"If everyone with a smartphone can be a citizen photojournalist, who needs professional photojournalism? This rather flippant question cuts to the heart of a set of pressing issues, where an array of impassioned voices may be heard in vigorous debate. While some of these voices are confidently predi
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cting photojournalism's impending demise as the latest casualty of internet-driven convergence, others are heralding its dramatic rebirth, pointing to the democratisation of what was once the exclusive domain of the professional. Regardless of where one is situated in relation to these stark polarities, however, it is readily apparent that photojournalism is being decisively transformed across shifting, uneven conditions for civic participation in ways that raise important questions for journalisms forms and practices in a digital era. This book's contributors identify and critique a range of factors currently recasting photojournalism's professional ethos, devoting particular attention to the challenges posed by the rise of citizen journalism. This book was originally published as two special issues, in Digital Journalism and Journalism Practice." (Publisher description)
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"Local radio stations have mushroomed in Africa, including Tanzania, partly due to increased support from international donors. However, research results show that the lack of economic viability is a major constraint for local radio stations. They can hardly generate sufficient revenues from adverti
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sers to sustain the station. This leads to high turnover of staff due to low pay, low quality of content, and lack of capacity in serious programming. Based on a market model, the goal of this paper is to identify these problems from both a business and a journalism perspective and to find possible solutions. The results of this analysis show that a viable economic model in Africa requires simultaneous support for three different fields, (a) development of good content, (b) development of media management capacities, and (c) media research covering the extent and satisfaction of local audiences in order to develop local advertising markets that serve local media." (Abstract)
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"The Argentinian Law 26.522 on Audiovisual Communication Services (currently under reform) aimed at democratizing the media arena by recognizing multiple actors such as community broadcasters, school and indigenous media, among others. According to the legal classification, community broadcasters we
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re regulated as private non-profit media, despite having specific objectives, programming, organizational logic and economic conditions. Conversely, school and indigenous media merged into the public sector, even if they may act as community media. The article compares results arising from two research projects carried out in Northern Argentina through in-depth interviews with key informants from two indigenous radio stations and two school radio stations. The theoretical framework mainly draws on literature about community, alternative and popular communication. Results show that communities participate in such media foundation or management and that media content deals with cultural and political issues related to their interests or needs. Indeed, emerging features allow considering such broadcasters as community media." (Abstract)
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"In this article, which draws on a detailed study of four community radio stations, we have highlighted a number of elements of community radio which contribute towards a democratisation of the public sphere as envisaged by Habermas and his followers. However, we have argued that democratic particip
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ation is still not optimised within the community media sector in that its discourse remains limited to local news reporting and information provision rather than targeting more radical, and arguably divisive, issues which would, as advocated by AMARC and other commentators, promote social change. This, we have argued, is the case largely because of the apolitical leanings of Irish policy framework; historical traditions which blur the distinction between public and commercial broadcasters at local levels; the somewhat limited scope of community radio training programmes in stations themselves; the weakness of linkages between stations and community groups; and the failure of the latter to understand the unique remit of community radio. The article draws lessons of specific interest to researchers and activists in these domains, as well as offering a framework of use to community radio researchers interested in examining the sector’s contribution to the democratisation and the re-animation of the public sphere more broadly." (Conclusion, page 45)
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"Overall, three quarters (72%) of Australians aged 15 years and over are aware of community radio. Since 2012, this survey has also asked survey respondents which individual community radio stations they had heard of, providing the ability to verify the stated awareness with specific station example
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s. This secondary measurement provides closely matching results of 70%. Over a quarter (28%) of Australians aged 15 years and over, or 5,299,000 people, listen to community radio in a typical week. Overall, 83% of Australians aged 15 years and over listen to some radio in the course of a typical week. The number of Australians aged 15 years and over listening to community radio in an average week has risen from 3,767,000 in 2004 to 5,299,000 in 2016, with some statistically insignificant fluctuations from year-to-year. Of community radio listeners surveyed, 15% listen to community radio exclusively. Amongst the broader Australian population aged 15 years and over, 4% (or 811,000 people) are exclusive listeners to community radio in an average week." (Executive summary)
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"First chapter explained the concept of CR and those three key aspects such as: non-profit, community ownership and management, and community participation [...] Second chapter spoke entirely about the situation of CR in India. It has emphasised the history and growth of CR in India through six phas
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es begin from 1995 up to 2017 [...] Third Chapter began with explaining the approach, influence and assistance of the Government of India towards CR and its establishing process. The process of getting licence is briefed in 12 steps [...] Fourth chapter brought out a description about the context of the Diocese of Neyyattinkara and the CR project in specific. It makes clear that CR is not about doing something for the community rather the community doing something for itself [...] Fifth chapter spoke about those features Nids CR wants to promote based on the Church documents such as: Mirada Prorsus, Inter Mirifica, Communio et Progressio, Redemptoris Missio and Aetatis Novae; and the Radio Manifesto of World Radio Forum [...] Sixth chapter is a proposal based on conceptual analyses about the administrative structure, role of definite members, importance of volunteers, probable expenditure and fund raising options ..." (General conclusion, page 143 ff.)
