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Censored Gender: Women’s Right to Freedom of Expression and Information in Myanmar
London: Article 19 (2015), 91 pp.
Who Makes the News? Global Media Monitoring Project 2015
London; Toronto: World Association for Christian Communication (WACC) (2015), v, 152 pp.
"Although in the decade 1995 to 2005 there was a slow but steady increase in women’s visibility in the news, the decade 2005 to 2015 has been one of stagnation. At 24% of the total, there has been no change in women’s share of news-making roles in the traditional media (newspapers, radio, televi
...
The Routledge Companion to Media and Gender
London; New York: Routledge (2015), xviii, 670 pp.
"The 59 chapters in this volume, written by leading researchers from around the world, provide scholars and students with an engaging and authoritative survey of current thinking in media and gender research. The Companion includes the following features: With each chapter addressing a distinct, con
...
Society's Emerging Feminities: Neoliberal, Postfeminist, and Hybrid Identities on Television in South Africa
"With its emphasis on the lives and interests of upper-middle-class women who live out the success of the African dream, 'Society' [a miniseries aired in 2007 on SABC television channel] has been compared to the HBO drama 'Sex and the City' (1998-2004), with its portrayal of conspicious consumption
...
Ibero-American Observatory of Television Fiction Obitel 2015: Gender Relations in Television Fiction
Porto Alegre: Sulina; Globo Comunicação e Participações (2015), 526 pp.
"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
...
Análisis de género en la programación de señal abierta y de horario familiar
Lima: Consejo Consultivo de Radio y Televisión (CONCORTV) (2015), 27 pp.
"La televisión peruana carece del conocimiento suficiente relativo al enfoque de género y por ello no lo aplica. El espíritu de la sociedad del espectáculo –por el cual todo se ve y todo se exhibe- condiciona la producción televisiva y su representación del género. Así, el noticiero espect
...
New Media Configurations and Socio-Cultural Dynamics in Asia and the Arab World
Baden-Baden; London: Nomos; Bloomsbury (2015), 372 pp.
"This book explores socio-cultural dynamics in Asia and the Arab world, embedding them into current processes of mediatisation. The book is based on the assumption that social and cultural changes never originate exclusively from the media or technological innovations, but rather depend on the chang
...
From Public Service Broadcaster to Development Actor: Deutsche Welle and the (con)quest of African Female Audiences
Critical Arts: South-North Cultural and Media Studies, volume 29, issue 3 (2015), pp. 382-399
"This article examines German public service broadcasting and its message for African female audiences. It situates the activities of Deutsche Welle (DW) within public diplomacy theory and analyses the content of DW's Learning by Ear series, which is geared towards young African women. The article i
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Making Waves: Media’s Potential for Girls in the Global South
London: BBC Media Action (2014), 24 pp.
"Argues that media — whether traditional or online — matters a great deal in the lives of girls in the developing world. It matters because it has the ability to be harmful to girls’ interests and selfesteem, and it matters because it can also be so effective in playing a positive role in girl
...
Women in Politics and Media: Perspectives from Nations in Transition
New York; London: Bloomsbury Academic (2014), xiv, 334 pp.
"This is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been ‘the usual suspects’; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through pers
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