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"Ganz Brasilien glotzt Globo": Telenovelas in Brasilien. Ein Vergleich mit Mexiko
Berlin; Münster: Lit (2013), ix, 800 pp.
Latin American Television Industries
London: British Film Institute (bfi); Palgrave Macmillan (2013), 205 pp.
"John Sinclair and Joseph D. Straubhaar provide a comprehensive account of television production, distribution and reception in Spanish- and Portuguese-speaking Latin American countries, showing how Mexican and Brazilian programmes have dominated in the region, and placing regional output in the con
...
Soap Operas as a Matchmaker: A Cultivation Analysis of the Effects of South Korean TV Dramas on Vietnamese Women’s Marital Intentions
Journalism & Mass Communication Quarterly, volume 90, issue 1-2 (2013), 23 pp.
"This cultivation study examined the effects of South Korean soap operas on Vietnamese female audiences. It also assessed cultivation effects in combination with the theory of reasoned action. Based on a survey of 439 female viewers, it explicated the link between South Korean soap opera consumption
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Soap Operas as a Matchmaker: A Cultivation Analysis of the Effects of South Korean TV Dramas on Vietnamese Women's Marital Intentions
Journalism & Mass Communication Quarterly, volume 90, issue 2 (2013), pp. 308-330
"This cultivation study examined the effects of South Korean soap operas on Vietnamese female audiences. It also assessed cultivation effects in combination with the theory of reasoned action. Based on a survey of 439 female viewers, it explicated the link between South Korean soap opera consumption
...
Ibero-American Observatory on Television Fiction Obitel 2012: Transnationalization of Television Fiction in Ibero-American Countries
São Paulo: Sulina; Globo Comunicação e Participações (2012), 618 pp.
The general analysis of this Yearbook is divided into three parts. The first is an introductory chapter that contains a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view that makes it possible to observe the developmen
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Telenovelas / culebrones / novelas (das oito) / suds/sudsers — téléromans / feuilletons télévisés — teleromanzi / romanzi sceneggiati: Eine Arbeitsbibliographie der Sekundärliteratur
Medienwissenschaft (Hamburg), volume 143 (2012), 577 pp.
"Die nachstehende Bibliographie versammelt Sekundarliteratur zur 'Telenovela' als einem seriellen melodramatischen Fernsehformat, sowohl dem Begriff als auch dem blosen Wort nach. Das bedeutet: es findet sich auch Literatur verzeichnet, deren Gegenstande von unterschiedlichen Experten nicht oder nur
...
Remote Control: Indian Television in the New Millennium
New Delhi et al.: Penguin (2012), xix, 353 pp.
Global Television Formats: Understanding Television Across Borders
New York; London: Routledge (2012), xii, 392 pp.
"For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to me
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"Ugly Betty" and the Emergence of the Latina/o Producers as Cultural Translators
Communication Theory, volume 21, issue 4 (2011), pp. 392-412
"A critical examination of Betty's adaptation process sheds light on the disjuncture between global television distribution trends and national television markets' business cultures. The process of bringing the "ugly duckling" format to the English-language mainstream media market can be better unde
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Observatorio iberoamericano de la ficción televisiva (Obitel) 2011: Calidad de la ficción televisiva y participación transmediática de las audiencias
São Paulo: Globo Comunicação e Participações (2011), 585 pp.
"A través de un estudio sistemático basado en el monitoreo de las producciones de ficción televisiva, este anuario presenta y analiza datos de producción, circulación, distribución y consumo de programas de ficción exhibidos en el 2010 y presenta una síntesis comparativa de lo que fue el añ
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Soap Operas and Telenovelas in the Digital Age: Global Industries and New Audiences
New York: Peter Lang (2011), xiii, 305 pp.
Body Parts on Planet Slum: Women and Telenovelas in Brazil
London: Anthem Press (2011), xxv, 156 pp.
"Based on a year's research from within a Brazilian slum, this study follows a series of unemployed women who watch up to six hours of telenovelas a day, often in the midst of arduous physical labour in the home. The women suffer in relation to their bodies, but simultaneously invest in a masochisti
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Die MedienNutzerTypologie 2.0: Aktualisierung und Weiterentwicklung des Analyseinstruments
Baden-Baden: Nomos (2010), 276 pp.
Ugly Betty Goes Global: Global Networks of Localized Content in the Telenovela Industry
Global Media and Communication, volume 6, issue 2 (2010), pp. 177-197
"Betty la Fea, the phenomenally popular Colombian telenovela, has been exported as both canned (e.g. either dubbed or unaltered) programming and format to approximately 70 countries, including the recent US prime-time hit Ugly Betty. Guided by an examination of the extended global success of this Co
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Telenovelas
Santa Barbara, Calif.: Greenwood (2010), ix, 144 pp.
"Branching off from radionovelas, the telenovela was exported from pre-Castro Cuba during the 1950s. The essays found in Telenovelas covers a broad view of the genre, television's impact in Latino culture, as well as more in-depth discussions of specific telenovelas throughout the Spanish-speaking t
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Telenovelas und kulturelle Zäsur: Intermediale Gattungspassagen in Lateinamerika
Deep Insights
Bielefeld: transcript Verlag (2010), 400 pp.
"Jenseits von Kulturkritik und Rechtfertigungsrhetorik untersucht Joachim Michael die Telenovela als Ergebnis des medialen Umbruchs der lateinamerikanischen Kulturen. Er zeigt, dass die Telenovela mehr als nur ein Format ist – sie markiert eine spezifische Kultur, deren eigentümliche Faszination
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Television and Divorce: Evidence from Brazilian Novelas
Washington, DC: Inter-American Development Bank (IDB) (2009), 17 pp.
"This paper studies the link between television and divorce in Brazil by exploiting variation in the timing of availability of the signal of Rede Globo—the network that had a virtual monopoly on telenovelas in the country—across municipal areas. Using three rounds of Census data (1970, 1980 and
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Popular Culture in a Globalised India
London; New York: Routledge (2009), xviii, 285 pp.
