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Countries / Regions
Authors & Publishers
Media focus
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Methods applied
Journals
Output Type
Holocaust Representations in Animated Documentaries: The Contours of Commemoration
Edinburgh: Edinburgh University Press, 1st ed. (2024), xvii, 242 pp.
"Animated documentaries dealing with the Holocaust, Holocaust survivors, and their descendants constitute a new phenomenon and inaugurate a new field of Holocaust commemoration. This book is the first comprehensive analysis of animated Holocaust documentaries. It explores movies produced in the USA,
...
Routledge Handbook on Arab Cinema
Deep Insights
London: Routledge (2024), xix, 440 pp.
"The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab
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Auf Empfang! Die Geschichte von Radio und Fernsehen. Katalog zur großen Sonderausstellung 2022
Darmstadt; Mannheim: wbg Theiss; Technoseum (2022), 276 pp.
"Am 29. Oktober 1923 nahm der erste deutsche Radio sender einen regelmäßigen Programmbetrieb auf. Dies gilt vielen als Geburtsstunde des öffentlichen Rundfunks in Deutschland. Das 100-jährige Jubiläum im Jahr 2023 bietet dem Technoseum den Anlass, der Geschichte von Radio und Fernsehen eine eig
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Transmedia Storytelling in East Asia: The Age of Digital Media
London: Routledge (2020), xvi, 253 pp.
"This book offers a thorough investigation of the recent surge of webtoons and manga / animation as the sources of transmedia storytelling for popular culture, not only in East Asia but in the wider global context. An international team of experts employ a unique theoretical framework of media conve
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Chinese Independent Animation: Renegotiating Identity in Modern China
Cham: Palgrave Macmillan (2020), xii, 222 pp.
"This study of 'independent' animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with atte
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New Visions of Adolescence in Contemporary Latin American Cinema
Cham: Palgrave Macmillan (2018), xiii, 229 pp.
"This volume explores the recent 'adolescent turn' in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of t
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Animation in the Middle East: Practice and Aesthetics from Baghdad to Casablanca
London: Tauris (2017), xv, 318 pp.
"The internationally acclaimed films Persepolis and Waltz with Bashir only hinted at the vibrant animation culture that exists within the Middle East and North Africa. In spite of censorship, oppression and war, animation studios have thrived in recent years - in Egypt, Iran, Iraq, Lebanon, Morocco,
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Comics Art in China
Jackson: University Press of Mississippi (2017), xiii, 234 pp.
"This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor
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Children's TV and Digital Media in the Arab World: Childhood, Screen Culture and Education
Deep Insights
London; New York: Tauris (2017), xiii, 248 pp.
"Children, defined internationally as under-18s, account for some 40 per cent of Arab populations and the proportion of under-fives is correspondingly large. Yet studies of children's media and child audiences in the region are as scarce as truly popular locally produced media content aimed at child
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Trickfilm to go: Leitfaden zur (Trick-)Filmarbeit mit mobiler Technik
Düsseldorf: Landesanstalt für Medien NRW; filmothek der jugend NRW (2016), 43 pp.
"Die Publikation "Die Trickboxx – Ein Leitfaden für die Praxis" beinhaltet umfassendes Material für die Umsetzung von Projekten mit traditioneller Technik und ist in den vergangenen zehn Jahren stark nachgefragt worden. Die vorliegende aktuelle Publikation "Trickfilm to go" knüpft daran an und
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Animation in China: History, Aesthetics, Media
London; New York: Routledge (2016), xix, 252 pp.
"By the turn of the 21st century, animation production has grown to thousands of hours a year in the People's Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book
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Storytelling in virtuellen Welten
Konstanz; München: UVK (2014), 297 pp.
"David Lochner gibt einen Überblick über die vielfältigen Möglichkeiten des Erzählens im virtuellen Raum. Ob Animationsfilm, digitales Spiel oder interaktiver Film – sie alle bieten Autoren und Produzenten neue Wege, Geschichten zu erzählen: Visionen, Träume und Welten zu entwickeln, die da
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Nationalism and Preferences for Domestic and Foreign Animation Programmes in China
International Communication Gazette, volume 75, issue 2 (2013), pp. 225-245
"Since China implemented animation control policies in 2004, foreign animation programmes have almost disappeared from Chinese television. At the same time, the Chinese government has invested enormous amounts of money in developing the animation industry as a creative industry. A questionnaire surv
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Learning Hindu Dharma from Television Cartoons: An Analysis of School Children in the Indian Civilization
Religion and Social Communication, volume 9, issue 2 (2011), pp. 113-132
Panorama del audiovisual chileno
Santiago de Chile: Pontificia Universidad Católica de Chile (2011), 127 pp.
Animación: La magia en movimiento
Santiago de Chile: Pehuén Editores (2010), 201 pp.
Die Trickboxx: Ein Leitfaden für die Praxis
Düsseldorf: Landesanstalt für Medien NRW (2007), 69 pp.
Medien im Alltag: Qualitative Studien zu Nutzungsmotiven und zur Bedeutung von Medienangeboten
Münster: Lit (2006), 290 pp.
"Medien sind in den Alltag eingewoben, fungieren als Tagesbegleiter und werden meist beiläufig und ohne große Anstrengung genutzt. Doch was treibt Menschen dazu, ihre Zeit medialen Angeboten zu widmen? Von welchen Faktoren wird die Mediennutzung beeinflusst? Gibt es gruppenspezifische Nutzungsmust
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