der angolanischen Fotografiegeschichte, bevor ich mich ausgewählten Beispielen der rezenten künstlerischen Fotografie intensiver widme. Beides ist wichtig, um zu verstehen, wie in Angola
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Guidance Note on Use of Victims' Images
Key Guides
Liberty Asia (2016), 25 pp.
"This Guidance Note is provided by Liberty Asia to NGOs across the Asia region as a suggested statement of best practice and guidance in relation to obtaining and using images of victims of human trafficking, slavery and forced labour. In addition to the Guidance Note, Liberty Asia has also provided
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The State of News Photography: A Survey of Photojournalists’ Attitudes Toward Work Practices, Technology and Life in the Digital Age
University of Stirling; World Press Photo Foundation (2016), 27 pp.
"There has been a significant change in the employment arrangement of photographers from 2015 to 2016. The number of photojournalists working for themselves (self-employed) has declined from 60% in 2015 to 54% of respondents in 2016. Fewer respondents are working full-time as photographers, down mar
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Olhares em foco: Fotografia participativa e empoderamento juvenil
Covilhã (PO): Universidad da Beira Interior (2016), 366 pp.
A Journalist's Guide to Working with Social Sources
First Draft (2016), 56 pp.
"Increasingly, the most powerful images from a news event are captured by eyewitnesses. The proliferation of smartphones and the popularity of social networks means that before a professional camera crew can arrive at the scene, there will almost always be footage of events already uploaded to the l
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Untold Stories: The Socio-Cultural Life of Images in Qajar Era Iran
Wien; Berlin: Lit (2015), 149 pp.
The State of News Photography: The Lives and Livelihoods of Photojournalists in the Digital Age
Oxford: Reuters Institute for the Study of Journalism; Worl Press Photo Foundation (2015), 75 pp.
"The report is based on an online survey of professional photographers who entered the 2015 World Press Photo Contest. A total of 1,556 photographers from more than 100 countries and territories completed the questionnaire. Evidence from the questionnaire is summarised below. This is the first large
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When the Camera Exposes the Rifle. Special Report: Violations Against Photojournalists in the West Bank and Gaza Strip
Ramallah: Palestinian Center for Development and Media Freedoms (MADA) (2015), 13 pp.
"The three photos of the drowned Syrian refugee kid Aylan Kurdi, the Palestinian kid Mohammad Al-Dorra (during the second Intifada) and the Vietnamese Napalm girl Phan Th. Kim Phúc, caused enormous influence, not only among millions of people but also on decision makers. Therefore, photojournalists
...
Surface Tension: Navigating Socially Engaged Documentary Photographic Practices
Nordicom Review, volume 36, issue Special Issue (2015), pp. 79-95
"As Documentary Photographers increasingly introduce the collaborative and participatory methodologies common to socially engaged art practices into their projects (particularly those that are activist in nature, seeking to catalyse social change agendas and policies through image making and sharing
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The Practicalities of Informed Consent in Development Photography
Dhaka: Save the Children (2015), 16 pp.
"Every photography subject deserves to be treated as an autonomous human being, capable of making independent decisions. In case of children, we also need to ensure their parents’ consent. We need to be constantly aware of our position in the power hierarchy — in the development world, in many c
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"A Horrific Photo of a Drowned Syrian Child": Humanitarian Photography and NGO Media Strategies in Historical Perspective
International Review of the Red Cross, volume 97, issue 900 (2015), pp. 1121-1155
"This article is a historical examination of the use of photography in the informational and fundraising strategies of humanitarian organizations. Drawing on archival research and recent scholarship, it shows that the figure of the dead or suffering child has been a centrepiece of humanitarian campa
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