"Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became m
...
ajor box office hits. The emergence of the phenomenally popular "J-Horror" genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion." (Publisher description)
more
"Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture in turmoil. Birgit Meyer captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination
...
and tracks its interlacing of technological, economic, social, cultural, and religious elements. Filling the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Exploring the format of "film as revelation"—and the debt these films owe to religious notions of divination and revelation—Meyer elucidates the affinity between cinematic and popular Christian modes of looking and demonstrates the transgressive potential that haunts images of the occult." (Back cover)
more
"Set in ancient Egypt and loosely based on the story of Moses, “The Ten Commandments” is billed as Brazil’s first biblical soap opera. Swathed in Egyptian robes and sporting lapis lazuli jewelry and Cleopatra wigs, some of the characters are based on biblical or other historic figures, while o
...
thers are invented. The soap is taking the country by storm. It’s helped propel the Rede Record television network, owned by the founder of Brazil’s main Pentecostal church, the Universal Church of the Kingdom of God, into a showdown with top broadcaster Globo, which for decades has had a lock on prime-time soaps, known as novelas." (Introduction)
more
"We all have many strands in our lives. In this memoir, Peter Malone takes us through his various strands. He is a man of a certain vintage, mainly Irish heritage. He grew up as a Catholic in a pre-Vatican II Church. His call was to a religious congregation from the late 1950s and to priesthood from
...
the mid-1960s. For many years he worked in religious formation in his congregation and taught theology and Old Testaments Studies, as part of the Melbourne College of Divinity. But, in different ways throughout the years, there was always the cinema strand, reviewing, writing, seminars and heading up the Catholic Church's international cinema organisation and then SIGNIS, The World Catholic Association for Communication." (Back cover)
more
"Filme sprechen fast alle unsere Sinne an. Das Zusammenspiel von Licht, Farben und Musik erreicht die Menschen unmittelbar, berührt und bewegt die Zuschauenden. Ganz wie ein gelungener Gottesdienst. Das Massenmedium Film eignet sich auf ganz besondere Weise, Menschen mit den zentralen Themen des Le
...
bens und des Glaubens in Verbindung zu bringen. Auf diesem Weg dienen die Filme dazu, die biblischen Deutungsangebote lebendig werden zu lassen. Das Buch bietet rund 20 erprobte Filmgottesdienste, unter anderem: Ziemlich beste Freunde; Walk the line; Schindlers Liste; Pretty Woman; Into the Wild; Luther. Filmgottesdienste zu Kurzfilmen, Praxistipps zur Vorbereitung und Durchführung von Filmgottesdiensten, juristische Basisinformationen und Listen mit geeigneten Filmen sowie Bezugsquellen runden das Buch ab. Alle Beiträger haben langjährige Erfahrung in der Arbeit mit Filmgottesdiensten." (Verlagsbeschreibung)
more
"The first part of the book is an overview of the history of films which offer substantial images of Mary. They include the films specifically about Mary and her presence in the life of Jesus films [...] In the second part of the book, which has been designed especially as an aid to teachers, eight
...
particular focuses on Mary in the Gospels are used as reference points for the Mary Films. For each of these eight focuses, scenes from particular films are described briefly but in some detail so that teachers can pick and choose what they might like to screen and know what features are to the fore in each sequence. At the end of each section, there is a brief overview followed by a listing of the key themes for this focus on Mary’s life. In the third part, there is more detail on the apparition films and in the fourth part more detail on the Marian figures and metaphors." (Introduction)
more
"Die Filmwissenschaftlerin Dagmar Petrick präsentiert Andachten zu 25 Kinofilmen wie etwa "Billy Elliot", "Die Truman-Show", "Das Leben der Anderen", "Horton hört ein Hu", "Fahrraddiebe", "Die Verurteilten" oder "Erin Brockovich". Das hervorragende Material eignet sich für die persönliche Andach
...
t, für Hauskreise, Gemeindegruppen und auch Gottesdienste. Dabei werden die Filme jeweils auch kurz nacherzählt. Impulse und Fragen helfen außerdem, die Brücken zu Glaubenselementen oder biblischen Wahrheiten zu schlagen." (Verlagsbeschreibung)
more
"In this chapter, we have looked at how Buddhism and orality have been translated into film in Bhutan. We have argued, that cinema operates as a secondary oral medium, through the various rituals of production, distribution and consumption and, most significantly, at the level of story construction.
