"Ce guide d'analyse générale des images se veut résolument simple, ouvert et pluridisciplinaire. D'une part, il traite des types les plus variés d'images (tableaux, photo graphies, affiches, vidéos, cinéma, presse, cartes, plans, nouvelles images...). De ce fait, il prend en compte l'iconogra
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phie aussi bien scientifique qu'artistique, décorative, de propagande ou technique, et l'éclaire d'exemples et de conseils. D'autre part, il réalise la première histoire des méthodes de compréhension de l'image, mettant en jeu art, histoire et sémiologie. Réunissant les préoccupations issues de ces disciplines diverses, l'auteur les rassemble dans une grille d'analyse générale de l'image. Elle permettra aux étudiants, aux chercheurs et aux enseignants de situer clairement l'étendue des questions à se poser à partir d'un document. Enfin, elle incitera l'amateur, le curieux, à regarder autrement les icônes qui nous entourent." (Description de la maison d'édition)
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"This book explores visual political engagement online – how citizens participate in the dynamism of life in society by expressing their opinions and emotions on various issues of democratic life in image-based social media posts, independent of collective actions. Looking beyond large digital soc
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ial movements to focus on the everyday, the book provides a well-documented and comprehensive framework of key notions, concrete methods and examples of empirical insights into everyday visual citizenship on social media. It shows how the visual has become ubiquitous in citizens’ communication on social media, focusing on how citizens use visual content to express their emotions and opinions on social media platforms when they discuss politics in a large sense." (Publisher description)
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"In at least some cases, visual images can challenge normative and normalized ways of grasping the world and prompt their viewers to see differently-and even bring people together. Seeing and Believing marshals religious resources to recast the significance of digital images in the struggle for soci
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al justice. Ellen T. Armour examines what distinguishes digital photography from its analogue predecessor and places the circulation of digital images in the broader context of virtual visual cultures. She explores the challenges and opportunities that visually saturated social media landscapes present for users and organizers. Despite the power of digital platforms and algorithms, possibilities for disruption and resistance emerge from how people engage with these systems. Armour offers ways of seeing drawn from Christianity and found in other religious traditions to help us break with entrenched habits and rethink how we engage with the images that grab our attention. Developing theological perspectives on the power and peril of photography and technology, Seeing and Believing provides suggestions for navigating the new media landscape that can spark what Armour calls "photographic insurrection." (Publisher description)
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"Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a cl
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ear step-by-step approach that is easy to dip in and out of, the book features: key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials; 'focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities; guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the book." (Publisher description)
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"Die visuelle Kommunikation von Entwicklungsorganisationen ist geprägt von Spendenplakaten. Anhand einer eingängigen Bildsprache wird Aufmerksamkeit generiert. Mit einer postkolonialen Perspektive zeigt die Autorin auf, wie das vermittelte Afrikabild visuellen Stereotypen folgt, die bis in die Kol
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onialzeit zurückreichen. So werden Personen und Landschaften entsprechend tradierter Muster dargestellt und rassistisch geprägtes visuelles Wissen reproduziert. In der Analyse der Bildmaterialien wendet die Autorin die Methodologie der Diskursanalyse, und hierbei eine wissenssoziologische Perspektive an. Über das Zusammenspiel von Form und Inhalt arbeitet sie visuelle Repräsentationspraktiken und darin manifeste Wissensordnungen heraus." (Verlagsbeschreibung)
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"Die Medienlandschaft behandelt täglich die Motive Sterben, Tod und Jenseits. Bilderbücher und Graphic Novels stehen bei diesen Themen meist nicht im Fokus, doch die Anzahl an entsprechenden Veröffentlichungen steigt stetig. Welche Bilder nutzen sie zur Darstellung der komplexen Thematik? Wie wir
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d die größtenteils junge Zielgruppe dabei berücksichtigt? Birte Svea Philippi zeigt anhand einer quantitativen Erhebung sowie qualitativ an Fallbeispielen, welche gemeinsamen Bildideen die Autor*innen von Bilderbüchern und Graphic Novels aufgreifen. Mit ihrem kunstpädagogischen Ansatz fokussiert sie auf Mittel, Motive und Metaphern, die zur Ansprache von Kindern und Jugendlichen genutzt werden." (Verlagsbeschreibung)
