"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as
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pay TV or streaming platforms. In contrast to these cases, we can observe Argentina, Brazil and Mexico, where fiction barely exceeds 15% in the years of greatest participation and is close to 10% in others. Paradoxically, both Brazil and Mexico are fiction producers and exporters to the rest of the region. Halfway between both extremes, Chile, Colombia, Peru, Portugal, Uruguay and Venezuela can be observed in the years in which it has been possible to observe their behavior. Since open television is a system of contents structured in schedules associated with household routines, it is worth asking about differences in roles and uses of television by audiences or the eventual substitution of these roles by alternative media or genres. The second aspect is one of trends. Except for the case of Spain, the general trend seems to be towards a decrease in the involvement of fiction in programming. And, although the Top 10 most watched fiction productions offer a very partial view of the whole, they also show a decrease in time of the audience levels reached." (Pages 24-25)
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"L'éducation aux médias apparaît comme une des clés indispensables pour comprendre nos sociétés dont les usages numériques sont devenus prépondérants. Elle intéresse le monde de l'éducation, les familles et les politiques. L'Union européenne a, ces dernières années, fortement encourag
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ses états membres à transformer les cursus scolaires en ce sens. Qu'en est-il aujourd'hui ? De quelle manière les États ont compris cet appel ? Cet ouvrage propose au lecteur un voyage dans dix pays européens montrant la prise de conscience de l'importance de l'éducation aux médias, les réalisations pédagogiques innovantes, les perspectives et les défis qui demeurent." (Description de la maison d'édition)
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"En algunos de los países, en mayor medida España y los EE.UU. Hispanos, la ficción ocupa de un modo consistente al menos el 40% de los tiempos de programación. Esto, en países que por niveles de ingreso deberían ser los con un mayor grado de acceso a otras fuentes de contenidos audiovisuales
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de ficción, como la televisión de pago o las plataformas de streaming. En contraste a estos casos, se observa a Argentina, Brasil y México, donde la ficción apenas supera el 15% en los años de mayor participación y se acerca al 10% en otros. Paradojalmente, tanto Brasil como México son países productores y exportadores de ficción al resto de la región. A medio camino entre ambos extremos se observa a Chile, Colombia, Perú, Portugal, Uruguay y Venezuela, en los años en que ha sido posible observar su comportamiento. Siendo la televisión abierta un sistema de contenidos estructurados en horarios asociados a las rutinas del hogar, cabe preguntarse por diferencias de roles y usos de la televisión por parte de las audiencias o la eventual sustitución de estos roles por medios o géneros alternativos. El segundo plano es de tendencia. Salvo por el caso de España, la tendencia general pareciera ser hacia una disminución de la participación de la ficción en la programación. Y, aunque los Top 10 de títulos de ficción más vistos ofrecen una mirada muy parcial del conjunto, en ellos también se observa una disminución en el tiempo de los niveles de audiencia alcanzados." (Página 24-25)
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"The colonial essence of the Portuguese nation was one of the pillars of Estado Novo (1933–1974). During this period, the media were largely used as a tool for promoting the cohesion of the territories, firstly embodying an Imperial mystique, and after the second World War, arguing for the excepti
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onalism of Portuguese colonialization and fighting enemy propaganda. However, contrary to other European empires, Portugal never had a consistent and articulated policy for using radio for these purposes. This article analyses the case of São Tomé and Príncipe, the smallest Portuguese colony in Africa and argues that the new strategy that was experimented in the archipelago in the late 60’s was characterized by a lack of organization and investment that curtailed any chances of success against competitor broadcasts. Based on archival research and interviews with former radio professionals, the case of São Tomé is presented as an example of a frail global articulation that characterized the Imperial Portuguese broadcasting strategy during this period, while it deepens the knowledge on the development of radio in the former Portuguese colonies." (Abstract)
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"The article demonstrates how Portugal lacked a true policy of imperial broadcasting which led it to become dependent on colonial stations for the dissemination of colonialism. The broadcasters established in the Portuguese Empire dedicated significant airtime to the dissemination of Portugal’s co
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lonial mission but also promoted local identities with programming echoing the lifestyle of the colonial elites. Thus, the article argues that while the Portuguese authorities considered the cultural expressions and identities of the white residents in Africa as peripheral, these perceived themselves as part of a new devolved center. This ‘peripheral centre’ gained particular ‘visibility’ on the airwaves." (Abstract)
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"This work examines more closely the standardizing and the customizing aspects of active factchecking outlets in Portuguese-speaking countries, focusing on the verification methods and organizational models in use. Based on Content Analysis, we collected manually 318 posts during June 2019 from each
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fact-checking outlets website and then examined each post according to six general concepts: discourse, sources, context, classification, graphic representation, and financing. There were 15 active fact-checking outlets in Brazil (13) and Portugal (2). No active outlets were found in the African countries. Findings: Although there is room for inventiveness in fact-checking practices, it is restricted to the classification models adopted and the graphic representation demanded by them. Only two largest Portuguese-speaking countries (Brazil and Portugal) have active fact-checking initiatives during the study period. In Mozambique, we found the outlet named Mozcheck that was inactive with no published content during the research period. From our analysis, we detected a pattern between the type of misinformation and the media to which it is most often linked: false information was circulated mainly in texts, while false contexts were mainly circulated in videos and images led to more manipulated content." (Abstract)
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"Trust in the news has fallen in almost half the countries in our survey, and risen in just seven, partly reversing the gains made at the height of the Coronavirus pandemic. On average, around four in ten of our total sample (42%) say they trust most news most of the time. Finland remains the countr
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y with the highest levels of overall trust (69%), while news trust in the USA has fallen by a further three percentage points and remains the lowest (26%) in our survey.
