"This report explores the socio-economic impact of connectivity for refugees in a large, rural camp setting in Tanzania. Nyarugusu is one of three large refugee camps in the Kigoma region. Established in 1996, it now hosts more than 136,000 refugees from the Democratic Republic of Congo (DRC) and Bu
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rundi. In 2016, Vodacom installed a 3G tower in Nyarugusu camp for the first time, providing an opportunity to assess the impact of mobile connectivity on refugees. Today, Airtel, Halotel and Tigo also provide connectivity to refugees in the camp. Nyarugusu remains the only camp in the Kigoma region with access to 3G. The purpose of this report is to provide robust evidence of the current use, value and impact of connectivity, and the barriers and challenges that refugees face in accessing and using mobile devices. This research provides mobile network operators (MNOs) and humanitarian agencies with key insights on the opportunities and barriers to enhancing the provision of mobile services to refugees." (Executive summary, page 2)
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"The top six roles, all with means above 4.3 and standard deviations below 1, for Tanzanian journalists, were a mix of those aligned with a liberal press (e.g. promote tolerance and cultural diversity) and those relevant to development journalism (e.g. support national development). “Provide the k
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ind of news that attracts the largest audience” (mean=4.58) and “Promote tolerance and cultural diversity” (mean=4.56) were the top two roles for these journalists (see Table 1) with 97.8 percent and 98.5 percent of the journalists respectively saying that they considered these roles “extremely” or “very” important. As the low standard deviations indicate, the journalists showed high agreement on the importance of these roles. The least important roles, both with means well below the midpoint of three, were “Be an adversary of government” (mean=1.98) and “Support government policy” (mean=1.99)." (Journalistic roles, page 1)
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"In this volume of essays edited by Anya Schiffrin, media capture is shown to be a growing phenomenon linked both to the resurgence of authoritarian governments as well as to the structural weaknesses presently afflicting media markets. In this environment, political figures and economic elites are
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colluding to undermine the independence of privately-owned media, and efforts to stop this collusion by activists, regulators, and the international community have proven to be ineffective." (Publisher description)
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"In 2015, Farm Radio International applied to Making All Voices Count for a practitioner research and learning grant. Farm Radio International (FRI) is a Canadian-based not-for-profit organisation working in direct partnership with approximately 600 radio broadcasters in 38 African countries to figh
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t poverty and food insecurity. The research studied the impact of one of FRI’s projects, the Listening Post, initially developed as a pilot project funded by the Bill & Melinda Gates Foundation to help agricultural development actors ensure their initiatives are responsive and accountable to farmers. The Listening Post is an interactive radio series aimed at an audience of farmers. It combines specialised interactive radio broadcasts with Uliza, a tool created by FRI for gathering and analysing feedback and questions from audience members. Uliza is built on an interactive voice response (IVR) system which enables listeners to vote on poll questions, leave messages and request the delivery of specific information. The research aimed to assess the effectiveness of the Listening Post, and to examine its potential as a tool for the adaptive management of agricultural programmes. This practice paper describes the research, and reflects more broadly on the challenges and opportunities provided by feedback models such as the Listening Post for improving inclusive and participatory agricultural development, and for advancing adaptive programme implementation based on feedback. It also discusses the potential of building on a tech-enabled feedback model to enable collective civic action for extension services that are responsive to the priorities of smallholder farmers. If the information generated by multi-stakeholder platforms like the Listening Post is to lead to adaptation and change in service provision, it is necessary to develop common understandings of the roles and responsibilities of different stakeholders from the outset of programme design and implementation." (Summary)
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"At HDIF, we want to share learning from our own experience to assist players in ICT4D to ensure we are not creating more stacks of unused hardware and limited viability which combine to create a larger wasteland of well-intended development projects. A broad set of donors and partners have combined
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to develop the Principles for Digital Development, which form a simple set of values that have helped HDIF understand our impact and establish whether we are setting partners on the best path for success. This White Paper is HDIF’s first formal publication sharing our initial insights and learning around the application of the Principles for Digital Development in Tanzania. We hope our learning will provide practice insights for the ICT4D community in Tanzania and abroad. By applying the principles to our work, we and our partners can assess their validity through 'learning by doing' and anticipate the challenges in scaling our innovations." (Foreword, page 2)
