"A través de un estudio sistemático basado en el monitoreo de las producciones de ficción televisiva, este anuario presenta y analiza datos de producción, circulación, distribución y consumo de programas de ficción exhibidos en el 2010 y presenta una síntesis comparativa de lo que fue el añ
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o en términos de ficción televisiva." (Contratapa)
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"El Libro blanco sobre la Televisión Educativa y Cultural es la primera publicación de conjunto sobre este tipo de televisiones que operan en Iberoamérica. Este libro es un balance provisional y parcial del camino recorrido en las últimas décadas por las televisiones de Argentina, Brasil, Chile
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, Colombia, México, España, Perú, Portugal, Uruguay, Venezuela. Describe el origen, contexto y estado actual de las Televisiones educativas y culturales (TEC) en 10 países Iberoamericanos. El enfoque del libro es global y da cuenta del estado presente de unas televisiones con vocación de competir en calidad y excelencia para llegar al máximo posible de espectadores en plena transformación tecnológica. El estudio correspondiente a cada país presenta inicialmente una descripción del sistema general audiovisual dando cuenta de su organización, principales actores e impacto en públicos y audiencias, así como una visión general de las tendencias de programación y producción. Este libro es una referencia indispensable para operadores audiovisuales del área educativa y cultural, así como para estudiosos, docentes y destinatarios de estas televisiones en Iberoamérica." (Contratapa)
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"The Anthropology of News and Journalism is the first book to explore the role of news and journalism in contemporary culture from an anthropological perspective—as a form of cultural meaning-making in its creation, content, and dissemination. Anthropology's global, comparative perspective and eth
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nographic methods provide powerful insights for analyzing case studies from around the world. Essays by leading scholars explore communities of professional and nonprofessional journalists. They describe news-making processes ranging from the local to the global digital environment, as well as how news is disseminated and received in a variety of cultural settings." (Publisher description)
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"Como contribuição para o debate sobre sistemas públicos de comunicação, este livro traz um estudo das experiências de mídias públicas de doze países (Alemanha, Austrália, Canadá, Colômbia, Espanha, Estados Unidos, França, Itália, Japão, Reino Unido e Venezuela), assim como uma análi
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se do caso brasileiro, e aponta os problemas e as perspectivas a serem enfrentados à luz de experiências internacionais analisadas." (Descrição da editora de livros)
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"La investigación que se presenta en estas páginas tuvo un doble objetivo: por un lado, estudiar la cooperación española, bilateral y multilateral, con un seleccionado conjunto de países de iberoamericanos en materia de patrimonio y cultura clásica (artes plásticas, espectáculos en vivo) y d
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e industrias culturales (incluyendo a los medios de comunicación y a las nuevas redes digitales) durante el periodo 1997-2007. Por otro, conocer las opiniones de destacados expertos (gestores, creadores, académicos) sobre los futuros lineamientos de las políticas y las estrategias de cooperación en cultura y comunicación en Iberoamérica." (Página 15)
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"This book aims to provide a descriptive and analytical account of subsidy policies for periodical publications in Western Europe in 2006. It sets out the position of the policymakers who design and implement such policies, of sector industrial federations and of academics specialised in media polic
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ies and economics, as presented at the First International Symposium Press Subsidies in Europe: Development, Pluralism and Transparency, held in Barcelona on 19 and 20 June, 2006, and promoted and organised by the Catalan Government (Generalitat de Catalunya via the Communication Secretariat, the Catalan Institute for the Cultural Industries and Patronat Català Pro Europa) and by the Institute of Communication of Universitat Autònoma de Barcelona." (Back cover)
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"What follows from the analysis of the surveyed cases is a high level of variety of public television activity on the regional level. This clearly depends on the size and population of different countries, on the central and local administrative organization, on the level of linguistic homogeneity a
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nd from a series of historical, political and cultural factors. For this reason is difficult to talk of variable models of public regional television. In reality, however, there is an important factor of comparison, which allows us to subdivide the surveyed cases in two large categories how we did in the first step report: the statute of regional television centres in terms of independence or organic dependence on the national television companies. In Bosnia, Denmark, Greece, Netherland, Portugal, Russia and Serbia there are public regional television centres independent from national television companies. In Albania, Czech Republic, Finland, Hungary, Ireland and Slovenia there are regional centres, which constitute an organic and integrated part of the national television companies. Where regional public televisions are independent in some cases they broadcast only to the regional population as in Denmark, Portugal, Netherland, Finland, Russia, in other cases they broadcast at national level as in Belgium and Greece. Where regional public televisions are local branch of national companies in some case they produce only for regional transmissions as in Albania and Finland, in other cases they produce also for national public television channels as in Czech Republic and Sweden. In the case of Portugal, regional television centres are independent companies, owned in part by national public television, and they produce programs also for the international public channel to reach the “diaspora” of regional population. A second factor of comparison concerns the relationship between the regional television centres and the regional political, cultural, and social context. In some cases the relationship is important as in Bosnia, Portugal, Belgium, Russia, Serbia in other are not evident as in Ireland, Netherlands, Sweden, Finland. A third factor of comparison concern the extension of regional broadcasting activities. In some cases the regional activity is limited to some daily news broadcasted in a window inside the national programs as in Finland and Ireland, in other cases it concern a more or less wide range of programs of various genres as in Netherlands, Denmark, Russia, Portugal. In correspondence to that dimension there are differences of the economic resources at disposal of each regional television." (Introduction, page 2-3)
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"Covering 23 countries, the volume highlights and explains key issues of debate and current tendencies in media policy and provides basic statistics relating to each case study. The chapters are written by an expert from the country concerned. Most of these are members of the Euromedia Research Grou
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p, a research collective that has been active for more than 20 years and has produced a series of assessments of media policy developments in Europe." (Publisher description)
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"This report concludes that there are major threats in Europe’s media landscape. Some of the threats identified are political and private threats to public service broadcasting, power over global media in the hands of few, more and more media concentration, the threat to emerging markets in Easter
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n and Central Europe and regulation getting weaker as media power grows." (Summary of findings, page 4)
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