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Key Guidance
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Wild paroxysms of the turbulent 90s: How 'The Traitors' documentary exposed the Russian liberal milieu
Bonn: Friedrich-Ebert-Stiftung (FES) (2024), 13 pp.
"The story which The Traitors tells is pretty simple and well known to academic scholars who deal with the modern Russian state: it was corrupt from its inception and Putin’s regime is in no way an aberration, but smooth continuity of the Yeltsin system. The documentary precipitated a wave of slan
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Decolonising Political Communication in Africa: Reframing Ontologies
Abingdon, Oxon; New York: Routledge (2022), xxviii, 226 pp.
"This book uses decolonisation as a lens to interrogate political communication styles, performance, and practice in Africa and the diaspora. The book interrogates the theory and practice of political communication, using decolonial research methods to begin a process of self-reflexivity and the cre
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Steps Impact Toolkit
Cape Town: Steps (2022), 31 pp.
"The idea of telling stories for change or social impact through film is not new. Yet drafting and implementation of a film impact campaign has evolved over the last few years to include a network of impact practitioners sharing ideas and knowledge. Strategies, guidelines and models have emerged tha
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Hier und anderswo: Palästina-Israel im essayistischen Film (1960-2010)
Marburg: Schüren (2021), 423 pp.
When ‘Seeing Was Believing’: Visual Advocacy in the Early Decades of Humanitarian Cinema
Journal of Humanitarian Affairs, volume 3, issue 2 (2021), pp. 18-27
"Focusing on the pivotal period of 1919–23 and the large-scale humanitarian responses in Central and Eastern Europe, this paper discusses the development of advocacy in the movies made by organizations like the ICRC, Save the Children Fund or American Relief Administration. While aid agencies obse
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Movie Minorities: Transnational Rights Advocacy and South Korean Cinema
New Brunswick et al.: Rutgers University Press (2021), ix, 301 pp.
"Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today
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Film ab! Kunst, Geschäft und Widerstand: Kino im globalen Süden
welt-sichten, issue 6 (2020), pp. 12-33
"Viele Filme aus Ländern in Afrika, Asien und Lateinamerika befassen sich phantasievoll mit gesellschaftlichen Fragen. Unter welchen Bedingungen arbeiten Regisseurinnen in Algerien, Marokko und Tunesien? Warum sind afrikanische Religionen und Riten ein Thema im jungen nigerianischen Kino? Und wie g
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Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968-1991
Suffolk: Boydell & Brewer (2020), xvi, 292 pp.
"In one of the first cultural acts to follow independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country where many people had little previous experience of cinema, the INC was tasked to "deliver to the people an image of the p
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The Impact Field Guide and Toolkit: From Art to Impact
Key Guidance
London et al.: Doc Society, 2nd ed. (2019), 381 pp.
"This guide is about more than just tools and resources, it’s about building community. As with the process of evaluation, we saw an opportunity to learn about how impact happens and to track how films are catalysing social change. That’s the impetus behind the case studies that make up our Impa
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Kritik, Aktivismus und Prospektivität: Politische Strategien im postjugoslawischen Dokumentarfilm
Marburg: Schüren (2019), 368 pp.
"Während des kriegerischen Zerfalls von Jugoslawien und der Bildung neuer Nationalstaaten entstand in der Region ein reges Dokumentarfilmschaffen, das sich den dominanten Rhetoriken der Politik entgegenstellte. Anhand dieses Filmkorpus untersucht die Studie die Bedingungen der Filmproduktion und -r
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Guía práctica y herramientas para el impacto: Del arte al impacto
Key Guidance
London et al.: Doc Society (2019), 237 pp.
"El objetivo de esta guía va más allá de presentar herramientas y recursos, pretende crear comunidad. Igual que sucede con el proceso de evaluación, vimos una oportunidad para aprender cómo se produce el impacto y hacer un seguimiento de cómo las películas están catalizando el cambio social.
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O guia de campo: Kit der ferramentas para o impacto. Da arte ao impacto
Key Guidance
London et al.: Doc Society (2019), 238 pp.
"Nós oferecemos ideias e abordagens para que você não tenha que lidar com um obstáculo que alguém já ultrapassou e, com isso, concentrar-se nos desafios próprios de seu projeto. Disponibilizamos todas as nossas colaborações, conversas, acordos e desentendimentos com equipes de filmagem incr
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The impact field guide and toolkit: From art to impact [in Arabic]
Key Guidance
London et al.: Doc Society, 2nd ed. (2019), 238 pp.
Conflict and Controversy in Small Cinemas
Frankfurt am Main: Peter Lang (2018), 268 pp.
"This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. Th
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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
Cham: Palgrave Macmillan (2018), xi, 265 pp.
"[This book] reflects on the extent to which films can play an active role in denouncing human rights abuses and exposing the struggle for visibility of different social movements and minorities. This collection explores Latin American cinema’s representations of human rights violators and oppress
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Prisioneros del cine: 50 películas sobre la privación de libertad
Barcelona: Editorial UOC (2018), 212 pp.
"El cine de cárceles ha desarrollado un lenguaje propio, casi como si de un género se tratase. Y lo ha hecho para presentarse ante la audiencia con muy diferentes intenciones: desde denunciar un sistema penal con serias imperfecciones a relatar historias de superación, pasando por descubrir injus
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Cine andino
Lima: Pakarina Ediciones;Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas (2015), 262 pp.
Ten Arab Filmmakers: Political Dissent and Social Critique
Bloomington; Indianapolis: Indiana University Press (2015), xiii, 254 pp.
"Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world―Algeria, Egypt, Lebanon, Morocco, Palestin
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Südostasien auf der Leinwand: Film, Gesellschaft, Politik
Südostasien, issue 4 (2013), pp. 3-64
"In dieser Ausgabe wollen wir die neuen Filmszenen der südostasiatischen Filmproduktion näher betrachten und würdigen. Gleichzeitig wollen wir eine erstmals in deutscher Sprache erscheinende Gesamteinführung in das Thema »Film in Südostasien« anbieten. Den folgenden Fragen wurde dabei eine be
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Film und Politik in Myanmar: Gesellschaftlicher Wandel durch politischen Film?
Südostasien, volume 29, issue 4 (2013), pp. 23-25
"Myanmar durchläuft derzeit einen rasanten gesellschaftlichen Öffnungsprozess. Nicht zuletzt wachsen die Freiräume für politische Aktivisten, Journalisten und Filmemacher. Welche Wirkungen aber haben Filme auf politische Reformen in Myanmar, dessen Medienzensur zu den striktesten Zensursystemen
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