"Africa could be losing up to $4.2 billion annually in interest payments on its
loans primarily due to stereotypical narratives that dominate global media
coverage of the continent. The media’s portrayal of Africa has long been dominated by persistent stereotypes. This report explores the economic
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consequences of such biased reporting by examining the relationship between media bias in election coverage and its impact on financial flows. Using a mixed methods approach, the study quantifies media bias by comparing African countries to their peers and assesses how this bias correlates with sovereign bond yields or interest rates, a key financial indicator. The research analyses this correlation both quantitatively across election periods and qualitatively through case studies, with the ultimate aim to measure the economic impact of misrepresented media coverage on Africa. Our findings show that African countries receive increased media attention during general elections, with a disproportionate focus on negative issues such as violence and election fraud. This emphasis is more pronounced compared to coverage of non-African countries with similar political risk conditions, resulting in higher negative sentiment and bias scores for African nations. Notably, the term “violence” is highly associated with Africa in media coverage, particularly in election-related headlines. Our analysis further established a clear connection between media sentiment and investor perception of risk, which is closely tied to sovereign credit risk. Negative media coverage increases a country's perceived risk, which leads to higher borrowing costs. Conversely, positive media sentiment is correlated with a lower risk profile and reduced bond yields. Yet, this study found that African countries are unjustifiably perceived as higher risk by international investors, leading to significantly higher credit costs compared to countries with similar political and socio-economic conditions. Building on this key finding, we analysed a group of African countries to quantify the estimated additional costs the continent incurs on loans due to biased media coverage." (Executive summary)
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"This study examines the external influences that shape NGO-produced news content concerning humanitarian crises in East, West and Central Africa. Employing a thematic analysis of semi-structured in-depth interviews with humanitarian communicators and a content analysis of the humanitarian press rel
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eases of four major NGOs, it seeks to establish the types of content NGO communications staff consider most effective for achieving mainstream media coverage, how they access such content, and any forces influencing their eventual production of news. In line with notions of media logic (Altheide and Snow 1979; Cottle and Nolan 2007) and news cloning (Fenton 2010), it uncovers a reliance on hard-hitting humanitarian statistics and powerful first-person testimonies, which are considered essential for achieving news coverage. Statistics are found to be most often sourced from publicly available humanitarian datasets, often managed by the United Nations, and are considered susceptible to politicisation by authorities implicated in certain crises. First-person testimonies are usually gathered in-person by NGO staff and are affected by issues of physical access to crisis zones including monitoring by local authorities and demands for media sign-off. Additionally, a humanitarian NGO’s decision on whether to speak out publicly about a crisis is found to be often weighed up against threats to staff and programme safety. Examining these issues through a lens of agenda building theory (Cobb and Elder 1971), this study introduces the concept of agenda erosion, describing the phenomenon by which powerful actors, including host authorities and western governmental and intergovernmental donors, exert influence to undermine agenda building activities by NGOs in the context of humanitarian crises. Methods of agenda erosion might include demanding sign-off of media content, the control of physical access to crisis zones for communications staff, and the politicisation of humanitarian data. Unlike the traditional view of NGOs being producers of information subsidies (Gandy 1982), this concept recognises that, as news producers, NGOs also accept information subsidies, including humanitarian data, from other actors. These subsidies are used by NGOs to increase their own agenda building effectiveness but can also allow other, potentially conflicting, priorities to influence the media agenda too.
