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Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2019. Modelos de distribuição da televisão por internet: Atores, tecnologias, estratégias
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Maria Immacolata Vassallo de Lopes, Guillermo Orozco Gómez (eds.)

Porto Alegre: Sulina (2019), 390 pp.

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Revistas culturais no mundo lusófono durante o longo século XIX: Conetividade, transferência e informação

Christoph Müller, Ricarda Musser (eds.)

Lisboa; Berlin: Edições Colibri;Iberoa;Ibero-Amerikanisches Institut Preußischer Kulturbesitz (2019), 170 pp.

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Representações sobre as notícias e o mundo por crianças a frequentar o ensino primário: O caso português

Patrícia Silveira

Covilhã (PO): LabCom (2019), iv, 334 pp.

"Nas últimas décadas, têm sido vários os estudos que documentam a importância das notícias na vida dos públicos mais jovens, argumentando sobre a presença da atualidade na sua socialização e na construção de significados sobre o mundo. No contexto português, são ainda escassas as pesqu ... more

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Cultura impresa y visualidad: Tecnología gráfica, géneros y agentes editoriales

Marina Garone Gravier, Mauricio Sánchez Menchero (eds.)

México, DF: Universidad Nacional Autónoma de México (UNAM) (2019), 327 pp.

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Digital News Report 2019
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Nic Newman, Richard Fletcher, Antonis Kalogeropoulos, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2019), 153 pp.

"Despite the efforts of the news industry, we find only a small increase in the numbers paying for any online news – whether by subscription, membership, or donation. Growth is limited to a handful of countries mainly in the Nordic region (Norway 34%, Sweden 27%) while the number paying in the US ... (16%) remains stable after a big jump in 2017. • Even in countries with higher levels of payment, the vast majority only have ONE online subscription – suggesting that ‘winner takes all’ dynamics are likely to be important. One encouraging development though is that most payments are now ‘ongoing’, rather than one-offs. In some countries, subscription fatigue may also be setting in, with the majority preferring to spend their limited budget on entertainment (Netflix/Spotify) rather than news. With many seeing news as a ‘chore’, publishers may struggle to substantially increase the market for high-priced ‘single title’ subscriptions. As more publishers launch pay models, over two-thirds (70%) of our sample in Norway and half (50%) in the United States now come across one or more barriers each week when trying to read online news. In many countries, people are spending less time with Facebook and more time with WhatsApp and Instagram than this time last year. Few users are abandoning Facebook entirely, though, and it remains by far the most important social network for news. Social communication around news is becoming more private as messaging apps continue to grow everywhere. WhatsApp has become a primary network for discussing and sharing news in non-Western countries like Brazil (53%) Malaysia (50%), and South Africa (49%). People in these countries are also far more likely than in the West to be part of large WhatsApp groups with people they don’t know – a trend that reflects how messaging applications can be used to easily share information at scale, potentially encouraging the spread of misinformation. Public and private Facebook Groups discussing news and politics have become popular in Turkey (29%) and Brazil (22%) but are much less used in Western countries such as Canada (7%) or Australia (7%). Concern about misinformation and disinformation remains high despite efforts by platforms and publishers to build public confidence. In Brazil 85% agree with a statement that they are worried about what is real and fake on the internet." (Summary, page 9) more

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Rádio aumentada: Uma proposta de reportagem com som binaural e realidade aumentada

Ana Sofia Pava

Covilhã (PO): Universidade da Beira Interior (2019), 177 pp.