...
Although Bhutan has a remarkably strong oral legacy, cinema and electronic media have undeniably changed its traditional narrative structure, re-mediating it and, in the process, creating new storytelling forms." (Conclusion, page 170)
more
"While acknowledging the contribution of the dominant Hindi Sanskritic narrative tradition to the shaping of popular Hindi cinema, this chapter aims to explore the alternative narrative streams that have governed storytelling in Hindi films, particularly the Perso-Arabic legacy of the qissa and dast
...
an that has been erased or marginalised in the construction of national cinema. Through tracing the disruption of the dominant Hindu epic narratives by the Perso-Arabic qissa or dastan, it will show that it is the imbrication of the Perso-Arabic heritage with the Hindu Sanskritic that constructs the syncretic cinematic universe of the Hindi film." (Pages 183-184)
more
"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
...
e Passion of the Christ (2004) are but three notable examples. Each of those movies, however, was first produced in America for American audiences. In the case of Karunamayudu (1978), a Telugu commercial movie of Jesus' life, the target audience was South Indian viewers raised on a steady diet of mythological and social films and immersed in a pluralistic religious environment unlike any Western society at the time. In this essay I explain how and why this film, with its unique production history, was co-opted by evangelicals for Christian witness in India." (Abstract)
more
"The article deals with two recent Iranian films, al-Masih (Teh Messiah) by Nader Talebzadeh and Maryam al-Muqaddasah (Holy Mary) by Shahriar Bahrani. Both movies are about religious characters shared by Islam and Christianity: Zechariah, Mary and Jesus. The article explores the way the filmmakers h
...
ave made use of both Islamic and non-Islamic sources to tell their story, and it analyses the stylistic and narrative means they have employed. Are these films contributing to the mutual religious understanding of Christians and Muslims? If so, how? And if not, why not?" (Abstract)
more
"One of the ways by which religious rituals communicate in African society is by maintaining cohesion in the culture. They connect participants to richer meanings and larger forces of their community. Even in representational models, rituals create solidarity in the form of subjective experiences of
...
sharing the same meaningful world which is attained by participants through the condensed nature of symbols used therein. Traditional religion is one ritual that despite the influence of westernization and scientific developments in Africa, still holds meaningful implications in people’s everyday life. Thus, from day break to evening, people have religious rituals with which they communicate with their God or gods, deities and ancestors. Also from weeks to seasons, months to years, there are festivals and rituals both in private and in public situations which the African still celebrate in connection with the ‘living dead’ or those in the ‘spirit world’. This paper by means of nuanced textual analysis of some Nigerian home based films: Things Fall Apart (1986), Igodo: The Land of the Living Dead (1999), Sango, (1998), Festival of Fire, (1999), Bless Me, (2005) traces religion to the root paradigm of African cultures as a channel to the construction of African identity." (Abstract)
more
"Organized alphabetically, this encyclopedia provides more than 90 entries on the larger religious traditions, the major film-producing regions of the globe, the films that have stirred controversy, the most significant religious symbols, and the more important filmmakers. The included topics provid
...
e substantially more information on the intersection of religion and film than any of the similar volumes currently available. While the emphasis is on the English-speaking world and the films produced therein, there is also substantial representation of non-English, non-Western film and filmmakers, providing significant intercultural coverage to the topic." (Publisher description)
more
"This innovative, interdisciplinary collection of essays by scholars based in Europe and the United States offers stimulating approaches to the role played by religion in present-day South Asia." (Publisher description)