NGOs are now widely regarded as important players in the production of international news (Cottle and Nolan, 2007; Cooper, 2011; Powers 2018) and these findings suggest agenda erosion is in-part responsible for the continuing adherence of aid organisations to established patterns of news construction (Cottle & Nolan 2007; Fenton 2010; Waisbord 2011; Powers 2018). Only crises with hard-hitting data or emotive personal stories are likely to achieve mainstream media coverage but exposure to such sources is often closely guarded by the most powerful actors in certain crises. As a result, some crises continue to go underreported and NGOs risk being silenced or, worse, used as proxy mouthpieces by powers implicated in the humanitarian context to which they are attempting to respond." (Abstract)
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"The Global Media Index for Africa assesses and ranks online news stories of the 20 leading news providers that offer primary coverage of Africa for the world. It is also a tool that aims to provide much needed regular 'health checks' on how Africa is framed in the media. The outlets selected are th
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e digital platforms of: CNN, Deutsche Welle, Russia Today, Bloomberg, Xinhua, Le Monde, The Guardian, Wall Street Journal, Associated Press, Al Jazeera, The Economist, New York Times, VOA News, AFP, Reuters, BBC, CGTN, Financial Times, RFI, and Washington Post. Over 1 000 news articles were collected over a six- month period, and evaluated across four key indicators, making the Global Media Index for Africa the largest manual study of media analysis ever conducted for an African media index." (Page 1)
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"This article examines the constructions of Africa in COVID-19-related stories that were produced by African news media. Dominant scholarship indicates that western media generally reproduce and perpetuate harmful stereotypes on Africa. Given that there is scant literature on how African media cover
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s Africa, this article uses the COVID-19 pandemic as an entry point to explore the disease narratives on Africa. Drawing on Afrokology as decolonial perspective, this article examines the discourses and narratives on Africa that were produced by African news organizations. Data were drawn from ten news organizations from Ghana, Tanzania, Zimbabwe, South Africa and Egypt. A quantitative corpus analysis and a qualitative critical discourse analysis were used to analyse the COVID-19- related stories. Findings demonstrate that harmful disease stereotypes about Africa as a place of danger, darkness, tragedy and human rights abuses were reproduced by the African media." (Abstract)
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"Although some studies have previously indicated that the stereotypical western mainstream media narratives about Africa may be shifting, this Special Issue highlights the stickiness of the stereotypes, and some of the platforms on which they continue to be repeated. Some of these studies further sh
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ow how African media are also responsible for ongoing circulation of the stereotypes. While the data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom. Even through the COVID-19 pandemic, Africans entertained the world with music, dancing and comedy, proving resilience and optimism, against Afropessimistic narratives." (Abstract)
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"Die visuelle Kommunikation von Entwicklungsorganisationen ist geprägt von Spendenplakaten. Anhand einer eingängigen Bildsprache wird Aufmerksamkeit generiert. Mit einer postkolonialen Perspektive zeigt die Autorin auf, wie das vermittelte Afrikabild visuellen Stereotypen folgt, die bis in die Kol
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onialzeit zurückreichen. So werden Personen und Landschaften entsprechend tradierter Muster dargestellt und rassistisch geprägtes visuelles Wissen reproduziert. In der Analyse der Bildmaterialien wendet die Autorin die Methodologie der Diskursanalyse, und hierbei eine wissenssoziologische Perspektive an. Über das Zusammenspiel von Form und Inhalt arbeitet sie visuelle Repräsentationspraktiken und darin manifeste Wissensordnungen heraus." (Verlagsbeschreibung)
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"Africa is a diverse and complex continent, consisting of 54 countries, 5 regions and about 2,000 languages. This report identifies what influences African youths' attitudes and decisions. It is based on a survey of 4,500 people, aged 18–35, in nine African countries: Egypt, Morocco, Ghana, Ivory
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Coast, Nigeria, Kenya, Uganda, South Africa and Zimbabwe. These nine countries act as proxy for the continent and provide evidence of a wide range of attitudes to the issues raised." (Page 2)
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"The report found seven significant frames to stories about business in Africa:
1 More negative coverage: International media are more likely to negatively frame issues that impact on business in Africa while African media are twice as likely to reference corruption in their coverage of business in
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Africa compared to international media.
2 Foreign powers scramble for Africa: 70% of international coverage about business in Africa is dominated by references to foreign powers like China, the USA, Russia, France and the UK.
3Africa is two countries: Business in Africa coverage focuses on South Africa and Nigeria while business stars like Mauritius, Botswana, the Seychelles and Namibia get little coverage and research attention.
4. Silencing creativity, amplifying technology: Despite Nollywood being the world’s second-largest film industry and the growing influence of musical influences like AfroBeats and AmaPiano, creative businesses were only featured in 1% of all articles across African and global media.
