"The most extreme damage inflicted by social media can be seen in South Sudan. As documented in the chapter by Theo Dolan, social media in South Sudan has contributed to hatred and conflict among ethnic groups. Many investigators, including UN investigators, have warned that South Sudan's social med
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ia are triggering violence against ethnic groups. Since the beginning of the civil war in late 2013, social media has fuelled waves of hate speech that have provoked deadly violence and ethnic conflict in South Sudan, including massacres and other atrocities. In that sense, social media has become a new variation of the "hate radio" phenomenon that flourished in Rwanda before and during the 1994 genocide … Social media is also emerging as a powerful way to harass and intimidate the opponents of a regime or a political party. In this sense, it adds another weapon to the arsenal of a powerful regime that already has multiple weapons at its disposal. A regime can mobilize its supporters to use social media in a targeted way against its foes, or it can use its financial resources to create a fake army of fictional users on social media. In either case, it is tilting the playing field against its enemies. A targeted attack through social media can be more effective than the telephone threats or messages often deployed in the past. The use of social media can be more intimidating because it belittles the targeted person in front of a much bigger audience. The presence of this audience means that the attack is more damaging, more difficult to ignore and has the potential to mobilize large numbers of people against the victim … While social media is often used for anti-democratic purposes in Africa's authoritarian states, it has also been used as a force for reform, accountability and justice. It has helped to safeguard the fairness of elections. It has allowed greater scrutiny of potential threats, such as vote-rigging or violence, allowing citizens to be alerted when there is still a chance to prevent the worst abuses. It has put a spotlight on corruption and political wrongdoing, allowing activists to mobilize pressure on governments to resolve these long-neglected problems. In some cases, as it did in the Arab Spring, social media has played a role in toppling an authoritarian state. When an election was called in the small West African state of Gambia, where the dictator Yahya Jammeh had ruled for 22 years, opposition candidates had little access to state-controlled media. So the main opposition party created more than a dozen WhatsApp groups, allowing it to communicate with voters. Other forms of social media also proliferated. A leading independent group, the Gambia Youth and Women's Forum, discussed election issues on a public Facebook group with 55,000 members. The government blocked access to WhatsApp and eventually extended the shutdown to the entire internet, but Gambians used virtual private network (VPN) technology to bypass the shutdown. The opposition won the election and Jammeh was forced to flee the country." (Pages 419-423)
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"Through interviews with 100 journalists and editors in seven countries, the authors examine safety as the main challenge for journalists covering war and conflict in both local and international contexts. The article places a particular focus on the situation for Filipino and Norwegian journalists.
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The underreporting of legal aspects of international conflict, combined with less security, means less presence and more journalistic coverage based on second-hand observation. The article argues that reduced access to conflict hotspots owing to the tactical targeting of journalists might distort the coverage of wars and conflicts, and affect the quality of journalism in future." (Abstract)
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"Thanks to social media, Peruvian police does a better job in communicating with people. In its videos and posts, it uses celebrities, popular phrases, famous movie scenes or lyrics of well-known songs. Its social media page has been encouraging people to refrain from drinking alcohol when taking th
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e wheel, to double check information found on the internet to avoid fraud, to cycle more to reduce traffic jam and to report assaults or harassment to help police better protect people. Uncle PNP [=the social media account of Peruvian police] replies to people’s queries in a trice, giving them advice or tagging other public institutions on Facebook that are in a better position to help. And it works. Today, more than one million people follow the Peruvian police account on Facebook. There is no better proof that people always enjoy taking advice from their uncles."