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"[This book] guides the reader in what different kinds of qualitative research can be applied to social media data. It introduces students, as well as those who are new to the field, to developing and carrying out concrete research projects. The book takes the reader through the stages of choosing d
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ata, formulating a research question, and choosing and applying method(s). Written in a clear and accessible manner with current social media examples throughout, the book provides a step-by-step overview of a range of qualitative methods. These are presented in clear ways to show how to analyze many different types of social media content, including language and visual content such as memes, gifs, photographs and film clips. Methods examined include critical discourse analysis, content analysis, multimodal analysis, ethnography and focus groups. Most importantly, the chapters and examples show how to ask the kinds of questions that are relevant for us at this present point in our societies, where social media is highly integrated into how we live. Social media is used for political communication, social activism, as well as commercial activities and mundane everyday things, and it can transform how all these are accomplished and even what they mean. Drawing on examples from Twitter, Instagram, YouTube, TikTok, Facebook, Snapchat, Reddit, Weibo and others, this book will be suitable for undergraduate students studying social media research courses in media and communications, as well as other humanities such as linguistics and social science based degrees." (Abstract)
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"This book Visual Cultures of Africa tells stories of the past, present, and future and how intricately linked cultures and identities are. The book explores the complex histories and discusses how people have used images, objects, and artefacts to describe what is going on in society and give expre
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ssions of their fears, hopes, and resolutions for centuries." (Preface)
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"Die Methode der Kamera-Ethnographie ist ein zeigendes statt beschreibendes Verfahren und nutzt Kameraführung, Schnitt und Montage im Rahmen einer visuellen Analytik und performativen Wissensform. Bina Elisabeth Mohns Programmschrift zeigt, wie Kamera-Ethnographie auch nonverbale Praktiken in ihren
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Choreographien und bildhaften Figuren in den Blick rückt: Anstelle einer videographischen Aufzeichnungslogik wird davon ausgegangen, dass Forschungsgegenstände zunächst noch gar nicht sichtbar sind. Durch eine reflexive Pragmatik des Sehens und Zeigens leitet die Kamera-Ethnographie dazu an, die Prozesse ethnographischer Beobachtung, Erfahrung und Entdeckung mit filmischen Mitteln zu gestalten und selbst das Publikum in eine forschende Rezeption einzubinden." (Verlagsbeschreibung)
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"Less than a year after the end of authoritarian rule in 1998, huge images of Jesus Christ and other Christian scenes proliferated on walls and billboards around a provincial town [Ambon] in eastern Indonesia where conflict had arisen between Muslims and Christians. A manifestation of the extreme pe
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rception that emerged amid uncertainty and the challenge to seeing brought on by urban warfare, the street paintings erected by Protestant motorbike-taxi drivers signaled a radical departure from the aniconic tradition of the old colonial church, a desire to be seen and recognized by political authorities from Jakarta to the UN and European Union, an aim to reinstate the Christian look of a city in the face of the country's widespread islamicization, and an opening to a more intimate relationship to the divine through the bringing-into-vision of the Christian god. Stridently assertive, these affectively charged mediations of religion, masculinity, Christian privilege and subjectivity are among the myriad ephemera of war, from rumors, graffiti, incendiary pamphlets, and Video CDs, to Peace Provocateur text-messages and children's reconciliation drawings. Orphaned Landscapes theorizes the production of monumental street art and other visual media as part of a wider work on appearance in which ordinary people, wittingly or unwittingly, refigure the aesthetic forms and sensory environment of their urban surroundings." (Publisher description)
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"Als Selfie oder im politischen Prozess, als gleichermaßen fluide wie langlebige Postings, in verstörenden Hassbildern oder als Labor des Feminismus wirken digitale Bilder in je eigenen Kontexten: Menschen inszenieren sich und werden inszeniert, vernetzen und bekämpfen sich, posieren und protesti
