"This case study demonstrates Panos’s integrated approach to communication for development: combining first person testimony, relationship-building, inclusive dialogue and working with the mainstream media so that the voices of people most affected by development issues contribute to national-leve
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l understanding and decision-making. It examines the long battle by the fishing and farming communities on the shores of Pakistan’s Manchar Lake to achieve national recognition and action on the pollution caused by a government-led land drainage project that has steadily been destroying their livelihoods and health. Panos London and Panos South Asia, local and national civil society organisations (CSOs), the community of Manchar, and local and national media worked together on a range of communication activities and outputs culminating in a People’s Assembly in 2007. The different activities, and the strength of the media coverage they generated, drew provincial and national government officials into dialogue, resulting in a number of positive outcomes for the people of Manchar Lake." (Introduction)
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"Desde la perspectiva de los medios de comunicación, se presentan en esta obra investigaciones académicas y lecciones aprendidas en cuatro apartados: el impacto de los medios de comunicación en la construcción de violencia cultural, medios alternativos para la construcción de paz, alfabetizaci
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n mediática y, por último, la propuesta de las Espirales de Paz para reaprender la anhelada y esperanzadora, pero al tiempo compleja, Alianza de Civilizaciones. El libro es parte del trabajo realizado por el departamento de investigación en comunicación para la paz de la Cátedra UNESCO de Filosofía para la Paz de la Universitat Jaume I de Castelló y el Instituto Interuniversitario de Desarrollo Social y Paz (IUDESP), en colaboración con United Nations Alliance of Civilizations (UNAOC)." (Cubierta del libro)
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"The Best Practice Guide gives a general overview of new media in Iraq, Jordan, Lebanon, the Palestinian Territories and Syria. It analyses new media experiences acquired in conflict and post conflict areas, presenting best practice examples and recommendations developed by the workshop participants
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on how to use new media as a tool to facilitate peace and dialogue in the region. The Pedagogical Toolkit contains a series of articles by experts on new media. It formed the basis of the training sessions at the “Arab New Media for Peace and Dialogue Workshop” and provides useful, practical insight into the field of new media within the region and in other contexts." (Preface)
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"Wide-ranging and interdisciplinary, this collection considers critical concepts shaping the field, such as migration, ethnicity, post-colonialism and cosmopolitanism. It also examines key intersecting agendas and themes, including political economy, security, race, gender, and material and electron
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ic culture. Original case studies of contemporary as well as classical diasporas are featured, mapping new directions in research and testing the usefulness of diaspora for analyzing the complexity of transnational lives today." (Publisher description)
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"This report explores issues of media policy during post-election violence. We examine the case of Kenya, where 1,133 people were killed after the 2007 elections, to distill lessons for Somaliland’s upcoming elections. There are indications the elections in Somaliland will be highly contentious an
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d that the media will have an important role in either exacerbating or alleviating political violence. Indeed this has already been the case. The much-anticipated presidential election has been postponed for over a year and escalating tensions between the government, opposition parties and the population suggest real potential for election-related violence." (Introduction)
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"One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the develop
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ment of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle." (Publisher description)
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"The Routledge Handbook of Public Diplomacy provides a comprehensive overview of public diplomacy and national image and perception management, from the efforts to foster pro-West sentiment during the Cold War to the post-9/11 campaign to "win the hearts and minds" of the Muslim world. Editors Nancy
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Snow and Philip Taylor present materials on public diplomacy trends in public opinion and cultural diplomacy as well as topical policy issues. The latest research in public relations, credibility, soft power, advertising, and marketing is included and institutional processes and players are identified and analyzed. While the field is dominated by American and British research and developments, the book also includes international research and comparative perspectives from other countries." (Publisher description)
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"Investigating a vibrant audio-recording industry in southern Yemen, The Moral Resonance of Arab Media shows how new forms of political activism emerge through sensory engagements with Arabic poetry and song. From the 1940s onward, a new cadre of political activists has used audio-recording technolo
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gies, especially the audiocassette, to redefine traditional Muslim authorship. Cassette producers address conflicted views about the resurgence of tribalism by showing Yemenis how to adapt traditional mores toward more progressive and pluralistic aims. Skilled bards continue to perform orally marked tribal verse. As Miller demonstrates through an analysis of several centuries of changing media ecology, however, oral performance is anything but static. Much of the power of orality stems from its relation to writing, print, and audiovisual media that link tribal ideals with metropolitan and national discourses. Through an examination of the lives and works of individual poets, singers, and audiences, Moral Resonance shows how tribalism becomes a resource for critical reform when expressed in tropes of community, place, person, and history. Yemenis' use of audiocassettes turns such tropes into cultural resources for morally evaluating political liberalism." (Publisher description)
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"1979: Im Iran wird der Schah gestürzt, die islamische Republik entsteht; parallel eskaliert mit dem sowjetischen Einmarsch der Bürgerkrieg in Afghanistan. Bilder über Afghanistan waren seither zumeist Bilder der Zerstörung. Diesen Außenansichten setzt ›Kabul/ Teheran 1979 ff‹ Perspektiven
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aus Kabul entgegen. Nachrevolutionäre Filme aus dem Iran gewinnen Preise auf internationalen Festivals; zugleich steht Kino im Iran selbst für Modernität. Die iranische Filmszene unterstützt und beeinflusst die wieder entstehende afghanische Filmproduktion. Auch die vielen afghanischen Flüchtlinge, die im Iran leben, verbinden beide Länder. So wurde der Bauboom in der Megastadt Teheran maßgeblich von AfghanInnen bewerkstelligt. ›Kabul/Teheran 1979 ff‹ zeigt Geschichte(n), erzählt von iranischen und afghanischen FilmemacherInnen von 1979 bis heute, versammelt Beiträge vom Alltag der beiden Millionenstädte und aus den Flüchtlingslagern im Grenzgebiet der benachbarten Länder." (https://www.bbooks.de/verlag/kabul-teheran-1979ff)
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"[...] Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indige
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nous filmmaking in each of the three Maghreb countries--Algeria, Morocco, and Tunisia--arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography." (Publisher description)
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"This collection of eighteen essays of uneven richness underserved by an overly thin two-page introduction brings together some of the best known names in Development Communication in an attempt to understand African aspirations, experiences, challenges and the place of communication in development.