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"This study assesses the role and impact of this local radio station network as well as its sustainability prospects, focusing on four pillars of sustainability in particular: Financial sustainability: at a minimum, radio stations need to be able to support their activities, and ideally enjoy some s
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urplus for innovation. Organizational sustainability: radio stations need to have access to a level of professionalism and resources that allow it to produce and present programs of reasonable quality. Political and cultural sustainability: radio stations need to be politically enabled to perform their activities, to do so in safety, and to enjoy the support of the communities within their broadcast area. Audience sustainability: radio stations need to be able to reach a sizeable audience, and to meet this audience’s information needs and expectations. To this end, in-depth interviews with key stakeholders in the Internews/Salam Watandar story as well as those involved in media operations at the central Kabul level were combined with 10 in-depth case studies from the research sample of 30 provincial Internews-established, full Salam Watandar-partner stations. 20 in-depth interviews by phone with the remaining sample stations were added to this." (Executive summary)
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"Internews set out to take stock of community radio stations (CRS) in Tanzania through a rapid, structured assessment. We were determined to understand the extent to which CRS across the country were providing a valuable public information service, and what barriers could be overcome and opportuniti
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es seized to increase their effectiveness in supporting two-way feedback and accountable governance. In order to ensure the success of future efforts to improve democratic and economic development in Tanzania, the system of producing, disseminating, sharing, trusting in and engaging with information must improve in equal easure. A team of Internews staff and consultants visited 22 community radio stations in Arusha (8), Dar es Salaam (2), Lindi (5), Mtwara (2), and Zanzibar (5)." (Internews website)
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"Este artículo expone los principales rasgos del mercado de la radio y la televisión de señal abierta en el Perú, y hace hincapié en los niveles de concentración de la inversión publicitaria, el control de las frecuencias y el marco regulatorio hecho a la medida de los grupos mediáticos más
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poderosos del país. También analiza las posibilidades de sostenibilidad económica, crecimiento y modernización de buena parte de los medios locales y regionales en un contexto mundial caracterizado por acelerados cambios tecnológicos y transformaciones en los hábitos y estilos de consumo de las audiencias. Asimismo, describe algunas fortalezas y estrategias desplegadas por las radios y televisoras locales, comerciales y con objetivos de desarrollo social (educativas y comunitarias), orientadas a posibilitar su permanencia en el mercado y sentar las bases para el complejo tránsito hacia la digitalización de la producción y distribución de contenidos multimedia." (Sumilla)
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"A Artigo 19 entende que muitos comunicadores populares se encontram em situação de vulnerabilidade social e legal em decorrência da omissão do Estado em regularizar o funcionamento de suas rádios e de suas políticas restritivas para o setor. Por esse motivo, elaborou orientações que serão
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reunidas em dois blocos – primeiro algumas perguntas e respostas sobre o procedimento de fiscalização das rádios e, depois, a respeito dos processos criminais que podem enfrentar os comunicadores comunitários. Tais orientações são baseadas no fato de que os agentes da Anatel e da Polícia Federal são obrigados a seguir procedimentos padrão baseados na legislação brasileira, como também devem seguir uma conduta ética —e o mesmo vale para os processos criminais que podem ser instaurados contra os radiocomunicadores. Com o objetivo de sanar o desencontro de informações a respeito desses procedimentos, esta publicação irá apresentar um panorama geral dos problemas enfrentados pelas rádios comunitárias e, em seguida, analisar a possibilidade de agilizar a obtenção da outorga de funcionamento via instrumentos legais e administrativos, além de orientar os comunicadores sobre os seus direitos e como agir caso suas rádios enfrentem procedimentos de fiscalização, levando em conta ações que possam ser tomadas nesse momento e em momento posterior, no âmbito judicial." (Objetivo da publicação, página 11-12)
