"Based on a 5-year study, involving over 150 in-depth interviews, this book examines the political, economic and social forces that sustain and influence humanitarian journalists. The authors argue that – by amplifying marginalised voices and providing critical, in-depth explanations of neglected
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crises – these journalists show us that another kind of humanitarian journalism is possible. However, the authors also reveal the heavy price these reporters pay for deviating from conventional journalistic norms. Their peripheral position at the ‘boundary zone’ between the journalistic and humanitarian fields means that a humanitarian journalist’s job is often precarious – with direct implications for their work, especially as ‘watchdogs’ for the aid sector. As a result, they urgently need more support if they are to continue to do this work and promote more effective and accountable humanitarian action." (Publisher description)
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"Drawing on a content analysis of 263 news articles on US development assistance from 2011 to 2020 across three US media outlets, the study investigates the media's performance in covering and representing US development assistance to the public. The analysis reveals that the media focus their cover
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age of US development assistance based on geopolitical interests and high-profile stories of aid, and fail to critically and comprehensively follow up on them after their announcement. The media dominantly portrayed development assistance in terms of materialistic aid, uncritically justified as “doing good,” while attributing its de-legitimacy to the recipients’ inability and leaving the global North's dysfunctional aid system unquestioned. Such modernistic representation was further supported by the dominance of the Western voice in speaking about what development assistance is and why it matters. To promote better practices for “news about development,” the study suggests that journalism should pay critical attention to the political economy of development communication and adopt a postcolonial communication approach to decenter the hegemonic conventions of journalism grounded in Western experiences." (Abstract)
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"Die Medieninhaltsanalysen in Kapitel 2 zeigen, dass Entwicklungspolitik absolut und anteilig betrachtet in den Medien nur eine geringe Rolle spielt. Während der ersten Monate der Corona-Pandemie Anfang 2020 ging die Aufmerksamkeit, die TV-Nachrichten und Beiträge in Printmedien auf das Themenfeld
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richteten, weiter zurück. Auf Twitter konnte dieser negative Trend allerdings nicht beobachtet werden. Insgesamt legen die Ergebnisse nahe, dass die mediale Berichterstattung nicht dazu führen dürfte, dass die Bevölkerung dem Thema Entwicklungspolitik große Aufmerksamkeit schenkt. Die Themenfelder, an die entwicklungspolitische Inhalte anknüpfen, variieren zwischen den untersuchten Mediengattungen. Flucht und Migration spielen jedoch in allen drei Gattungen (TV, Print, Twitter) eine wichtige Rolle. In TV-Nachrichten der öffentlich-rechtlichen Sender und in Zeitungsartikeln wird Entwicklungspolitik häufig im Zusammenhang mit Krieg und Konflikt erwähnt. Auf Twitter tritt Entwicklungspolitik häufig mit Bezug zu Klimawandel und Epidemien auf. Dabei befasst sich die Berichterstattung in TV-Nachrichten und Printmedien hauptsächlich mit staatlichen und internationalen politischen Akteuren. Akteure aus dem zivilgesellschaftlichen Bereich sind hingegen stärker auf Twitter präsent. Die Tonalität der Berichterstattung über Entwicklungspolitik fällt in der regionalen Presse positiver aus als in der überregionalen. Letztere berichtet in der Tendenz eher neutral. Auf Twitter wird hingegen mit positiverer Tonalität über das Themenfeld kommuniziert." (Zusammenfassung, Seite vii-viii)
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"Storytelling is the most powerful way for donor and non-governmental organisations to convey their work because stories allow audiences to connect on both intellectual and emotional levels. However, much of the storytelling about development work in Africa is unethical and perpetuates harmful and s
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tereotypical narratives about the continent. Stories that reinforce stereotypes about Africa often arise from the power dynamics between those who are telling the stories and those about whom stories are being told. This practical guide aims to address some of these issues by providing practical, ethical guidelines for storytellers to share their work on the continent [...] This handbook considers the challenges of ethical storytelling and provides practical examples of how difficulties might be overcome. It looks at all the stages of the storytelling process: conceptualising a project, planning, gathering material, producing a draft, gathering feedback on it, and producing a final version before disseminating it. As part of the process of developing this handbook, we reviewed 36 academic papers and books chapters covering the subject. We also interviewed eight African storytellers, including filmmakers, photographers, radio producers and writers who were researching and producing material about Africa for an international audience or for donor agencies." (About this handbook, page 1)
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"Recent high-profile scandals raise concerns about how development cooperation is represented. This article examines how the subject gets in the media, examining the tone of voice and framing in newspaper articles and NGO advertisements in the Netherlands. It reveals a remarkable difference between
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newspaper articles and opinion pieces. Regular reports are characterised by, a neutral to slightly positive tone. In contrast, opinion pieces are predominantly negative. The article identifies possible explanations for the critical tone of opinion pieces. It finds that NGOs’ own advertisements may contribute to negative opinion pieces, by problematising the situation in developing countries while rarely demonstrating their impacts achieved." (Abstract)
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"C’est par le biais des actualités portant sur les questions migratoires et les conflits armés que les Français sont le plus à même de s’informer à propos de la pauvreté dans le monde. Le public français préfère être informé sur la pauvreté dans le monde à l’occasion des actualit
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és et au cours de reportages; il y a peu d’appétence quant au fait que ce sujet soit développé dans d’autres formats télévisuels. Plus d’un tiers des répondants interagissent avec des associations en « likant », en « commentant » ou en « partageant » les contenus qu’elles proposent. Seuls 18% des répondants déclarent que les personnes qu’ils suivent sur les réseaux sociaux partagent des contenus sur le développement et la pauvreté dans le monde." (slide 11)
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"Late in the twentieth century, the United States embraced democracy promotion as a foreign policy priority, a central component of which involved allocating democracy aid to governments, political parties, and nongovernmental organizations around the world to support and encourage democratization.