5. Youth and women are underrepresented: Africa claims the top three spots in the Mastercard Index for the highest concentration of women business owners in the world. It also has the youngest population globally. However, youth and women are underrepresented. In fact, online news coverage of young people has declined since 2017, falling from 12.5% of articles referencing young people in 2017 to 8.1% in 2021.
6. Government, policy and regulations dominate: Around 54.5% of business news in 2021 was framed through government action and policies. Additionally, African media focused more on themes related to government than on those related to entrepreneurship. Yet, African countries make up six of the top 10 countries whose populations were most likely to search for the topic of entrepreneurship in 2021.
7. Missing Free Trade Area and investment: It makes up 1% of news and academic research, yet the agreement is expected to lift 30 million Africans out of extreme poverty and boost the incomes of nearly 68 million others. It’s also projected to boost Africa’s income by $450 billion by 2035 and increase Africa’s exports by $560 billion, mostly in manufacturing." (Executive summary, pages-5-6)
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"Who constructs Africa’s global media image? That is the main focus of this longitudinal study. It looks at both the journalists and the news sources applied in the British press coverage of Africa between 1992 and 2017. Four British national newspapers (The Guardian, Financial Times, The Times, a
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nd Daily Mail) and a mixed research approach (content analysis and semi-structured interviews) were used. A total sample of 7027 articles were utilized, while nine journalists were interviewed. This study discovered that the British newspapers’ coverage of Africa was dominated by Western journalists and the news sources used in the articles were a proportionate mixture of both African and Western sources, especially in the quality newspapers. It also uncovered that Africa’s global influence, in addition to other factors impact on the UK newspapers’ coverage of Africa. This study concludes that there are some positive changes in the post-colonial British press coverage of Africa, especially in their use of news sources, but there are still some elements of neo-colonialism and racism in the British newspapers’ use of journalists in reporting on Africa." (Abstract)
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"Misery and poverty do exist, and the media should not be ignoring that. However, the status of the African continent cannot be judged without addressing the 500 years of slave trade. Our prosperity has been built by the unpaid labour of Black people and with the resources stolen from their countrie
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s of origin. We have become accustomed to seeing the Global South as a place of misery, which, thanks to bad governance, corrupt governments and uneducated people, is to blame for its own misery. We hold on to our images because it is more comfortable for us that way. Otherwise, we would have to rewrite our entire history. In her famous TED talk, author Chimananda Ngozi Adichie criticises the “danger of a single story” – the danger of continuing to tell a one-sided narrative about Africa and its people. It is time to leave the comfort zone, to finally teach the contexts truthfully and to recognise and question the colonial continuities, thereby allowing not only a new, but a more honest, image of Africa and Black people to emerge." (Conclusion, page 43-44)
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"Was ist aus Schulbüchern über Afrika zu lernen und woher kommen diese Wissensbestände? Schulbuchproduktion wird in diesem Band als Knotenpunkt gesellschaftlicher Diskurse und Praktiken verstanden und Schulbuchwissen im Kontext seiner Produktionsbedingungen sowie der gesellschaftlichen Debatten a
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nalysiert. Mit Blick auf die Schulbuchproduktion wird gezeigt, dass die Vorstellung, dass Schulbücher in einem Top-down-Modell produziert werden, relativiert werden muss. Zudem wird sichtbar, wie viele unterschiedliche Akteurinnen und Akteure im Bildungsbereich um Afrikawissen rangen. Lars Müller zeichnet das Spektrum des Sagbaren in Bezug auf Afrikawissen nach und zeigt, wie sich manche Wissensbestände durchsetzten und andere randständig blieben." (Verlagsbeschreibung)
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"Die Debatten um die Anerkennung des Ovaherero- und Nama-Genozids (1904-1908) im heutigen Namibia haben in den letzten beiden Jahrzehnten wachsende öffentliche Aufmerksamkeit erhalten. Kaya de Wolff hat die deutschsprachige Presseberichterstattung in den Jahren 2001 bis 2016 über den Umgang mit de