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"This ethnic conflict frame performs three functions when used by African journalists. The first is that it works to domesticate the conflict [in Darfur] by relying on already sedimented knowledge among African audiences about identity formation … The second function of this frame is based on know
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ing that the national media subfields in the three countries [i.e., Kenya, Rwanda, South Africa] have a nuanced understanding of ethnic identities. When asked about the role of ethnicity in Darfur, a Nigerian journalist responded, "It's a factor, religion is a factor as well. Religion shapes ethnicity" (interview with a journalist, Nigeria 2015). This approach alerts us that, as far as African journalists are concerned, ethnicity does not always have a path-deterministic relationship with violence, as some journalists in the Global North have sometimes suggested (Wahutu 2017b, 16-17). The third point is that this ethnic conflict frame works to create a sense of shared affinity between the victims and the audience in Kenya, South Africa and Rwanda while othering those framed as Arab/Muslim as being radically different. This explanation is one that was more present during my interviews with journalists. In both Kenya and South Africa, journalists often viewed as Sudan as not "real Africa." (Page 246)
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"A brief recap of the examples discussed here suggests, among other things, the following considerations: When information circulation is limited due to censorship or security concerns, it may be necessary to restrict information to what is essential for survival. In the case of BBTT in South Sudan,
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humanitarian information is produced and transmitted by residents of the UN protected sites, in local languages and for local residents only; Likewise, in post-genocide Rwanda, where broadcasting news about atrocities would have been very challenging, the newsreel project provided information and space for discussion for different groups, while creating a conversation that extended beyond each screening and location; BBTT and the newsreels project also demonstrate that closed environments may be the best option to provide information safely and allow for open discussions among individuals affected by violence. By employing the use of listening and discussion groups, the program furthers its goal of engaging residents and extending their participation in the local form of public sphere. These controlled environments are particularly important to encourage the participation of victims, women and other marginalized groups in dialogue; Training and engaging citizens to gather, curate and disseminate content, as BBTT does with community correspondents, is an effective way to provide information that matters to people's lives and to foster a culture of critical engagement. These processes potentially help communities rebuild media structures once the political situation stabilizes; Media outlets that create avenues for interaction and feedback tend to be most successful in providing content that is relevant and engaging to audiences, as in the case of Sawa Shabab in South Sudan; Drama, games, storytelling and other forms of engagement with narratives provide opportunities for individuals to work together, regain social trust, learn about alternate forms of participation and reconstruct symbolic narratives, as demonstrated by the examples in Colombia; Recognition of the suffering of the victims as well as of their agency in resisting violence is also crucial in a post-atrocities context. This may come in the form of interactive media-making by citizens or in initiatives supported by media or research organizations such as the National Center for Historical Memory." (Pages 226-227)
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"Queremos entender la comunicación y el acceso a la información como medios para la conquista de otros derechos. Hay innumerables rutas que podríamos tomar para llegar a este destino; la elegida acá es la que entiende la comunicación como un ecosistema complejo que debe estar imbricado en la co
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ncepción, ejecución y retroalimentación de las políticas públicas. Piense en una política pública cualquiera. En una democracia, ¿cuál es el momento T0 de esta política pública? La respuesta es el proceso electoral. Es allí donde la sociedad decide cuáles propuestas quiere ver implementadas y cuáles no. ¿Hay comunicación en esta etapa? ¿Y el momento T1? Una vez electos, los tomadores de decisiones deben empezar el proceso de planificación de las políticas que van a implementar. De nuevo, ¿está presente la comunicación aquí? Y continuemos… T2: aprobación legislativa. T3: implementación/ejecución. T4: monitoreo y evaluación. T5: retroalimentación y reinicio del ciclo electoral. En cada una de las etapas del diseño e implementación de una política pública cualquiera, hay palabras clave presentes: información, participación, diálogo, empoderamiento, mitigación de riesgos, corrección de rumbos, rendición de cuentas… En todos estos quehaceres hay robustos aspectos comunicativos y de acceso a la información. A estas alturas, usted, lector juicioso, se estará preguntando: ¿por qué todo este esfuerzo para subrayar lo obvio? Y es aquí donde reside el segundo pilar de esta caja de herramientas y estrategias: aunque parezca evidente, la comunicación, comprendida en su complejidad, diversidad y amplitud, debe estar incorporada en la ruta integral de las políticas públicas; cambiar este escenario es central para la eficiencia misma de las políticas que buscamos implementar." (Introducción, página 8-9)
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"The book includes an extensive section on the echoes of Rwanda, which looks at the cases of Darfur, the Central African Republic, Myanmar, and South Sudan, while the impact of social media as a new actor is examined through chapters on social media use by the Islamic State and in Syria and in other
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contexts across the developing world. It also looks at the aftermath of the genocide: the shifting narrative of the genocide itself, the evolving debate over the role and impact of hate media in Rwanda, the challenge of digitizing archival records of the genocide, and the fostering of free and independent media in atrocity's wake. The volume also probes how journalists themselves confront mass atrocity and examines the preventive function of media through the use of advanced digital technology as well as radio programming in the Lake Chad Basin and the Democratic Republic of Congo." (Publisher description)
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"In presenting some of the findings from an analysis of 3,387 media reports and from interviews with Africa correspondents and other journalists from eight countries, this chapter provides several insights on patterns of media representations of the conflict in Darfur. After initial neglect, peaks i
