"The report examines the links between the media’s promotion of unequal gender power relations based on stereotypical images of men and women and men’s expressions of dominance, control and violence in their everyday relationships with women and girls. It also explores media representations of m
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en and women in decision-making and leadership roles. Finally, it identifies the factors that support or constrain media professionals in promoting gender equitable masculine images and profiles selected mass media programmes that endeavour to reflect and promote gender equality." (Executive summary)
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"This study explores the spatial politics of Othering and whether women are marginalized in political conversations online in India. It's methodology consists of an analysis of 23,350 tweets over an eight-day period. It shows a significant underrepresentation of women in Twitter's political conversa
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tions, which mirrors a real-world marginalization of women in India's political processes." (Abstract)
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"O Programa Para Fortalecimento da Mídia, nesta sua terceira edição do relatório de Análise de Género na Mídia Moçambicana, avaliou 13 jornais impressos e electrónicos para identificar o estado da cobertura sobre o tema. Foram quatro a mais que no ano passado. No total, e em números absolu
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tos, 94 peças foram identificadas em 2013. Em 2014, foram 139 reportagens e notícias. Proporcionalmente, considerando o aumento do número de jornais analisados, houve um crescimento de 24% no total de peças publicadas. Dois factores combinados indicam que as questões de género estão sendo tratadas pelos jornalistas de maneira mais sistêmica, ou seja, como um problema nacional e não apenas de algumas localidades. No que diz respeito à abrangência geográfica dos conteúdos, em 2014, o total de peças de caráter nacional mais que triplicou. O segundo factor é que dos quatro critérios observados através da Ferramenta de Análise de Conteúdos (MCAT), utilizada pela IREX, Relevância e Estrutura das peças atingiram o nível quatro, ou bom. Até 2013, a pontuação havia chegado apenas no nível três, aceitável. O aumento no número de artigos classificados pela equipe de monitoria e avaliação da IREX foi de 73%, o que exigiu uma revisão metodológica para dar uniformidade comparativa às 139 peças, das quais 66 foram escolhidas para a análise de conteúdo, com base em critérios objectivos. Há ainda avanços que vão muito além dos números. Tendo em conta o funcionamento das redacções dos jornais, este relatório é um indicativo importante de que houve um amadurecimento na abordagem dada pelos jornalistas ao assunto. Repórteres e editores parecem lançar um olhar mais integrado, no contexto do que o tema representa para o país como um todo, ainda que seja necessário investir cada vez mais para melhorar aspectos como diversidade de fontes e imparcialidade." (Página 3)
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"La televisión peruana carece del conocimiento suficiente relativo al enfoque de género y por ello no lo aplica. El espíritu de la sociedad del espectáculo –por el cual todo se ve y todo se exhibe- condiciona la producción televisiva y su representación del género. Así, el noticiero espect
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áculo es vitrina para la masculinidad criminal mientras que el reality show es vitrina para la masculinidad y feminidad hegemónica. Esto no tiene frontera en cuanto a edades. Niños sicarios aparecen en los noticieros exhibiendo armas al cinto así sus rostros sean ocultos. Salvo excepciones, niños participantes de concursos son seleccionados más que por talento, en razón a sus atributos de seducción erótica, produciéndose una temprana hipersexualización. La hipersexualización se haya presente en la mayor parte de programas, subrayando por encima de otras, las características corporales de los personajes televisivos protagonistas de shows en vivo y reduciendo a la persona a estas características." (Conclusiones, página 19)
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"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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n contrast, Peru and Ecuador had the lowest offer of national fiction hours, while Uruguay did not produce hours of national fiction during 2014." (Page 39)
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"With its emphasis on the lives and interests of upper-middle-class women who live out the success of the African dream, 'Society' [a miniseries aired in 2007 on SABC television channel] has been compared to the HBO drama 'Sex and the City' (1998-2004), with its portrayal of conspicious consumption
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and highly sexualised representations (Brown 2009). Yet, as a show populated almost solely by black women, and incorporating the particularities of the South African context beyond its glamorous setting in Johannesburg, 'Society' offers a unique perspective on the feminine possibilities available to women in post-apartheid South Africa." (Page 280)
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"Argues that media — whether traditional or online — matters a great deal in the lives of girls in the developing world. It matters because it has the ability to be harmful to girls’ interests and selfesteem, and it matters because it can also be so effective in playing a positive role in girl
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s’ lives. Specifically, media can influence girls’ aspirations and behaviours around their health and livelihoods, open the door to greater participation in society and ensure that girls’ issues move higher up the public agenda. If challenges around media access and control are addressed head on and girls come to be valued as an audience, then media can play a vital role in helping to advance the well-being of adolescent girls in regions of the world where their interests have traditionally been most neglected." (Introduction)
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"This is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been ‘the usual suspects’; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through pers
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onal interviews to politically active women, thus providing the reader with a rare insight into women's agency in the political structures of emerging democracies. Each chapter examines the complex women, politics and media dynamic in a particular nation-state, taking into consideration the specific political, historic and social context. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies." (Publisher description)
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"In Indien wirft das Thema Eheschließung Fragen individueller und kultureller Identität im Spannungsfeld von gesellschaftlichem Wandel und Kontinuität auf. Am rasant wachsenden indischen Online-Heiratsmarkt lassen sich diese Fragen besonders eindrücklich im Zusammenhang mit der Medienentwicklung
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diskutieren. Die Autorin beschreibt die gleichzeitig global ausgerichteten, aber als ‚indisch‘ konnotierten Online-Heiratsmärkte und zeigt, wie sich diese in die Ausdifferenzierungsprozesse der indischen und transnationalen Medienlandschaft einfügen. In einem zweiten Schritt stellt sie Konzepte von Weiblichkeit und Ehe vor, die diese Portale transportieren, und analysiert den Umgang der Nutzerinnen mit den Erwartungen und Rollenklischees, die Familie und Gesellschaft an sie herantragen." (Verlagsbeschreibung)
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"This article examines the depiction of women and gender within Coptic Orthodox video films or “hagiopics” produced between 1987 and 2010. As part of a recent religious renewal, hagiopics have expanded, altered, and reinvented traditional stories of saints and pious figures and have also generat
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ed, within this traditionally patriarchal setting, a wider space for the articulation of female voices. While their inclusion can be seen as potentially empowering for women, this paper suggests that during Pope Shenouda III's reign (1971–2012), the films became a powerful vehicle for broadcasting the church's conservative teachings on female power and authority, marriage and marital dissolution, spousal abuse, and femininity. By highlighting an array of exemplary female characters, hagiopics capture women's role as custodians of a distinctive Coptic ethos and of family and communal cohesiveness. The films’ emphasis on women's physical modesty, submissiveness, and obedience to male figureheads also hints at the modern church's anxieties about women's increasing autonomy in choosing marriage partners and their growing demands for more equal treatment within the church." (Abstract)
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"Aims to map the implication of the political economy dynamics of the media on citizens’ right to media from the perspective of citizens, in particular those who are vulnerable and weak(ened). Due to the effect of the contemporary political economy of media in Indonesia, the premise of equal citiz
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ens’ right to media has not yet been met. Business-powered media tend to prioritise the concerns of the majority over those of the minority. Since the existence of media remains vital to the society, it is essential that the media (industry) should first serve the interests of society, in particular in providing for the needs of minority groups and the vulnerable. The report provides four case studies from vulnerable groups (Ahmadiyya, Diffable, LGBT and Women-Children), in order to map the bigger picture on citizens’ right to media." (CIPG website)
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