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Coming at this stage in a debate that has generated much conventional and critical scholarship, one would have expected the editors to aim at much more than simply providing space for contributors to offer "a fillip and not necessarily a panacea for development" (Page x). The "desirable and useful" (Page x) approaches the book explores would certainly have served their purpose better, within a framework of the need to critically rethink conventional scholarly assumptions about communication and development, especially in relation to Africa [...] Nonetheless, a good number of the contributions competently discuss competing perspectives on development communication (e.g. Pye, Servaes, Jacobson), drawing attention to how practices on and in Africa have tended to impair or enhance the participatory and emancipatory potential of development communication. Some focus closely on communication technologies and their applications (e.g., de Beer, Melkote and Steeves, Eribo), advocating strategies and approaches informed by varying degrees of faith in the capacity of modern information and communication technologies (ICTs) to transform individuals and societies in the name of development. Most of the book makes a strong, even if not always substantiated or negotiated, case for the importance of "indigenous African cultures," if media and communication practices are to adequately serve and service African thirsts for development (Asante, Mazrui and Okigbo, Okigbo, Hachten, Stevenson, Amienyi, Akhahenda, Moemeka, Singhal et al., Okumu, Nganje and Blake). A conscious effort to engage similar debates in anthropology and cultural studies for example, could have yielded further insights." (https://www.h-net.org/reviews/showrev.php?id=10843)
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"Viele autoritäre Regime fürchten den unkontrollierten Informationsfluss, gerade weil er gemeinsames Handeln ermöglicht und ihre Herrschaft gefährden könnte. Auch manche Kulturkritiker würden gerne Informationen kanalisieren, um einen Kulturimperialismus abzuwehren, bei dem sich ihrer Ansicht
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nach die stärksten Vermarkter im internationalen Mediengeschäft mit ihrer Weltsicht durchsetzen oder die mächtigen Kolonialsprachen die lokalen Sprachen verdrängen würden. Die meisten Menschen wollen sich nicht bevormunden lassen, auch nicht in wohlmeinender Absicht. Bei importierten Seifenopern im Fernsehen zeigen sie sich zum Beispiel durchaus in der Lage, sich ihren eigenen Reim auf das Angebot zu machen und es für ihr Umfeld zu interpretieren. Das bedeutet umgekehrt, dass wer eine bestimmte Botschaft über Grenzen hinweg in die Köpfe bekommen will, mit ganz anderen als den beabsichtigten Ergebnissen rechnen muss." (Editorial)
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"La mondialisation des médias est souvent perçue comme une menace pour la souveraineté ou l'identité nationale des pays du Tiers Monde. Elle est en revanche rarement envisagée sous l'angle de ses effets potentiellement subversifs dans ceux de ces pays où le pouvoir, soucieux de son monopole po
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litique, s'efforce d'exercer un strict contrôle sur les moyens d'expression locaux. Approcher l'action des médias transfrontières à partir, aussi, de leur aptitude à contourner les mesures de censure, tel est l'objectif de cet ouvrage collectif. Les huit auteurs, de sept nationalités différentes, décentrent donc la perspective. Ils mettent en lumière les voies largement clandestines par lesquelles les flux de communication transnationaux plus ou moins indésirables s'infiltrent dans les sociétés, les usages qu'en font les populations, les défis sociopolitiques dont ces flux sont porteurs pour l'État ou d'autres formes d'autorité. Ne sont pas seulement étudiés les enjeux attachés à la circulation d'informations prohibées, mais également ceux liés à la diffusion de programmes de divertissement à la grande force d'évocation. Après avoir, en introduction, retracé les controverses théoriques suscitées par le thème du Tiers Monde face à l'internationalisation des médias, les chapitres de ce livre analysent tour à tour l'impact des radios et télévisions internationales en Afrique sub-saharienne ; le développement de la vidéo et des paraboles en Iran ; l'immixtion des chaînes étrangères en Tunisie et en Algérie ; les stratégies de la radiodiffusion gouvernementale américaine vers Cuba ; la présence des médias sud-coréens en Corée du Nord et l'apparition d'Internet en Chine." (Description de la maison d'édition)
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"Die voranschreitende Globalisierung der Medienkommunikation verlangt eine Revision vieler sozial- und kulturwissenschaftlicher Konzepte, die in ihrer Argumentation historisch von einer nationalen Gesellschaft ausgingen. Hierzu gibt es auf internationaler Ebene eine umfassende wissenschaftliche Disk
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ussion. Der Band führt sowohl theoretisch als auch auf aktuelle Beispiele bezogen in diese Diskussion über die transkulturelle Kommunikation ein. Er enthält zentrale Beiträge von Vertreterinnen und Vertretern aller Kontinente und verschiedener Disziplinen." (Verlagsbeschreibung)
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