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"Mit dem Media Services Act, 2016 ist in Tansania am 3. Februar 2017 ein neues Mediengesetz in Kraft getreten, das die Pressefreiheit drastisch einschränkt und in klarem Widerspruch zur Verfassung von 1977 steht. Die umstrittenste Bestimmung betrifft die Verpflichtung von JournalistInnen zur Akkred
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itierung. Weitere Regelungen – wie z. B. die Möglichkeit zur Einstellung von Printmedien – entstammen früheren Gesetzen, deren Wurzeln bis in die Kolonialzeit reichen. Der Beitrag analysiert die unterschiedlichen Verordnungen seit 1912 und dokumentiert die Auswirkungen auf die journalistische Produktion in der jeweiligen Periode. Dabei zeigt sich, dass einmal eingeführte Kontrollmechanismen in den nachfolgenden Gesetzen weitgehend beibehalten wurden. Der Media Services Act, 2016 kann daher als drakonisches Mediengesetz mit kolonialen Wurzeln beschrieben werden." (Abstract)
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"The first of four thematic sections, “African Newspaper Networks,” considers the work that newspaper editors did to relate events within their locality to happenings in far-off places. This work of correlation and juxtaposition made it possible for distant people to see themselves as fellow tra
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vellers. “Experiments with Genre” explores how newspapers nurtured the development of new literary genres, such as poetry, realist fiction, photoplays, and travel writing in African languages and in English. “Newspapers and Their Publics” looks at the ways in which African newspapers fostered the creation of new kinds of communities and served as networks for public interaction, political and otherwise. The final section, “Afterlives, ” is about the longue durée of history that newspapers helped to structure, and how, throughout the twentieth century, print allowed contributors to view their writing as material meant for posterity." (Publisher description)
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"Internews set out to take stock of community radio stations (CRS) in Tanzania through a rapid, structured assessment. We were determined to understand the extent to which CRS across the country were providing a valuable public information service, and what barriers could be overcome and opportuniti
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es seized to increase their effectiveness in supporting two-way feedback and accountable governance. In order to ensure the success of future efforts to improve democratic and economic development in Tanzania, the system of producing, disseminating, sharing, trusting in and engaging with information must improve in equal easure. A team of Internews staff and consultants visited 22 community radio stations in Arusha (8), Dar es Salaam (2), Lindi (5), Mtwara (2), and Zanzibar (5)." (Internews website)
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"Trust is a societal value that is difficult to gain and easy to lose. This article deals with the levels of trust that journalists working in eight post-authoritarian and post-totalitarian countries (Argentina, Bangladesh, Brazil, Czech Republic, Indonesia, Latvia, South Africa and Tanzania) have i
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n various social institutions using data from the present Worlds of Journalism Study. In each country, results showed the level of trust in journalists’ own institution—the media—is higher than the level of trust in both political and regulative institutions. The expression of low trust, particularly in regulative institutions, in the sampled countries represents significantly different results from previous studies about journalists’ trust in countries with longer democratic traditions." (Abstract)
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"This volume examines the lived experiences of Africans and their interaction with different kinds of media: old and new, state and private, elite and popular, global and national, material and virtual. By offering a comparative, critical and largely qualitative account of audiences and users across
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a range of national contexts in different regions of Africa, the book examines media through the voices and perspectives of those engaging with it rather than reducing audiences and users to numbers and statistics, ready to be exploited as potential target markets or as political constituencies. The critical, qualitative research perspective adopted in this book enables us to gain a better understanding of how African viewers, listeners and users make sense of a range of media forms; what role these play in their everyday lives and what audience and user engagement can tell us about how citizens perceive the state, how they imagine themselves in the wider world and how they relate to each other. The book argues that the experiences of audiences and engagements of users with a range of media—newspapers, radio, television, magazines, internet, mobile phones, social media—are always grounded in particular contexts, worldviews and knowledge systems of life and wisdom: ‘It is akin to the tortoise. The tortoise never leaves its shell behind. It carries it wherever it goes’ (Chivaura 2006: 221). African media audiences and users carry their contexts and cultural repertoires in the same way a tortoise carries its shell. Thus far, the bulk of academic research on media and communication in Africa has addressed the policy and regulatory aspects as well as the relation between media institutions and the state (Willems 2014a). While studies on media, democratization and press freedom are invaluable, the ways in which ordinary people make sense of, and relate to, media in their everyday lives are largely left beyond consideration. As Barber (1997: 357) has pointed out, ‘[w]hat has not yet been sufficiently explored is the possibility that specific African audiences have distinctive, conventional modes and styles of making meaning, just as performers/speakers do. We need to ask how audiences do their work of interpretation’." (Page 4)
