"The purpose of the final evaluation was to provide the Office of Transition Initiatives (OTI) and the U.S. Agency for International Development with an assessment of the relevance, effectiveness, and lessons learned from OTI’s mega-program in Afghanistan. Since evaluations of the media program ha
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d been undertaken and a study of management issues was planned, this evaluation addressed the following fundamental questions: 1. Was OTI strategic? 2. Did OTI promote government legitimacy? 3. Did OTI’s use of participatory democratic processes increase citizen’s connections to each other and to local authorities?" (Executive summary, page 6)
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"In the past decade, the mass media discovered disability. Spurred by the box-office appeal of superstars such as the late Christopher Reeve, Michael J. Fox, Stephen Hawking, and others, and given momentum by the success of Oscar-winning movies, popular television shows, best-selling books, and prof
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itable websites, major media corporations have reversed their earlier course of hiding disability, bringing it instead to center stage. Yet depictions of disability have remained largely unchanged since the 1920s. Focusing almost exclusively on the medical aspect of injury or illness, the disability profile in fact and fiction leads inevitably to an inspiring moment of “overcoming.” According to Riley, this cliché plays well with a general audience, but such narratives, driven by prejudice and pity, highlight the importance of “fixing” the disability and rendering the “sufferer” as normal as possible. These stories are deeply offensive to persons with disabilities. Equally important, misguided coverage has adverse effects on crucial aspects of public policy, such as employment, social services, and health care. Powerful and influential, the media is complicit in this distortion of disability issues that has proven to be a factor in the economic and social repression of one in five Americans. Newspapers and magazines continue to consign disability stories to the “back of the book” health or human-interest sections, using offensive language that has long been proscribed by activists. Filmmakers compound the problem by featuring angry misfits or poignant heroes of melodramas that pair love and redemption. Publishers churn out self-help titles and memoirs that milk the disability theme for pathos. As Riley points out, all branches of the media are guilty of the same crude distillation of the story to serve their own, usually fiscal, ends. Riley’s lively inside investigation illuminates the extent of the problem while pinpointing how writers, editors, directors, producers, filmmakers, advertisers and the executives who give their marching orders go wrong, or occasionally get it right. Through a close analysis of the technical means of representation, in conjunction with the commentary of leading voices in the disability community, Riley guides future coverage to a more fair and accurate way of putting the disability story on screen or paper. He argues that with the “discovery” by Madison Avenue that the disabled community is a major consumer niche, the economic rationale for more sophisticated coverage is at hand. It is time, says Riley, to cut through the accumulated stereotypes and find an adequate vocabulary that will finally represent the disability community in all its vibrant and fascinating diversity." (Publisher description)
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"Une presse indépendante est essentielle pour un développement économique équitable : elle contribue à donner la parole aux personnes pauvres et privées de droit. Des médias autonomes participent également à l’édification de bases solides pour une société libre et transparente. Les aut
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eurs, parmi lesquels figurent quelques Prix Nobel, comme Joseph Stiglitz, ancien économiste en chef de la Banque Mondiale et le célèbre Gabriel García Márquez, étudient le rôle des médias comme garde-fous des secteurs publics et privés et la politique en matière de liberté de la presse. Ils jugent également les effets nuisibles que peut causer un journalisme irresponsable et contraire à l’éthique. Un ouvrage de réflexion pour les étudiants, les professeurs et les chercheurs en communication et pour ceux qui s'intéressent au pouvoir et à l'impact des médias." (Description de la maison d'édition)
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"This volume grew out of the Why We Write conference held at Columbia University in the spring of 2003. The conference was the second part of a series of conferences organized by graduate students in the history department that explored issues related to history, social change, and the politics of w
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riting. The proceedings from the first conference were published as Taking Back the Academy: History of Activism, History as Activism (Routledge, 2004). The Why We Write conference drew participants from across disciplines and academic fields and also included, among others, filmmakers, journalists, playwrights, novelists, and poets from in and beyond the United States. The focus of the conference was to examine writing, broadly defined. As such the panels ranged from historical discussions on print culture and the use of theory in U.S. history to roundtable discussions on gender and sexuality to workshops on teaching writing and publishing one’s research." (Acknowledgements, page vii)
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"Die aktualisierte und überarbeitete Neuausgabe dieses 1999 erstmals erschienenen Standardwerks entschlüsselt das komplexe System hinter den Bildschirmen und stellt dabei den Zusammenhang zwischen den verschiedenen Arbeits- und Themenbereichen innerhalb eines Senders her. Das "Praxishandbuch Ferns
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ehen" erklärt die juristischen Feinheiten und betriebswirtschaftlichen Besonderheiten der Organisationen, beschreibt die Medienpolitik der Parteien und Konzerne, untersucht das Umfeld des Marktes und der Werbung und betrachtet aus der Perspektive der Macher die verschiedenen Programm-Genres und die kreativen Prozesse bei der Programm-Arbeit." (Verlagsbeschreibung)
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"Iraq has proven to be a particularly hazardous posting for journalists. More media workers have been killed there than during the two-decades-long war in Vietnam. And 15 have died at the hands of American forces." (Introduction)
"Each of the eleven chapters in Quoting God pairs an academic and a journalist. First, the scholar holds forth, followed by a "View from the News Desk." Together, they represent many and diverse voices. Badaracco's book shows the relationship between media culture and spiritual culture, recognizing
