"Training and educating of journalists around the world with the aim of enhancing free and independent media has been a major field of media development cooperation for decades. Nevertheless, the state of scientific research in this area remains limited, specifically with regard to the status quo of
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journalism education in developing countries. The academic research project on International Journalism Education Standards (IJES) was initiated by Deutsche Welle Akademie’s International Media Studies program with the goal to help close this gap. This publication contains the research results of the IJES research poject´s comparative study about the standards of journalism education in four developing countries: Colombia, Kenya, Myanmar and Egypt." (Publisher description)
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"This document is an abridged version of a wide-ranging survey conducted between July 2014 and January 2015, which attempts to provide an overall view of the complex, ever-changing and fluid landscape of the online media in the Arab world. It is based on over 45 in-depth interviews, 130 applications
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received by CFI as part of its EBTICAR-Media competition, supported by E.U., and the analysis of numerous reports, articles and assays. The focus is on eight of the nine countries originally covered by EBTICAR-Media: Algeria, Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia and Syria." (Introduction)
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"This article examines the Palestinians perceptions towards the role of Palestine TV and Al-Aqsa TV in providing a platform for open discussion and create an arena for different groups to communicate freely with each other. Focus groups with a range of participants, from university students and huma
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n rights activists, to journalists and non-governmental organization employees were deployed. The article argues that the two political factions are trying to manipulate the public and conceal information that affects their power. It provides an overview of comments, and views expressed by the participants during the focus group sessions in response to a set of questions. The key findings of the study were, in the view of many respondents, that the two television channels, Palestine TV and Al-Aqsa TV, were controlled by the two political parties – Fatah and Hamas, respectively and that this has compromised the media’s function to public participation." (Abstract)
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"Key Takeaways: Iraq is divided and in transition. You cannot have an actionable understanding of media habits without analyzing specific "target" audiences. All media platforms matter, depending on the audience." (Slide 33)
"Im Fokus des ersten Teils stehen transnationale Phänomene wie die Bedeutung des Satellitenfernsehens und der Sozialen Medien sowie die Rolle von Minderheiten, Gender und Islamisten in den Medien. Diese Beiträge geben den aktuellen Stand der Forschung wieder und reflektieren diesen. Im zweiten Tei
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l des Buches werden in 18 Länderstudien – von Marokko bis zum Irak – die nationalen Besonderheiten der Medien betrachtet, die aus unterschiedlichen politischen Systemen, rechtlichen Beschränkungen, ökonomischen Voraussetzungen und der jeweiligen Soziodemographie resultieren." (Klappentext)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"This article draws on the first extensive study of community radio audiences in the Middle East to contribute new insights about documenting the impacts of community radio, and the evaluative mechanisms that should be in place for non-profit, community media to better fulfill their mission to serve
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the community. Building on critical ethnographic audience research, I argue for a storytelling approach that facilitates personal narratives and cooperative focus groups among community radio audiences." (Summary)
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"The five reports that make up this collection are variously concerned with humanitarian aid, social and cultural evolution, crisis response, the mitigation of cultural divides, and political unrest. The themes that bind them are an international movement towards public safety; a trust-based relatio
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nship between states and citizens; community led social development; and the capacity of social media and big data to make use of, and amplify, the thoughts and voices of under-represented elements of society. Importantly, the reports also begin to question the inluence these violent contexts are having on the development of social media, where communities in crises utilise and shape these new technologies though real-time engagement. The potential of these media is being maximised to such an extent that these platforms are under strain, and developers are increasingly learning how to adapt to the needs of a variety of audiences in volatile contexts." (Introduction, page 6)
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"Although many observers have documented a global decline in democratic rights in recent years, people around the world nonetheless embrace fundamental democratic values, including free expression. A new Pew Research Center survey finds that majorities in nearly all 38 nations polled say it is at le
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ast somewhat important to live in a country with free speech, a free press and freedom on the internet. And across the 38 countries, global medians of 50% or more consider these freedoms very important. Still, ideas about free expression vary widely across regions and nations. The United States stands out for its especially strong opposition to government censorship, as do countries in Latin America and Europe – particularly Argentina, Germany, Spain and Chile. Majorities in Asia, Africa and the Middle East also tend to oppose censorship, albeit with much less intensity. Indonesians, Palestinians, Burkinabe and Vietnamese are among the least likely to say free expression is very important." (Page 4)
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"The contributors explore diverse contexts of performance to discuss peoples' own reflections on political subjectivities, governance and development. The volume refocuses anthropological engagement with ethics, aesthetics, and politics to examine the transformative potential of political performanc
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e." (Publisher description)
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"L’objectif de ce diagnostic est de mettre en lumière les derniers développements du secteur des radios communautaires et associatives tunisiennes, leurs points de force et les points de faiblesse. C’est aussi l’occasion pour avoir une vision globale sur l’approche des institutions qui rè
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glent le secteur." (Introduction)
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"Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world―Algeria, Egypt, Lebanon, Morocco, Palestin
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e, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism―theirs is a cinéma engagé. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman." (Publisher description)
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"This report, which has been produced by a group of distinguished journalists and their supporters, examines the broad scope of the crisis. It covers countries where media are on the frontline of tough political battles, such as Egypt and Turkey. In Ukraine, for instance, the practice of paid-for jo
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urnalism is a tool routinely used by politicians at election time. The same is true in India. In other countries, including Nigeria, Philippines, and Colombia the precarious working conditions of news staff provide fertile conditions for corruption and “brown envelopes” or under-the-table cash payments to reporters and editors which are a routine feature of journalistic work. The struggles facing journalists in settled democracies, such as the United Kingdom and Denmark, are less brazen, but no less challenging and in a range of countries across the Western Balkans with a shared and painful history, media corruption hinders aspirations to break free from the legacy of war, censorship and political control during decades of communist rule. The story is of an uphill struggle. Everywhere there is a crisis of confidence inside newsrooms caused by crumbling levels of commitment to ethics, a lowering of the status of journalistic work and a pervasive lack of transparency over advertising, ownership and corporate and political affiliations. Government control over lucrative state advertising, which is often allocated to media according to their political bias, remains widespread. At the same time, the elimination in most countries of the invisible wall separating editorial and advertising has created a surge of so-called “native advertising,” hidden advertorials and paid-for journalism. It was this conflict of interest that plunged the crisis-prone UK press into a new bout of handwringing in February 2015 when Peter Oborne, a leading political journalist, quit his job at the Daily Telegraph accusing the management of censoring stories about HSBC bank, a leading advertiser caught up in a tax scandal. These reports tell essentially the same story of deep cuts in editorial investment, undue pressure on newsrooms, and media increasingly dependent upon atypical models of ownership in which media have become the trophy possessions of powerful figures and institutions in pursuit of wider corporate and political objectives." (Introduction, page iii-iv)
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"We asked writers and researchers to examine the quality of coverage and to highlight reporting problems as well as good work. The conclusions from many different parts of the world are remarkably similar: journalism under pressure from a weakening media economy; political bias and opportunism that
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drives the news agenda; the dangers of hate-speech, stereotyping and social exclusion of refugees and migrants. But at the same time there have been inspiring examples of careful, sensitive and ethical journalism that have shown empathy for the victims. In most countries the story has been dominated by two themes – numbers and emotions. Most of the time coverage is politically led with media often following an agenda dominated by loose language and talk of invasion and swarms. At other moments the story has been laced with humanity, empathy and a focus on the suffering of those involved." (Introduction, page 5-6)
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