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Nonetheless, as a scarce resource, democracy assistance is allocated selectively: some states receive substantial commitments while others receive none. As previous studies have concluded, democracy aid allocations are, in part, strategic bets placed on the likelihood of progress toward and consolidation of democracy, as donors consider cues that identify situations where democracy aid is likely to be most successful. We introduce the role of media coverage as a key factor in democracy aid allocations and argue that a shift toward democracy within a potential recipient state interacts with media attention to that state to generate cues for aid allocators. To gauge the agenda-setting and cueing effects of media coverage on democracy aid allocations, we examine US democracy assistance from 1975 to 2010, weighing the impact of media attention, democratic openings, and other factors related to recipient characteristics and US political, strategic, economic, and ideational interests on democracy assistance. We conclude with a discussion of the implications of these findings." (Abstract)
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"In 2018 the fictional country Wakanda from the film Black Panther was the fourth most mentioned African country on Twitter, after Egypt, South Africa and Kenya. The fact that Africa’s 4th most talked about country doesn’t exist tells us two things: pop culture is a powerful tool for narrative w
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ork and we need to do more to make Africa’s 51 remaining real countries more compelling. This data point was unearthed during a literature review to understand what insights already exist about narrative in Africa in the media. The review was part of our mission to unpack narrative and give some real substance to that well used phrase “we need to change the African narrative!’ We analysed 56 documents of literature (post 2000) including research reports, books, chapters, and academic journal articles [...] So, what did we find? A few surprising facts like the one about Wakanda, but admittedly nothing we didn’t already suspect. Things you need to know Western narratives about Africa in the media are around two narrative strands, i.e. Afro-pessimistic and Afro-optimistic. The main themes we found were: Poverty is rife, how this narrative has shifted the most however, is with a rise in business reporting; African leaders are depicted as poor leaders, who exercise weak governance, leading to failing or failed states; Incomprehensible violence is prevalent; Africa is rife with diseases, especially HIV/AIDS and Ebola; Africa is mostly a place of wildlife and nature, but this is being rapidly eroded by urbanisation and poaching ..." (Executive summary)
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"The chapters in this collection offer original interrogations of the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary
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screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). Addressing humanitarian media culture as it evolved over a period of more than seventy years, the chapters offer a critical assessment of the historical precedents of our contemporary humanitarian communications. The contributors to the book are all specialists in the fields of media and communications, film studies, cultural studies, history or sociology: these different disciplinary perspectives inform their approaches to and understanding of the relationship between humanitarianism and media culture. Our authors reveal and explore the signific nt synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics." (Introduction, page 2)
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"In dieser Studie wird untersucht, welche Medien die Bevölkerung nutzt, inwieweit sie diesen und den Sendern von entwicklungspolitischen Informationen vertraut (z. B. Bundesregierung oder Entwicklungsorganisationen) und in welchem Maß sie über die Medien in Kontakt mit dem für die Entwicklungspo
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litik zentralen Thema „weltweite Armut“ kommt. Darüber hinaus wird der Frage nachgegangen, wie die mediale Berichterstattung zu weltweiter Armut wahrgenommen wird. Die Befunde der Studie sollen dazu beitragen, dass entwicklungspolitische Akteure evidenzbasierte Informationen in Bezug auf Ziele, Maßnahmen und Wirkungen der Entwicklungspolitik und Entwicklungszusammenarbeit erhalten, aber auch ihre Herausforderungen effektiver und bedarfsgerechter an die Bevölkerung vermitteln können. Bisherige Studien widmeten sich jeweils lediglich Teilaspekten dieses – inhaltlich stark verbundenen – Themenkomplexes. Der Meinungsmonitor Entwicklungspolitik 2019 – Medien, Mediennutzung und Berichterstattung zu weltweiter Armut ist die erste Studie, die Mediennutzung, Medienwahrnehmung und Wahrnehmung entwicklungspolitisch relevanter Inhalte innerhalb einer Studie im Zusammenhang analysiert." (Zusammenfassung, Seite vi)
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"Communication for and about development are significant components of international development cooperation, interlinked in practice though separated in research. This article examines their interaction in donor-driven aid through the lens of journalism. How is bilateral development cooperation com
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municated about in the news? How does a donor agency communicate for and about development? And what are the links between one and the other? In 2016, a prime-time exposé aired by the Swedish public TV reported on alleged corruption in aid to Zambia, depicting events as the double failure of donor and recipient. Our analysis clarifies how (a) how the news media in a top donor country covers public development aid for its citizen audiences; and (b) how a bilateral donor agency understands and practices communication as it interacts with the news media on the one hand, and with partners and beneficiaries on the ground on the other. We focus on the news media as mediator of the donor’s communication with its tax-paying citizen audiences, demonstrating the potential of an integrated conceptual approach to communication for and about development, and raising questions for future research." (Abstract)