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how news and religious values influence political life, and how science, modernity, and disbelief come together to suggest social fragmentation or consolidation. Through the media, audiences learn, often with passion, what they believe, what they resist religiously, how to respect other religious ideas, and how to construct their own religious identity in a world of both mediated and actual communities. The book's conceptual and theoretical frame addresses emerging religions as well as traditional faiths. The first four chapters focus on the legal and constitutional frames informing national identity and the ideological climates of newsrooms where journalists "construct the mediated religious public square" (Page 14). The next four chapters discuss cross-cultural reporting in which a reporter navigates between two (or more) cultures in the required roles of being fair and balanced. The next three chapters explore faith and reason, science and religion, and the complexity of religious issues. The volume concludes with Gustav Niebuhr, formerly with the New York Times and now a member of the academy at Syracuse University, summing up the care and commitment of the journalist who covers religion in American life." (https://www.h-net.org/reviews)
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"This groundbreaking study of community media, first published in 2005, combines original research with comparative and theoretical analysis in an engaging and accessible style. Kevin Howley explores the different ways in which local communities come to make use of various technologies such as radio
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, television, print and computer networks for purposes of community communication and considers the ways these technologies shape, and are shaped by, the everyday lived experience of local populations. He also addresses broader theoretical and philosophical issues surrounding the relationship between communication and community, media systems and the public sphere. Case studies illustrate the pivotal role community media play in promoting cultural production and communicative democracy within and between local communities." (Publisher description)
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"The current war in Iraq saw an alliance between the media and the military, a process called embedded journalism. The aim of this study was to explore whether this process affected the journalists' vulnerability to psychological distress. Eighty-five of 100 journalists approached agreed to particip
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ate; 38 (44.7%) were embedded. There were no differences between embedded and unilateral (nonembedded) journalists on demographic measures or in their exposure to traumatic events. Similarly, the two groups did not differ on indices of posttraumatic stress disorder, depression, psychological distress, and substance use. Based on General Health Questionnaire scores, one third of all journalists were psychologically distressed. There is no evidence from the recent war in Iraq suggesting that embedded journalists are at increased risk for psychological problems." (Abstract)
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"This paper will examine American efforts to create a vibrant free press in Iraq and Afghanistan. A $200 million project in Iraq was the largest attempt ever by the United States, or any country, to help create independent media in another nation. Run by the Pentagon, it was a near total failure in
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its first year, with Iraqi journalists, American trainers and U.S. government officials assailing it as wasteful, amateurish and counterproductiv. A far smaller, $15 million State Department effort in Afghanistan, by comparison, appears to have been more effective. In both countries, many local journalists have performed well, particularly when given proper resources and training. But in Iraq and Afghanistan, as well as around the world, murder and violence is now the single largest threat to the creation of an independent news media. Government officials, criminals and terrorists are increasingly using assault and murder to silence the media. Supporting, respecting and, most of all, securing local journalists may be the most critical way the United States can foster the creation of a vibrant free press in Iraq and Afghanistan." (Abstract)
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"In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media like film and television, as well as through particularistic media like home movies and videos. "Shooting the Family" has a
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double meaning. On the one hand, this book claims that the family is under pressure from the forces of globalization and migration; it is the family that risks being shot to pieces. On the other hand, family matters of all kinds, including family values, are increasingly being constructed and refigured in a mediated form. The audiovisual family has become an important medium for intercultural affairs - this is a family that is being re-established as a place of security and comfort in times of upheaval; it is the family shot by cameras that register and simultaneously create new family values." (Publisher description)
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"Im Oktober 1935 marschierten italienische Truppen in Äthiopien ein, um das afrikanische Land brutal zu unterwerfen; Ende 1937 begingen Soldaten des mit Deutschland verbündeten Japan ein Massaker im chinesischen Nanking. Diese imperialen Exzesse waren für viele Afrikaner und Asiaten mehr als nur
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Vorboten eines grausamen, weltumspannenden Krieges. Nach dem deutschen Überfall auf Polen und dem Kriegsbeginn in Europa bezogen die Alliierten ihre Kolonien in den Zweiten Weltkrieg ein. Zu den Befreiern vom Faschismus zählten Kolonialsoldaten aus allen Teilen Afrikas, sowie Inder, Pazifikinsulaner, Araber, Mexikaner, Brasilianer, Aborigines und Maori. Nach dem Krieg geriet das Schicksal dieser Menschen in Vergessenheit. Dieses aufwendig recherchierte Buch, in dem zahlreiche Zeitzeugen und Veteranen aus allen Kontinenten zu Wort kommen, lenkt den Blick auf Aspekte und Auswirkungen des Zweiten Weltkriegs, die in der westlichen Geschichtsschreibung bislang meist nur eine untergeordnete Rolle spielen." (Bundeszentrale für politische Bildung)
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"Media Anthropology represents a convergence of issues and interests on anthropological approaches to the study of media. The purpose of this reader is to promote the identity of the field of study; identify its major concepts, methods, and bibliography; comment on the state of the art; and provide
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examples of current research." (Publisher description)
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