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"The article discusses the significance of the past in the planning of media policies in two neighbouring countries in Africa, namely Kenya and Tanzania. The theoretical frame is composed of four concepts: social imaginary, collective memory, domestication, and liminality. The scrutiny starts from t
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he last years of colonialism and ends with the present-day situation with online media. In both countries, the basic media approach is still distinctly top-down and focuses on authorities—either the state or market elites. Kenya appears as a representative of continuity, while the media history of Tanzania is filled with jerky turns. However, the Tanzanian mediascape comes closer to the ordinary person, thanks to the use of Kiswahili and colloquial vocabulary, while the press in Kenya remains very elite oriented. The far more advanced Kenyan information and communications technology (ICT) situation does not change the situation much, because at the citizen level, the emphasis in ICT development is on services, not citizens’ voices. The shadow of the state is strong." (Abstract)
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"Local radio stations have mushroomed in Africa, including Tanzania, partly due to increased support from international donors. However, research results show that the lack of economic viability is a major constraint for local radio stations. They can hardly generate sufficient revenues from adverti
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sers to sustain the station. This leads to high turnover of staff due to low pay, low quality of content, and lack of capacity in serious programming. Based on a market model, the goal of this paper is to identify these problems from both a business and a journalism perspective and to find possible solutions. The results of this analysis show that a viable economic model in Africa requires simultaneous support for three different fields, (a) development of good content, (b) development of media management capacities, and (c) media research covering the extent and satisfaction of local audiences in order to develop local advertising markets that serve local media." (Abstract)
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"In South Sudan, media capture, media market and audience segmentation are driven by: the ongoing civil conflict (since 2013), ethnic and linguistic divisions, a lack of rule of law, the legacy of clientelistic networks in the media and the government, a stark urban-rural divide, and a lack of infra
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structure and funding that could support sustainable media development. In Tanzania, media capture, and media market and audience segmentation are driven by: the dominance of the CCM that enables the government to establish a legal framework to restrict freedom of the press, stark rural-urban and ZanzibarMainland divides, and a lack of local and community media in rural areas due to poor infrastructure and a lack of managerial skills. In Bangladesh, media capture, media market and audience segmentation are driven by: the political polarisation of the media and journalists’ unions between the dominant AL and BNP political parties, the combination of political polarisation and low journalistic professionalism preventing politically unbiased reporting, and connections between corporate media owners and political elites that lead to politically-motivated corporate media strategies. In South Africa, media capture, media market and audience segregations are driven by: the lack of sustainable funding available to independent media outlets, prohibitive costs limiting their readership to the economic elite, and the dominance of the (politically controlled) SABC as the only source of media catering to lower-income segments of the population." (Executive summary, page vi-vii)
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"In a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary her
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itage with the people who are represented by and in it. Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture." (Publisher description)
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"The markets we do include are a very diverse bunch, from the very closed and politically tightly controlled such as Laos; through a large number of nations on the African continent which have seen a sudden improvement in digital infrastructure thanks to the landing of several new submarine intercon
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tinental fibre optic cables over the past few years; and not forgetting markets like Trinidad & Tobago, which seems to enjoy a large choice of TV channels to serve a relatively modest population; or indeed Iran, fresh from its welcome back into the international fold following the suspension of UN sanctions in January 2016. For each market, we give some economic data sourced from the IMF, as well as our estimates and forecasts for advertising expenditure and growth in its ad market to 2018. We also provide a short commentary setting out an overview of the media market in question." (Page 1)
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