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eren, verfremden, ringen um Anerkennung, Deutungshoheiten und Aneignungen. Digitale Bilder brechen Normen auf, spiegeln oder verschleiern Realitäten, sind Propaganda oder Vehikel politischer Veränderungen, spalten Gegner, verbinden Gleichgesinnte oder fungieren als Glutnester von Hass und Menschenfeindlichkeit. Zugleich wirken all diese Formen visualisierter sozialer Handlungen als Katalysatoren gesellschaftlicher Prozesse, die ihrerseits wieder Dynamiken anstoßen. Die Autorinnen und Autoren beleuchten in fünf Beiträgen Formen, Absichten und Wirkungen digitaler Bildkulturen: den Bildprotest, den Screenshot, das Hassbild, den Netzfeminismus und das Selfie." (Buchrücken)
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"Selbstmordattentate werden seit jeher von Bildern begleitet und durch diese bestimmt. Von Märtyrerpostern über Videotestamente bis hin zu Computersimulationen und Livestreams vom Tatort - die Bildproduktionen der Milizen sind auf vielfältige Weise an der Tat beteiligt und müssen als Akteure im
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politischen Feld ernstgenommen werden. Verena Straub zeigt erstmals die Geschichte sogenannter Märtyrerzeugnisse auf, die seit den 1970er Jahren in diversen politischen Kontexten operieren. In zahlreichen Falluntersuchungen analysiert sie deren ästhetische und mediale Bandbreite, ihre Handlungsdimensionen und Genderpolitiken, ihre künstlerischen Aneignungen und ethischen Herausforderungen." (Verlagsbeschreibung)
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"Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In w
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hat ways are 'facts' being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium's visual frames." (Publisher description)
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"Information Visualization: Perception for Design, Fourth Edition explores the art and science of why we see objects the way we do. Based on the science of perception and vision, the author presents the key principles at work for a wide range of applications--resulting in visualization of improved c
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larity, utility and persuasiveness. This new edition has been revised and updated to include the latest relevant research findings. Content has been updated in areas such as the cognitive neuroscience of maps and navigation, the neuroscience of pattern perception, and the hierarchy of learned patterns. New changes to the book make it easier to apply perceptual lessons to design decisions. In addition, the book offers practical guidelines that can be applied by anyone, including interaction designers and graphic designers of all kinds." (Publisher description)
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"The book covers the definitions and uses of six philosophies, analytical methods, cultural awareness, visual reporting, documentary, citizen journalists, advertising, public relations, typography, graphic design, data visualizations, cartoons, motion pictures, television, computers and the web, aug
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mented and virtual reality, social media, the editing process, and the need for empathy. At the end of each are case studies for further analysis and interviews with thoughtful practitioners in each field of study, including Steven Heller and Nigel Holmes. This second edition has also been fully revised and updated throughout to reflect on the impact of new and emerging technologies." (Publisher description)
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"African Communication Systems and the Digital Age contextualizes communication by bringing to the table African contributions to the field, examining the importance of African indigenous forms of communication and the intersection of African communication systems and the digital age. The book cover
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s various concepts, models, theories and classifications of African communication systems, including instrumental communication, types of African music and their communication properties, indigenous writing systems, non-verbal communication, and mythological communication. Through careful analysis of communication in Africa, this book provides insights into the various modes of communication in use prior to the advent of traditional and new media as well as their continued relevance in the digital age." (Publisher description)
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"This edited volume gives voice to pluralised avenues from visual communication and cultural studies regarding the Global South and beyond, including examples from China, India, Cambodia, Brazil, Mexico and numerous other countries. Defining visual communication and culture as an umbrella term that
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encompasses imagery studies, the moving image and non-verbal visual communication, the first three chapters of the book describe de-Westernisation discourse as a way to strengthen emic research and the Global South as both a geographical concept and, even more so, a category of diversity and pluralism. The subsequent regional case study-based chapters draw on various emic theories and methodologies and find a complex arrangement of visuality between sociocultural and sociopolitical practices and institutions." (Publisher description)
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