"There are many different kinds of sub-national conflicts across Asia, with a variety of causes, but since September 11, 2001 these have been increasingly portrayed as part of the global terrorist threat, to be dealt with by the War on Terror. This major new study examines a wide range of such confl
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icts, showing how, despite their significant differences, they share the role of the media as interlocutor, and exploring how the media exercises this role. The book raises a number of issues concerning how the media report different forms of political violence and conflict, including issues of impartiality in the media's relations with governments and insurgents, and how the focus on the 'War on Terror' has led to some forms of violence - notably those employed by states for political purposes - to be overlooked. As the issue of international terrorism remains one of the most pressing issues of the modern day, this is a significant and important book which will interest the general reader and scholars from all disciplines." (Publisher description)
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"A fascinating look at the role of the media in fostering nationalism, with a comparative approach that shows the interactions between American, Russian and German nationalism. Extreme nationalism is a subject of enormous contemporary significance today. Does patriotic pride inevitably develop into
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nationalistic aggression? Is this exacerbated by the global outreach of the media? And what is the relationship between mainstream politics and increasingly vocal far-right groups in Britain, the US, Germany and Russia? This book addresses these questions from a variety of angles, exploring topics ranging from the War on Terror to Holocaust denial, from the 'sanctity' of Rasputin to the 'martyrdom' of Rudolf Hess." (Publisher description)
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"This paper has shown that media assistance donors to Central Europe misplaced their emphasis on the trainign of journalistic craft skills as a principal means of introducing what they rather uncritically called 'democratic journalism' to post-Communist societies. There are many narrative choices in
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telling stories, even news stories, and there are few convincing reasons to beleive that mainstream western news conventions are the most likely to contribute to democratic political culture." (Conclusion)
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"Written by both leading academic authorities and by Muslim media practitioners, 'Muslims and the Media' is designed as a comprehensive and critical textbook and is set in both the British and international contexts. The book clearly establishes the links between context, content, production and aud
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iences thus reflecting the entire cycle of the communication process and revealing the ways in which meaning is produced and reproduced in the news media. Looking closely at the circumstances and politics surrounding the representation of Muslims across a wide range of journalistic genres, at the presence and influence of Muslims in the processes of news production, and the ways in which audiences, both Muslim and non-Muslim, consume this media, the book brings together coherently a wide range of perspectives to provide crucial insights into the representation - and misrepresentation - of Islam and Muslims today." (Publisher description)
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"This book analyzes the different ways in which media are being used for community building and it also critically interrogates the concept of community itself. The authors do that from a variety of different perspectives, ranging from fundamental philosophical questions regarding community, to the
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role of journalism, the possibilities of community building on a local, national and global level, online media communities as means of empowerment for marginalized groups, the representation of communities in the media, and the formation of learning communities. Although there is a clear dominance in focusing on the chances and possibilities opened up by the Internet, the role of more traditional media like magazines, radio and television is being examined as well. Both sides, the media representations with the identity positions they offer as well as the interpretations and meaning productions that take place by the users of the media, are taken into account to cover the full range of media as cultural tools of connectivity." (Publisher description)
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"Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation.
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In We the Media, nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make--and consume--the news. Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call tonewsmakers-politicians, business executives, celebrities-and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant." (Publisher description)
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"Looking at the everyday interaction of religion and media in our cultural lives, Hoover's new book is a fascinating assessment of the state of modern religion. Recent years have produced a marked turn away from institutionalized religions towards more autonomous, individual forms of the search for
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spiritual meaning. Film, television, the music industry and the internet are central to this process, cutting through the monolithic assertions of world religions and giving access to more diverse and fragmented ideals. While the sheer volume and variety of information travelling through global media changes modes of religious thought and commitment, the human desire for spirituality also invigorates popular culture itself, recreating commodities - film blockbusters, world sport and popular music - as contexts for religious meanings. Drawing on research into household media consumption, Hoover charts the way in which media and religion intermingle and collide in the cultural experience of media audiences." (Publisher description)
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"Capturing Believers" provides a history of the reception of American conservative evangelical missionary broadcasting from its inception in 1931 through the rise of the commercial era in 1970. The dissertation narrates accounts of two major Protestant stations, HCJB and ELWA, located in Ecuador and
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Liberia, respectively, as well as the U.S.-based project to build a custom transistor radio for the mission field. Employing a case-study approach, the thesis demonstrates the innovativeness of religious broadcasters who formulated a range of pragmatic responses to the drastic shortage of receiving sets in the southern hemisphere, including the use of social convention and the development of pretuned receiver technology. Missionary stations imported not only radios, but a constellation of American values into host countries through their reception activities. Overall, officials employed creative methods to construct a particular type of listener experience known as radio capture, characterized by regular listening in a domestic setting. By penetrating into the home or village and exposing listeners to proprietary broadcasts on a continual, even daily, basis, missionary receiver programs legitimized American conservative evangelicalism abroad and sowed seeds for a widespread revival of Protestantism in Latin America and Africa after 1970." (Summary)
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