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"Koch FM is a community radio station located in Korogocho, a slum in Nairobi, Kenya. The station aims to provide alternative information, education and entertainment content. Producers at the station and community members who make up the station’s audience have different perceptions of Koch FM’
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s role. While the producers envision Koch FM as the provider of information and a space for community voice, the community evaluates the station’s performance based on parameters drawn from commercial broadcasters. Consequently, the station acts as a space where sometimes-contradictory ideals play out. In exploring these contrasting viewpoints, this article highlights contextual production practices and the shifting audience expectations facing community radio in Kenya’s vibrant radio broadcast environment. The data are the outcome of ethnographic fieldwork conducted in 2014 and 2015." (Abstract)
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"This study examines the challenges of good governance for community radio stations. It does this by exploring how volunteers, managers and members of the Boards of Directors at four community radio stations in Ireland view governance issues. The article finds that there are three key requirements f
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or effective governance in the context of non-profit community radio stations. First, participants described the importance of the Board’s leadership role in acquiring expertise in specific, necessary areas, such as finance, human resources and compliance. The Board was also seen to require a capacity to generate positive relationships between the station and its constituent communities. Second, participants outlined a number of practices that proved useful in achieving positive internal relationships between the Board, the volunteers and management. Third, participants described how a collectively shared ethos of community radio was useful in overcoming potential divisions by generating a shared sense of the organization for its members. The findings highlight the need for further research and analysis of the organizational uniqueness and consequent governance requirements of community media." (Abstract)
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"Desde una perspectiva crítica de la comunicación para el desarrollo y el cambio social y tomando como referencia una nueva mirada a la Comunicología de la Liberación definida por Luis Ramiro Beltrán (1981), esta presentación analiza experiencias y modelos de comunicación horizontal de radios
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comunitarias en India, con el fin de conocer, desde la práctica, los modos en los que se está involucrando en el proceso de la comunicación a comunidades antes excluidas y silenciadas. Este artículo presenta los resultados de un estudio sobre la participación de la comunidad en las prácticas de comunicación participativa iniciadas por tres radios comunitarias en India. Este análisis recoge las diversas formas desde las que estas radios comunitarias en India afrontan el proceso de comunicación dialógica con las poblaciones y comunidades a las que dan servicio." (Resumen)
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"Una radio social (comunitaria, alternativa, popular, local, etc.) posee múltiples y diversas fuentes de financiamiento. Múltiples: en el sentido de que no se sostienen con una sola fuente de financiamiento. Primero, porque es difícil conseguir una sola fuente que cubra completamente los gastos d
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e una emisora. Segundo, porque eso haría peligrar la independencia y margen de acción: la multiplicidad es estratégica. Diversas: implementan distintos modelos. Van a la búsqueda de distintas fuentes. Y en general, tienen pequeños ingresos de muchas fuentes y de todos los tipos posibles. Incluso, creando e inventando nuevas. Utilizan alquiler de espacios a terceros, publicidad comercial, publicidad oficial, proyectos de cooperación, subsidios, aportes individuales, venta de productos (discos, material promocional, etc.), venta de servicios (producción radiofónica, capacitación, investigaciones, etc.), desarrollo de bares o espacios culturales, etc. Nos parece de relevancia que estos elementos se incluyan a la definición de lo que es una radio social, por cuanto es un tema que siempre queda postergado o es tabú para las emisoras. Es una característica diferencial respecto de otros tipos de emisora, y habla también de su capacidad de resiliencia, resistencia, adaptabilidad y creatividad. De considerar a la multiplicidad y diversidad de fuentes de financiamiento como un elemento constitutivo de la definición de medio social, podrían evitarse, por ejemplo, algunas legislaciones como la brasileña y la chilena que definen a los medios comunitarios o ciudadanos -entre otras cosas- como aquellos que no pueden recibir publicidad comercial. Y esto funciona como una restricción a su funcionamiento. Al igual que las legislaciones que imponen una restricción al alcance de este tipo de medios: esa restricción de alcance repercute en achicar las posibilidades, sobre todo, de obtener publicidad comercial." (Conclusiones y recomendaciones, página 273-274)
