"Through the prism of the first comprehensive account of RT, the Kremlin's primary tool of foreign propaganda, Russia, Disinformation and the Liberal Order sheds new light on the provenance and nature of disinformation's threat to democracy. Interrogating the communications strategies pursued by aut
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horitarian states and grassroots populist movements, the book reveals the interlinked nature of today's global media-politics pathologies. Stephen Hutchings, Vera Tolz, Precious Chatterje-Doody, Rhys Crilley, and Marie Gillespie provide a systematic investigation into RT's history, institutional culture, and journalistic ethos; its activities across multiple languages and media platforms; its audience-targeting strategies and audiences' engagements with it; and its response to the war in Ukraine and associated bans on the network. The authors' analysis challenges commonplace notions of disinformation as something that Russia brings to the West, where passive publics are duped by the Kremlin's communications machine, and reveals the reciprocal processes through which Russia and disinformation infiltrate and challenge the liberal order. Russia, Disinformation and the Liberal Order provides provocative insights into the nature and extent of the challenge that Russia's propaganda operation poses to the West. The authors contend that the challenge will be met only if liberals reflect on liberalism's own internal tensions and blind spots and defend the values of open-minded impartiality." (Publisher description)
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"The Russian state-funded international broadcaster RT (formerly Russia Today) has attracted much attention as a purveyor of Russian propaganda. To date, most studies of RT have focused on its broadcast, website, and social media content, with little research on its audiences. Through a data-driven
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application of network science and other computational methods, we address this gap to provide insight into the demographics and interests of RT’s Twitter followers, as well as how they engage with RT. Building upon recent studies of Russian state-sponsored media, we report three main results. First, we find that most of RT’s Twitter followers only very rarely engage with its content and tend to be exposed to RT’s content alongside other mainstream news channels. This indicates that RT is not a central part of their online news media environment. Second, using probabilistic computational methods, we show that followers of RT are slightly more likely to be older and male than average Twitter users, and they are far more likely to be bots. Third, we identify thirty-five distinct audience segments, which vary in terms of their nationality, languages, and interests. This audience segmentation reveals the considerable heterogeneity of RT’s Twitter followers. Accordingly, we conclude that generalizations about RT’s audience based on analyses of RT’s media content, or on vocal minorities among its wider audiences, are unhelpful and limit our understanding of RT and its appeal to international audiences." (Abstract)
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"As Scandinavian societies experience increased ethno-religious diversity, their Christian-Lutheran heritage and strong traditions of welfare and solidarity are being challenged and contested. This book explores conflicts related to religion as they play out in public broadcasting, social media, loc
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al civic settings, and schools. It examines how the mediatization of these controversies influences people’s engagement with contested issues about religion, and redraws the boundaries between inclusion and exclusion." (Publisher description)
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"This handbook links the growing body of media and conflict research with the field of security studies. The academic sub-field of media and conflict has developed and expanded greatly over the past two decades. Operating across a diverse range of academic disciplines, academics are studying the imp
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act the media has on governments pursuing war, responses to humanitarian crises and violent political struggles, and the role of the media as a facilitator of, and a threat to, both peace building and conflict prevention. This handbook seeks to consolidate existing knowledge by linking the body of conflict and media studies with work in security studies. The handbook is arranged into five parts: theory and principles; media, the state and war; media and human security; media and policymaking within the security state; new issues in security and conflict and future directions. For scholars of security studies, this handbook will provide a key point of reference for state-of-the-art scholarship concerning the media–security nexus; for scholars of communication and media studies, the handbook will provide a comprehensive mapping of the media–conflict field." (Publisher description)
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"Smartphones and digital connectivity are essential for refugees seeking protection and safety in Europe, but they also carry risks for them. This research identified a huge gap in the provision of relevant, reliable and timely digital news and information for refugees on their journeys and upon arr
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ival in Europe. There is a growing number of digital resources designed for refugees. Most are inadequately resourced and unsustainable. They can do more harm than good if they disseminate misinformation. Quick ‘tech fixes’ do not work. Governments and newsrooms in Europe are failing to provide what refugees need, because they fear that they may be seen to be facilitating attempts to seek asylum in Europe. This is forcing refugees to rely on alternative, often unverified and unreliable sources of news and information circulated on social media, particularly by smugglers and handlers. This is endangering them and exacerbating an already dire situation." (Summary of findings, page 5)
