"The handbook presents key contributions from scholars worldwide, providing a comprehensive exploration of current trends in media industries from diverse perspectives. Within the framework of understanding contemporary and future trajectories in media markets and industries, the volume delves into
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their influence on media organization and delivery, along with broader societal and market implications. Encompassing research at the crossroads of economics, management, political economy, and production studies, the handbook emphasizes the necessity for a robust interdisciplinary dialogue. Beyond scrutinizing present and forthcoming industry developments, the handbook addresses pivotal issues pertaining to media economics research methods and pedagogy." (Publisher description)
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"The fact that about half of the news-producing media organizations categorise themselves as having insufficient newsroom resources as far as equipment, technology and training are concerned suggests that there is still need to look into equipping newsrooms technologically and continuing efforts to
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upskill journalists in the region. As regards positive journalistic practices in content production, such as fact-checking and adhering to ethics, there is generally confidence that the right systems and procedures are in place. Sufficient and regular pay for newsroom staff is however lower ranked. Considering that journalism is a talent good and the best talents are retained by, among other factors, sufficient remuneration, this is an issue worth keeping an eye on, if media houses in the region want to retain high quality staff who will produce high quality content in the long run. On finances, the fact that government funding was a stabilizing factor during the COVID-19 pandemic argues for creating structures that would enable media houses to access government support in times of need – such as a permanent fund – but only so long as it does not come at the price of editorial independence." (Conclusion, page 64)
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"Despite the impact of the pandemic, it’s worth noting that the news media industry is a US$ 112.4 billion business, according to our analysis. But, of course, we cannot come up with any original superlatives (and won’t) to characterise the effects of the pandemic on our business (some bad, some
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good) last year and today, and the way we work and will work in the future. For the business, the figures speak for themselves [...] 43% of respondents from our WPT Publishers Outlook survey said their revenues declined by more than 20% “in the last 12 months”; another 7% said theirs declined by more than 10%. On average, overall revenue was down by 11%, publishers reported. Print advertising took the biggest brunt of the crisis: down 19.5%. Print circulation revenue also took a hit: down 13%. However, 17% of publishers reported an increase in revenues last year, according to our Outlook survey, with 11% actually saying revenues were up more than 20%. When compared to the Great Recession a decade ago, that is five and half times higher than publishers reported then. Digital reader revenue and digital readership continued to increase significantly – up nearly 27% and 36%, respectively last year (Outlook) – as audiences seek out quality journalism amid an uncertain “climate,” rife with misinformation and distrust. And, as publishers lean into digital subscriptions and audiences-first strategies as pillars of a sustainable future. While digital advertising remains a challenge on a number of fronts, revenues increased 8.8% last year (Outlook). Newspaper ad spend now makes up 5.7% of global ad spend (-2.2% YoY)." (Executive summary)
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"The results of the study indicate that copyright industries make a significant contribution to the national economy of Botswana. In 2016, these industries contributed 5.46 per cent to value added and 2.66 per cent to the total labor force; meanwhile, in foreign trade they contributed 1.28 per cent
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to exports and 3.47 per cent to imports, yielding a negative trade balance of 1,988.80 million Botswana Pula, as imports exceeded exports by this amount [...] The contribution of the copyright industries in Botswana compares well with that of other countries, especially in Africa, that have undertaken similar studies. They contribute 5.46 per cent to value added compared to 11.1 per cent in the USA, which is the global highest. In Africa, Botswana’s contribution is the highest, followed by Kenya’s at 5.3 per cent. In terms of employment, the highest contribution is 11.1 per cent in the Philippines and the lowest is 1.9 per cent, in Ukraine, while Botswana’s contribution stands at 2.66 per cent. Compared to other African countries, Botswana contributes the least to employment." (Executive summary, page 7)
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"This edited volume offers the first extended, cross-disciplinary exploration of the cumulative problems and increasing importance of various forms of media in the Middle East. Leading scholars with expertise in Middle Eastern studies discuss their views and perceptions of the media’s influence on
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regional and global change. Focusing on aspects of economy, digital news, online businesses, gender-related issues, social media, and film, the contributors of this volume detail media’s role in political movements throughout the Middle East. The volume illustrates how the increase in Internet connections and mobile applications have resulted in an emergence of indispensable tools for information acquisition, dissemination, and activism." (Publisher description)