"No capítulo I é analisada a paisagem radiofónica em Portugal desde o início do século XX. Com mais pormenor, é estudada a história da TSF, a “rádio que mudou a rádio”, desde a sua fundação, à emissão histórica dos incêndios dos armazéns do Chiado, culminando nos dias de hoje. S� ... �o ainda apontadas as características que fizeram da emissora uma referência radiofónica nacional. No capítulo II é analisada a importância dos dispositivos móveis no consumo da rádio, onde são descritos os arquétipos de Simon Bond (2013) para o smartphone e para o tablet. Através destes equipamentos, o utilizador tem acesso aos diferentes canais de distribuição, como as redes socias, os podcasts e as pushed news (ou notificações). Analisamos ainda os wearables (os “vestíveis”) como dispositivos que apresentam um crescimento em termos de consumo de conteúdos e de notícias. Os hearables (os “audíveis”) estão a ser explorados por algumas empresas, como a Sony, ao utilizar a voz como comando para executar funções. No capítulo III é pertinente analisar as tendências de futuro para a rádio e para o som, respetivamente. Tentamos perceber se a “fase de ouro” do áudio é igualmente a da rádio e quais os modelos digitais e perspetivas de futuro para este meio de comunicação. No capítulo IV é referida a importância do som para o ser humano e para o jornalismo. Este capítulo é dedicado, sobretudo, à reflexão sobre as vantagens e desvantagens do som binaural e de que maneira este pode contribuir para conteúdos radiofónicos mais enriquecedores. Por exemplo, a BBC Radio 3 já adotou este tipo de som para conteúdos de podcast. Mas como veicular este tipo de som sem ser pelos canais digitais dito tradicionais? No seguimento do conteúdo anterior, o capítulo V explica como a realidade aumentada pode ser uma ferramenta útil para o jornalismo. Para além de várias empresas apostarem nesta tecnologia para colmatar lacunas ou facilitar serviços, como é o caso da experiência da “ZARA AR”, questionamo-nos porque é que o jornalismo está a apropriar-se desta tecnologia. Como o protótipo do modelo inovador que propomos veicula a mobilidade como uma das premissas centrais, este capítulo dedica-se às aplicações de RA em contexto móvel e analisa como é que o som pode complementar esta tecnologia. Exploramos alguns exemplos de aplicações de RA com recurso ao som, i.e. som aumentado ou som binaural, nomeadamente a aplicações com referências geográficas. Procuramos perceber se a RA e o som podem aliar-se na constituição de uma ferramenta útil para as narrativas radiofónicas. Assim, olhamos para o passado da rádio, para o presente das duas tecnologias e para as tendências futuras da rádio. Por isso, no capítulo VI, agregamos todos os conceitos supracitados e propomos um modelo inovador para as narrativas na rádio." (Páginas 16-17) more

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Newsreel: New Skills for the Next Generation of Journalists. Research Report

Tina Bettels-Schwabbauer, Nadia Leihs, Gábor Polyák, Annamária Torbó, Ana Pinto Martinho, Miguel Crespo, Raluca Radu

Erich Brost Institute for International Journalism (EBI);University of Pécs (PTE), Institute for Communication and Media Studies;ISCTE-University Institute of Lisbon (ISCTE-IUL);University of Bucharest (UB), Faculty of Journalism and Communication Studies (FJSC) (2018), 106 pp.

"The digitalisation has significantly changed the dynamics of journalism and the job of journalists. Journalism education should stay abreast of these changes. Against this background, we have analysed how academic journalism education in Germany, Hungary, Portugal and Romania teaches new skills nee ... more

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Filmische Zeugenschaft im Abseits: Kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal

Robert Stock

Bielefeld: transcript (2018), 284 pp.

"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s ... more

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Global Information Society Watch 2018: Community Networks

Association for Progressive Communications (APC);International Development Research Centre (IDRC) (2018), 259 pp.

"The 43 country reports included in this year’s Global Information Society Watch (GISWatch) capture the different experiences and approaches in setting up community networks across the globe. They show that key ideas, such as participatory governance systems, community ownership and skills transfe ... more

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"Hispano-Lusophone" Community Media: Identity, Cultural Politics and Difference

Ana Stela Cunha, Miguel de Barros, Rosana Martins (eds.)

Barcelona: Universitat Autònoma de Barcelona (2018), 216 pp.

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Digital News Report 2018

Nic Newman, Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2018), 143 pp.