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"By assessing edutainment as a space of cultural translation, Drama for Development advances an often neglected perspective in this topics' research. It focuses on what happens when various goals, worldviews and needs from donors, producers and the audiences come together in the production and meani
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ng construction of soap operas. The perspective is illustrated by examples from the largely South Asian experiences of the BBC World Service Trust, itself seen as a cross-cultural contact zone. Tensions between western scientific paradigm and local researcher in the audience research process (chapter 3), the cosmopolitan competencies of the production team in harmonizing the urge for authenticity, cultural sensitivity and development objectives (chapter 6) and the construction of social realism as an interplay of the observed realities of the audiences and the neo-liberal themes of donors (e.g., opium in ch.6 and forced marriage in chapter 11) exemplify some of the processes taking place in that zone. The epistemological position of the book is complementary to the more technical perspective of the existing body of literature, which sometimes fails to capture the complex processes of meaning construction and link it to the wider social context." (commbox)
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"This essay analyses the role of audience research as a change agent in media development interventions in Afghanistan. It analyses how audience research in transnational contexts involves a complex set of intercultural negotiations and translations that contribute to the enduring relevance and sust
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ainability of the highly popular Afghan radio soap opera New Home, New Life. This is a ‘development drama’ that has been broadcast across Afghanistan since 1993. It is based on BBC Radio 4’s The Archers and produced by BBC Afghan Education Projects (BBC AEP). Audience research has been vital to forging a dynamic relationship between the creative teams who make the drama, the donors who pay for it, and the audiences who consume it. The article addresses three broad themes. First, we outline how data gathered in formative audience research, prior to the creation of the drama, provides the creative team with the dramatic raw material for the radio serial. The extensive qualitative data gathered by Afghan researchers in local milieux is translated so as to enable culturally diverse teams of writers and producers to ground the serial narratives in the lived experiences of its audiences, and to introduce multiple local perspectives on development issues. Second, we show how evaluative audience research, data gathered in the postproduction phase, plays a key role in providing critical audience interpretations of New Home, New Life’s dramatic themes. In so doing, it creates feedback loops that allow audiences to become active participants in the ongoing creation of the drama. The research designs and devices, developed over the last two decades to document the changing life-worlds of Afghan citizens-cum-audiences, are part of an ongoing set of transcultural encounters that contribute to strengthening the social realist appeal of the drama and to calibrating how far any given storyline can be pushed in terms of cultural propriety. Third, we examine how during periods of military conflict, when routine audience research becomes dangerous or impossible and audience feedback loops are disrupted, the writers and producers have to rely on their own personal and political experiences, often with unpredictable ideological consequences. We draw attention to the limitations and challenges of making dramas for development in highly charged politicised and postcolonial contexts. While, development dramas may be a cheap and effective way of dealing with certain informational needs, such as landmine awareness, they cannot redress social and structural inequalities or, as Western donors wish, eradicate opium cultivation." (Abstract)
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"Wide-ranging and interdisciplinary, this collection considers critical concepts shaping the field, such as migration, ethnicity, post-colonialism and cosmopolitanism. It also examines key intersecting agendas and themes, including political economy, security, race, gender, and material and electron
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ic culture. Original case studies of contemporary as well as classical diasporas are featured, mapping new directions in research and testing the usefulness of diaspora for analyzing the complexity of transnational lives today." (Publisher description)
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"Die voranschreitende Globalisierung der Medienkommunikation verlangt eine Revision vieler sozial- und kulturwissenschaftlicher Konzepte, die in ihrer Argumentation historisch von einer nationalen Gesellschaft ausgingen. Hierzu gibt es auf internationaler Ebene eine umfassende wissenschaftliche Disk
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ussion. Der Band führt sowohl theoretisch als auch auf aktuelle Beispiele bezogen in diese Diskussion über die transkulturelle Kommunikation ein. Er enthält zentrale Beiträge von Vertreterinnen und Vertretern aller Kontinente und verschiedener Disziplinen." (Verlagsbeschreibung)
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