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n reporting followed political initiatives, especially Kofi Annan's analogical bridging from the Rwandan genocide to Darfur, and the ICC interventions. Judicial interventions increased reporting and citations of the crime frame. While the humanitarian emergency frame featured prominently in early stages, its use declined quickly as continued suffering was no longer news and as the government of Sudan cut off sources of information. Diplomatic representations also declined over time. Patterns of reporting follow similar paths in all countries, but they do so at different levels of intensity. In addition, receptivity to the crime frame and use of the genocide label vary across countries. The causal factors of such variation are country-specific policy preferences and cultural sensitivities, distinct characteristics of media fields and varying strengths, that is, resources, power and prestige, of social fields that surround journalism." (Conclusions, page 270)
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"The trend in international newsgathering is to greater reliance on local journalists and fixers to provide crucial information to a global audience. At the same time, these local journalists are themselves becoming targets of violence. Increasingly, local journalists are being killed in the line of
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fire. Their deaths create stress for their colleagues, families and communities. It remains a challenge to discern areas in which the global community can provide support to journalists in these circumstances. As long as we continue to rely on fixers and local journalists for news and information from hot spots around the world, we must also provide them with adequate support to mitigate risk, including to their mental health. Local journalists, such as those in the Central African Republic, are one of the most likely groups of journalists to experience psychological trauma, thanks to the implicit risks of their work, combined with public pressure to provide news from these situations. What support can be provided to these journalists and how can it best meet the specific needs of such a community? Can we promote resiliency? The first step is to acknowledge the dearth of relevant research on mental health and psychosocial support for local journalists in conflict or emergency settings. There is a need for research on the kinds of trauma (and resilience) that journalists experience and their causes, including impacts on the individual and colleagues and impacts on the work […] Second, "little has been done to develop treatments based on local coping styles, culture-specific idioms of distress, and culturally appropriate helping methods" (de Jong 2017, 209) […] Third, any training efforts of journalists should be accompanied with mental health and psychosocial support […] Finally, the United Nations has adopted the UN Plan of Action on the Safety of Journalists and the Issue of Impunity This may at least give some wider symbolic support to journalists who are victims of traumatic attacks. Ultimately, there must be a recognition that the mental health of the journalist can have an impact on their reporting - something that is particularly critical in conflict environments." (Conclusion)
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"The period between 2014 through the end of 2018 has seen 495 journalists killed, according to UNESCO data, which represents an 18% increase in the number of killings as compared to the preceding 5-year period (2009-2013). Based on the number of killings, the most dangerous regions for journalists a
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re the Arab States region, the Latin America and Caribbean region and the Asia and the Pacific region. Across all regions the vast majority of killings were of local journalists, rather than foreign reporters. The five-year period saw an inversion in the proportion of journalists being killed outside of conflict zones. While in 2014 a majority of journalist killings occurred in conflict regions, in 2017 and 2018 more killings (55% in both years) occurred outside conflict regions. This trend reflects the changing nature of violence against journalists, who were increasingly silenced for reporting on issues of corruption, crime and politics. Although the vast majority of journalists killed are men, killings of women journalists almost doubled relative to the previous 5-year period (24 female journalists were killed in 2009-2013, compared to 46 in 2014-2018). The issue of impunity remains widespread, with only 131 cases of journalists’ killings reported by Member States as being resolved since 2006, representing an overall impunity rate of 88%." (Executive summary, page 8)
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"Visual metaphors stand at the border between text and image, as they are linguistic figures that visualize the spoken. Based on this assumption and on the existing knowledge on the discourse analytical method of metaphor analysis, Part One of the article develops a method of visual metaphor analysi
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s (VMA). Part Two uses this method to examine the metaphors of peace found in the acclaimed movie Mango Dreams, the winner of the Peace on Earth Film Festival 2017. The film by John Upchurch tells a story of Dr. Amit Singh, whose family was killed by Muslims during the partition of India and who is suffering from the onset of dementia. In order to confront his fading memories and in pursuit of peace, he commences on a journey to his childhood home in what today is Pakistan. On his travel, he is aided by Muslim rickshaw driver Salim, whose wife was raped and murdered by Hindus. During the long journey across India in a rickshaw, the two form a close friendship and help each other find the peace they have been searching for. Based on our visual metaphor analysis (VMA) of the film, as well as an interview with the director, the article demonstrates how metaphors are employed to visualize a positive concept of peace, particularly HOME, JOURNEY, and BRIDGE, which has a specific temporal, spatial, and moral dimension. In contrast to much of the international relations research on visualization of peace and conflict, the conceptualizations of peace in Mango Dreams metaphorically envision positive peace, instead of the more familiar conceptualization of negative peace, through a representation of PEACE not only in terms of a place (HOME) or process (JOURNEY) but as practice (BRIDGE)." (Abstract)
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"The visual presentation of the Serb accused in TV news was based on iconic images of the accused combined with symbolic images of the state and its power, with nearly complete absence of visuals of atrocities and victims. In contrast, the visual presentation of the Croatian, Bosniak and Albanian de