"The use of social media for news has started to fall in a number of key markets after years of continuous growth. Usage is down six percentage points in the United States, and is also down in the UK and France. Almost all of this is due to a specific decline in the discovery, posting, and sharing o ... more

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Transnationalisierte Öffentlichkeit und Klimapolitik: Akteursensembles in der Medienberichterstattung von 15 Ländern

Mike S. Schäfer, Senja Post, Rafel Schwab, Katharina Kleinen-von Königslöw

Publizistik, volume 63, issue 2 (2018), pp. 207-244

"Die kommunikationswissenschaftliche Öffentlichkeitsforschung hat sich in den vergangenen Jahren verstärkt mit transnationalisierten Formen von Öffentlichkeit beschäftigt. Allerdings gehen nur wenige empirische Arbeiten über die (mögliche) Entstehung einer europäischen Öffentlichkeit hinaus. ... more

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Ibero-American Observatory of Television Fiction Obitel 2018: Ibero-American TV Fiction on Video on Demand Platforms
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Maria Immacolata Vassallo de Lopes, Guillermo Orozco Gómez (eds.)

Porto Alegre: Sulina;Globo Comunicação e Participações (2018), 410 pp.

"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count ... ry, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22) more

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Trends in Radio Research: Diversity, Innovation and Policies

J. Ignacio Gallego, Manuel Fernández Sande, Nieves Limón (eds.)

Newcastle upon Tyne: Cambridge Scholars Publishing (2018), xii, 364 pp.

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Família.com: Famílias, crianças (0-6) e tecnologias digitais

Rita Brito

Covilhã: Universidade da Beira Interior (2017), 274 pp.

"Através deste estudo exploratório, onde foram entrevistadas 15 famílias portuguesas com filhos até 6 anos, pretendeu-se conhecer as atividades das crianças com os meios digita, perceber como as tecnologias são entendidas pelos diferentes membros das famílias e como é feita a gestão da util ... more

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Defamation and Insult Laws in the OSCE Region: A Comparative Study

Scott Griffen

Barbara Trionfi (ed.)

Vienna: OSCE Representative on Freedom of the Media (2017), 267 pp.

"This study examines the existence of criminal defamation and insult laws in the territory of the 57 participating States of the Organization for Security and Cooperation in Europe (OSCE). In doing so, it offers a broad, comparative overview of the compliance of OSCE participating States’ legislat ... more

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International Handbook of Media Literacy Education
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Belinha S. De Abreu, Paul Mihailidis, Alice Y. L. Lee, Jad Melki, Julian McDougall (eds.)

New York; London: Routledge (2017), xiii, 415 pp.

"At the forefront in its field, this Handbook examines the theoretical, conceptual, pedagogical and methodological development of media literacy education and research around the world. Building on traditional media literacy frameworks in critical analysis, evaluation, and assessment, it incorporate ... more

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Ficção seriada televisiva no espaço lusófono

Covilhã (PO): Universidade da Beira Interior (2017), 274 pp.

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Media in Third-Wave Democracies: Southern and Central/Eastern Europe in a Comparative Perspective

Péter Bajomi-Lázár (ed.)

Paris; Budapest: L'Harmattan (2017), 238 pp.

"The media and political systems of former communist countries in Central/Eastern Europe share a number of similarities with those in Southern Europe. According to Karol Jakubowicz, these similarities also include late democratisation, a weak middle class, marked social and economic differences, a s ... more

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(Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire

Maria do Carmo Piçarra, Teresa Castro (eds.)

Oxford et al.: Peter Lang (2017), xvi, 287 pp.

"The fortieth anniversary of the independence of the African countries colonized by Portugal presents a valuable opportunity to reassess how colonialism has been «imagined» through the medium of the moving image. The essays collected in this volume investigate Portuguese colonialism and its filmic ... more

Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2019. Modelos de distribuição da televisão por internet: Atores, tecnologias, estratégias Top Insights

Digital News Report 2019 Top Insights

Ibero-American Observatory of Television Fiction Obitel 2018: Ibero-American TV Fiction on Video on Demand Platforms Top Insights

International Handbook of Media Literacy Education Top Insights

Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2019. Modelos de distribuição da televisão por internet: Atores, tecnologias, estratégias
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Digital News Report 2019
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Ibero-American Observatory of Television Fiction Obitel 2018: Ibero-American TV Fiction on Video on Demand Platforms
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International Handbook of Media Literacy Education
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