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n Verbrechen deutscher Kolonialtruppen untersucht. Sie zeigt, aufgrund welcher Anlässe und auf welche Weisen medial an die historischen Ereignisse erinnert wird, welche Stimmen dabei (nicht) gehört werden und welche gesellschaftlichen Machtverhältnisse und Normen den Anerkennungskampf der Nachfahr*innen der Opfer bedingen." (Verlagsbeschreibung)
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"Storytelling is the most powerful way for donor and non-governmental organisations to convey their work because stories allow audiences to connect on both intellectual and emotional levels. However, much of the storytelling about development work in Africa is unethical and perpetuates harmful and s
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tereotypical narratives about the continent. Stories that reinforce stereotypes about Africa often arise from the power dynamics between those who are telling the stories and those about whom stories are being told. This practical guide aims to address some of these issues by providing practical, ethical guidelines for storytellers to share their work on the continent [...] This handbook considers the challenges of ethical storytelling and provides practical examples of how difficulties might be overcome. It looks at all the stages of the storytelling process: conceptualising a project, planning, gathering material, producing a draft, gathering feedback on it, and producing a final version before disseminating it. As part of the process of developing this handbook, we reviewed 36 academic papers and books chapters covering the subject. We also interviewed eight African storytellers, including filmmakers, photographers, radio producers and writers who were researching and producing material about Africa for an international audience or for donor agencies." (About this handbook, page 1)
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"Ein Blick in die Archive zeigt: die Berichterstattung in deutschen Medien über das südliche Afrika während der Apartheid wurde fast zwei Jahrzehnte lang von der südafrikanischen Propaganda gesteuert. Das verstärkte ein koloniales Afrikabild und hat Folgen bis heute." (Seite 12)
"Depuis leur apparition apres les independances politiques, les films realises par les Africains originaires des anciennes colonies françaises subsahariennes ont ete tres peu diffuses dans les salles de l'ancienne metropole. A de tres rares exceptions pres, ils ont egalement tres peu ete vus par le
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public français. L'image de « film de festival» qui leur a ete accolee a joue un role negatif non negligeable, confirmant leur mise a l'ecart dans un ghetto pour inities. Les quelques titres cites rituellement ont piege leurs locuteurs, qui se trouvaient reduits a ces lieux et a ces histoires qu'ils racontaient, et la realite d'un autre phenomene genant s'en est trouvee occultee: le rejet massif de ces cinematographies par les instances de legitimation du Nord, accompagne d'une condescendance melee a la culpabilite post-coloniale. Si la France a bien ete le lieu de naissance de nombreux films du Sud, elle en a de facto ete egalement le cimetiere, principal lieu de diffusion et d'existence materielle et symbolique, notamment aupres d'une frange de la critique, mais sans susciter l'interet des Français ni permettre a ces films d'acceder a la reconnaissance internationale." (Resume)
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"In 2018 the fictional country Wakanda from the film Black Panther was the fourth most mentioned African country on Twitter, after Egypt, South Africa and Kenya. The fact that Africa’s 4th most talked about country doesn’t exist tells us two things: pop culture is a powerful tool for narrative w
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ork and we need to do more to make Africa’s 51 remaining real countries more compelling. This data point was unearthed during a literature review to understand what insights already exist about narrative in Africa in the media. The review was part of our mission to unpack narrative and give some real substance to that well used phrase “we need to change the African narrative!’ We analysed 56 documents of literature (post 2000) including research reports, books, chapters, and academic journal articles [...] So, what did we find? A few surprising facts like the one about Wakanda, but admittedly nothing we didn’t already suspect. Things you need to know Western narratives about Africa in the media are around two narrative strands, i.e. Afro-pessimistic and Afro-optimistic. The main themes we found were: Poverty is rife, how this narrative has shifted the most however, is with a rise in business reporting; African leaders are depicted as poor leaders, who exercise weak governance, leading to failing or failed states; Incomprehensible violence is prevalent; Africa is rife with diseases, especially HIV/AIDS and Ebola; Africa is mostly a place of wildlife and nature, but this is being rapidly eroded by urbanisation and poaching ..." (Executive summary)
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