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"Throughout the 19th and early 20th century, the predecessors of NGOs—pressure groups—tried to advance their cause by cultivating close relations with the mainstream press, and/or publishing their own periodicals. But from the late 20th century onward, many NGOs started routinely producing their
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own news content, including written text but also photojournalism, video, and sophisticated interactive projects. Some of this material is disseminated through “alternative” outlets, social media and activist hubs. But it is difficult for NGOs to gain a mass audience in these ways, so most major NGOs recruit or commission experienced journalists to carry out this work for them. Much of the research in this area has focused on either journalists’ increased dependence on NGOs, or on the restructuring of NGOs’ resources, priorities and working cultures in accordance with news norms. Most scholars have also focused on the work of international aid agencies and/or human rights organizations, as well as particular kinds of crises, such as famines, hurricanes and conflicts. The extant literature is heavily weighted toward organizations which are based in North America or Europe. However, a small but growing number of scholars are challenging this, exploring the news work of other NGOs and/or news outlets, in other countries, and during other kinds of news-making periods, including conferences, summits and “quiet” news weeks." (Summary)
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"International non-governmental organisations (INGOs) have long been recognised as major contributors to the construction of Africa's image in the West through their impact stories, fundraising and advocacy campaigns. Yet although there has been considerable academic inquiry into these messages, res
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earch focusing on the editorial processes that produce them is still limited. Moreover, the few studies that exist tend to focus on the finished products as seen at the INGOs' Western headquarters. This is particularly curious, given that most of these stories originate from the INGOs' fields of operation in the Global South and are initially collected, written and edited by communication staff in national offices. This paper explores the various editorial power centres in the INGO story production process from the perspectives of global South staff. Based on data collected from five INGOs operating in East Africa, the paper draws three key conclusions: that INGO editorial processes are dynamic, contested and heterogeneous, field office staff possess underappreciated agency in the story editing process, and the extent to which INGOs can be said to speak on behalf of those they claim to help is in part linked to the amount of agency that communication staffers in the global South possess." (Abstract)
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"Very few international news organisations routinely cover humanitarian affairs. Only 12 news outlets reported on all four of the humanitarian events we analysed in 2016. Because of the high costs of producing regular, original journalism on humanitarian issues, commercial news organisations do not
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usually cover humanitarian issues, with the exception of major ‘emergencies’. Most humanitarian journalism is now funded by states or private foundations. This is worrying because claiming that particular actors or activities are ‘humanitarian’ is a powerful form of legitimacy. It is important that media about the suffering does not become a vehicle for commercial or political interests. A major challenge of foundation funding is its unsustainable nature, as most foundations want to provide start-up money, rather than giving ongoing support. Meanwhile government funding can constrain where and how humanitarian reporting takes place because of foreign policy objectives and diplomatic tensions." (Executive summary)
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"Closely examining the relationship between foreign correspondents of international news media and humanitarian organisations, Lena von Naso shows how the aid and media sectors cooperate in Africa in a unique way. Based on more than 70 interviews with foreign correspondents and aid workers operating
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across Africa, the book argues that the changing nature of foreign news and of aid is forcing them to form a deep co-dependency that is having a serious and largely unnoticed effect on Western news coverage." (Publisher description)
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"The debate on the effectiveness of foreign aid in the economies of sub-Saharan Africa often overlooks how the local journalists of a region report on aid. This study is a quantitative content analysis assessing how newspapers in Senegal write about different forms of aid received within the country
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, using papers from 2014 and 2015. The purpose of this study is to examine how the print journalists of Senegal set the agenda on Senegal's structural adjustment plan (Plan Senegal Émergent), foreign donations to entities in Senegal, and five other forms of economic and agricultural aid. Results are analysed in SPSS using a Crosstabs analysis, to understand if journalists are writing favourably or unfavourably about each variable. The study also uses excerpts pulled from articles on aid (translated from French into English), which create a supplementary qualitative picture of how journalists are subjectively choosing to write about aid. Findings show Senegalese newspapers devote large amounts of the newshole to stories of development, but are largely uncritical of the country's acceptance of foreign loans, international donations and other forms of international development." (Abstract)
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"Drawing on an original UK-wide study of public responses to humanitarian issues and how NGOs communicate them, this timely book provides the first evidence-based psychosocial account of how and why people respond or not to messages about distant suffering. The book highlights what NGOs seek to achi
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eve in their communications and explores how their approach and hopes match or not what the public want, think and feel about distant suffering." (Publisher description)
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