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fendants draws meaning mainly from sequences of images displaying victims, war destruction or attacks as “palpable” proof of crimes. This supports a sentiment of collective victimhood of the Serb population and creates the impression of the indicted persons’ guilt even after their acquittals by the International Criminal Tribunal for the former Yugoslavia (ICTY). Since the research project has been limited to three Serb TV channels, comparative work on TV media in other states of former Yugoslavia would be required in order to assess how ’special’ the case of Serbia is regarding these visual strategies. The much disputed legitimacy of the ICTY and the important role of media have also become obvious in focus groups interviews with students in Serbia: The students displayed a striking lack of knowledge about war crimes; nonetheless, they strongly rejected the ICTY as a biased institution. At the same time, they were perceptive of new facts and interpretations, showing that they have a genuine need to understand the past and obtain objective information. A major problem is that in their perception there are few, if any, objective, neutral institutions which to put trust in. The expert interviews, conducted in Belgrade and The Hague, underlined the critical state of mainstream TV media in Serbia: They were assessed as not really independent, driven by entertainment formats, suspect to governmental pressure and failing in their watchdog functions. The interviewees also expressed a widespread disappointment about the state of affairs of transitional justice in Serbia." (Summary)
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"Der landesinterne Konflikt in Kolumbien und die damit einhergehende Gewalt sind seit deren Ausbruch in den 1940er Jahren zentraler Gegenstand des kolumbianischen Kinos. Unter dem Einfluss sich wandelnder Gewaltdiskurse und Produktionsbedingungen entwerfen die kolumbianischen Filmemacher_innen viels
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chichtige Porträts der kolumbianischen Gesellschaft und liefern neue Ansätze zur Reflexion und Bewertung der Gewalt in Kolumbien. Anne Burkhardts diskursanalytisch fundierte Untersuchung von 17 ausgewählten Filmen, darunter einige Klassiker des kolumbianischen Kinos, wird ergänzt um die erste umfassende Darstellung der kolumbianischen Filmgeschichte in deutscher Sprache." (Verlagsbeschreibung)
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"This book focuses on the reporting of human rights in broadly defined times of conflict. It brings together scholarly and professional perspectives on the role of the media in constructing human rights and peacebuilding options in conflict and post-conflict environments, drawing on case studies fro
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m Europe, Latin America, the Middle East, Africa, and South Asia. It also provides critical reflections on the challenges faced by journalists and explores the implications of constructing human rights and peacebuilding options in their day-to-day professional activities." (Publisher description)
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"Bringing theory and practice together, 'African Cinema and Human Rights' argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: documenting human rights
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abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities; legitimating, and consequently solidifying, an expanded scope for human rights; and promoting the realization of social and economic rights. Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations." (Publisher description)
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"The study is comprised of three main parts: a desk study of available and accessible material – reports, documents and media material; a qualitative study comprising over 200 interviews with ordinary people, experts, and persons with direct experience with radicalization leading to violent extrem
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ism (RVE); and a quantitative component consisting of national surveys of people’s information consumption habits. For the desk study, the effort was made to gain as broad a picture as possible, that is, to cover all five countries of Central Asia – Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. However, predictably and unfortunately, Uzbekistan and especially Turkmenistan proved difficult cases to study in full. For both the qualitative and quantitative field research activities, for several reasons, only the first three countries were included. As a result, this study is able to report most robustly on these three countries and propose observations regarding Uzbekistan and Turkmenistan only to a limited extent. Based on the desk study, the drivers of extremist sympathies as established in existing research have been political grievances (injustice from state structures; identity-based discrimination; oppressive political regimes, etc), economic difficulties (unemployment; indebtedness; poverty; and desire for quick and greater income) and ideological motivations (resentment of false values; striving for the singularly just and true life; for reward in a perceived afterlife). To these push and pull factors are added a range of enabling factors, such as migration, young age, gender (women), and means of communication. All these drivers of RVE need to be treated with caution, as stressed by various authors and suggested by evidence gained in field research. A general observation, gained from the desk research and supported by evidence in both qualitative and quantitative field studies, was the difference among the countries in degree of control over the information space, or the degree of hegemony over public discourse. Of the three most fully studied countries, hegemonic discourse was the strongest in Tajikistan, followed by Kazakhstan, and the least in Kyrgyzstan. Uzbekistan, analyzed to a limited extent, would be closer to the extreme of Tajikistan, whereas Turkmenistan was too closed to make reasonably robust observations." (Page 3)
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"The News Organizations Safety Self-Assessment provides a tool for news outlets to review and improve safety practices and protocols that affect the newsroom and journalists out in the field. The Self-Assessment should help news organizations to identify and better understand their own weaknesses an
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d strengths in relation to the security of all the individuals working for them who are exposed to danger, including freelancers. The Self-Assessment should prompt a constructive internal conversation around best practices and encourage practical and effective ways to advance these internally. The suggested Self-Assessment can be used as a template, can be modified and adapted according to the nature of the news organization, or used to inform mechanisms already in place." (Introduction)
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