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"The survey establishes that from 2010 to 2014, copyright industries in Ecuador experienced rapid growth and increased their share of GDP from 3.65 per cent to 4.47 per cent, or 3,116 million US dollars in monetary terms. In 2014, the creative sector generated 3.47 per cent of national employment (2
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40,497 jobs), a decline from the 4.03 per cent generated in 2010. During this period, Ecuador remained a net importer of creative goods and services. While the Ecuadorian economy expanded during this period by 23.5 per cent, the valueadded in constant prices generated by the creative sector rose by 51 per cent, suggesting a sustained positive trend and considerable growth. The largest contribution was generated by the core copyright industries, which accounted for 57 per cent of the total value-added by the sector and themselves grew by 76.3 per cent, cementing their status as the most dynamic component of the creative sector. Among the core copyright industries, the main drivers were software and databases (33.8 per cent with a growth rate of 196 per cent), followed by advertising services (32.1 per cent with a growth rate of 102.5 per cent). The traditionally strong publishing industry (press and literature) saw its share decrease from 30.3 per cent to 16.8 per cent, but remained the largest employer in the creative sector with 28 per cent of total employment, followed by advertising (17 per cent), software (12 per cent) and radio and television (11 per cent). Collecting societies experienced remarkable growth – 215.3 per cent – in the collection and distribution of copyright royalties." (Executive summary, page 7)
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"The study of Chinese media is a field that is growing and evolving at an exponential rate. Not only are the Chinese media a fascinating subject for analysis in their own right, but they also offer scholars and students a window to observe multi-directional flows of information, culture and communic
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ations within the contexts of globalization and regionalization. Moreover, the study of Chinese media provides an invaluable opportunity to test and refine the variety of communications theories that researchers have used to describe, analyse, compare and contrast systems of communications." (Publisher description)
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"This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage,
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and examples of how they apply to the creative industries around the world." (Publisher description)
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"In 2003 WIPO published common guidelines on carrying out such research throughout the world. This methodology outlines four groups of copyright industries, identified on the basis of their level of dependence on copyright material. It establishes a set of major indicators – contribution to GDP, e
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mployment and foreign trade, and lays out research standards and approaches. The WIPO guidelines were developed on the basis of best international practices reviewed by an expert group of renowned economists. The guidelines have been implemented in over 40 countries around the world (30 studies have been completed and published) and their improvement continues with the experience gained. The present analysis is built on data from 30 national studies which have been finalized until December 2011. The analysis seeks to present the available data in a unified manner in order to facilitate further research and investigation in this area. The data matrix that has been created enables constant update of the overview of results from country studies and the presentation of the variables surveyed. Currently the data base includes over 60 variables, including data from other relevant sources that enhance reporting and analysis on the subject matter. The analysis and conclusions contained in this document present an overview of the performance of the copyright industries in selected countries in terms of macroeconomic indicators, compares this performance with other economic indicators and analyses the structure of this economic contribution, outlining trends and patterns in a comparative perspective." (Page 1)
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"The Profile of Media Industry in Indonesia aims to profile the Indonesian media industry through publicly available information and data (including news in the media, statistical analysis of the figure collected through the survey by the National Survey Agency (SUSENAS), and grey literatures alike.
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The profile will provide a big picture of the media industry and business landscape in Indonesia, with clear hints to the access to media which is available to public." (CIPG website)
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"This paper presents the results of the UNESCO Institute for Statistics (UIS) pilot survey on media statistics conducted in 28 countries in 2011. The survey instruments were designed to provide an initial set of quantitative indicators identified by UNESCO’s Media Development Indicators project. G
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iven the limitations of this sample survey, this report is intended to highlight the scope of the questionnaire items while describing initial results. Further analysis of the indicators and trends will be made in the future as the data collection is expanded to include a greater number of countries. Chapter 1 focuses on indicators related to the regulatory environment in which media operate across countries. Chapter 2 presents data on the supply of different types of media (radio, television, newspapers) before discussing distribution by ownership and geographic coverage, as well as the availability of radio and television equipment and related issues on the penetration of broadcast media channels within each country." (Introduction)
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