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"In 2016, 72% of all broadcast time was locally produced content, which equals 41,243 hours of locally produced content each week. While slightly less than in 2011-12, the proportion of local content has remained broadly consistent over all census periods. The proportion of content derived from loca
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l sources was higher in metropolitan and suburban stations than it was in regional and rural and remote stations. Stations dedicated to educational and Indigenous programming also tended to broadcast a higher proportion of locally produced content than other categories [...] Of the locally produced content that is broadcast by community radio stations each week 62% is presented live. Suburban stations present the most live content, with 75% of all locally produced content broadcast by suburban stations presented live. Metropolitan stations present 67%, regional stations 61%, and rural and remote stations 53% of their locally produced content live. Community radio stations broadcast a large proportion of their local content live. Youth stations also largely broadcast their local content live (88%). Educational stations also present a large majority of their local content live (88%). General stations, which make up the vast majority of community radio stations, present 70% of their locally produced content live. Religious (31%) and Indigenous (33%) and RPH (38%) stations present the lowest proportion of locally produced content live." (Pages 9-10)
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"Community broadcasting is known as the third tier of broadcasting, occupying the space between commercial and state broadcasters. In Kenya, this sector has been active only since 2004. Despite its recognised value in other contexts across the globe, community broadcasting is still struggling to fin
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d footing in the Kenyan media landscape, and there is a paucity of research on how this sector actually operates – its structures, content and audiences. This work therefore explores the roles and relevance of community radio in the vibrant Kenyan media landscape. Using a complementary mix of qualitative and quantitative methods, three community radio stations with different social contexts, funding and management structures were investigated. The research focused on the ideas and actors behind community radio, its funding and management structures, content, content production processes, listenership patterns and participation practices. Brought to light was that this sector navigates legislation and funding challenges, and juggles between global and local ideals about community broadcasting, most distinct of which are democracy and development. The local, the national and the global inform the ideas under which Kenyan community broadcasting operates, and these ideas are interpreted differently in each context. Communities interact with each of the stations based on their particular local contexts. Not only do they listen to community broadcasters according to specific daily rhythms, but they also mobilise themselves into social formations – most often fan groups and clubs – as a way of collective participation in the life of the station. Contrary to much radio audience research, this work shows that listenership is a distinct activity and participation in and through the media is not only an individual endeavour, but a collective undertaking drawing on pre-existent social solidarities. Community radio content addresses its listeners as different kinds of communities and publics at specific times of the day, and they respond accordingly. As well, there is content transformation across diverse media platforms, which may be a step towards new genres. Despite working within different and hybrid journalistic cultures, the producers play similar roles to their communities across the three contexts including mediation, mobilisation, space-creation, information and entertainment. Of these roles, mobilisation is a strength of community radio. The research reveals the intertwined nature of state, media and audience relationships, and argues for the fact that there are no homogenous audiences even at a micro-level, and that the affective and democratic functions of media participation are intricately linked to each other." (Abstract)
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