• Consumption of traditional media, such as TV and print, declined further in the last year in almost all markets (pre-Ukraine invasion), with online and social consumption not making up the gap. While the majority remain very engaged, others are turning away from the news media and in some cases disconnecting from news altogether. Interest in news has fallen sharply across markets, from 63% in 2017 to 51% in 2022.
• Meanwhile, the proportion of news consumers who say they avoid news, often or sometimes, has increased sharply across countries. This type of selective avoidance has doubled in both Brazil (54%) and the UK (46%) over the last five years, with many respondents saying news has a negative effect on their mood. A significant proportion of younger and less educated people say they avoid news because it can be hard to follow or understand – suggesting that the news media could do much more to simplify language and better explain or contextualise complex stories.
• In the five countries we surveyed after the war in Ukraine had begun, we find that television news is relied on most heavily – with countries closest to the fighting, such as Germany and Poland, seeing the biggest increases in consumption. Selective news avoidance has, if anything, increased further – likely due to the difficult and depressing nature of the coverage.
• Global concerns about false and misleading information remain stable this year, ranging from 72% in Kenya and Nigeria to just 32% in Germany and 31% in Austria. People say they have seen more false information about Coronavirus than about politics in most countries, but the situation is reversed in Turkey, Kenya, and the Philippines, amongst others." (Summary, page 10)
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"This study aims to fill the gap of the practical impediments for journalists properly doing their work during the COVID-19 pandemic over a single country. It is achieved by mapping the situational threats faced by the press in Portugal, as one of the best countries that grant media a free environme
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nt to work, which illustrates the challenges faced by media in established democracies. Drawing on the analysis of 34 episodes reported by national and international monitoring bodies over twenty months since the onset of the coronavirus crisis in the country, it concludes that economic threats alongside limitations in accessing information prevailed to the detriment of verbal and physical attacks or smear campaigns and online harassment. Apart from the nuance of the far-right hostility towards the press due to the health restrictions during campaign reporting as a new type of threat manifestation, the remaining threats experienced by the Portuguese media accelerated or aggravated previous trends." (Abstract)
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"Delving into the meanings, implications, contexts and effects of extreme speech and gated communities in the media landscape, the chapters analyse misleading metaphors and rhetoric via focused case studies to understand how we can overcome the risks and threats stemming from the past decade's defin
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ing communicative phenomena. The book brings together an international team of experts, enabling a broad, multidisciplinary approach that examines hate speech, dislike, polarization and enclave deliberation as cross axes that influence offline and digital conversations." (Publisher description)
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"La comparación con los años previos pone en evidencia el brutal desplome de la producción durante 2020 a raíz de los confinamientos y otras restricciones debidos a la pandemia de COVID-19. Tomada como un todo, la exhibición nacional de estreno cayó respecto de 2019 en un 41%, pero en algunos
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casos se llegó al 80% y 90% de caída. En términos absolutos, la mayor caída se reportó en Brasil, cuyo 68% de caída se tradujo en 891 horas menos de ficción. La única excepción fue Uruguay, que tuvo un aumento explosivo, pero desde una base de comparación muy baja. Lo anómalo del año 2020 no debe ocultar algo probablemente más estructural. Nuevamente, tomado el ámbito Obitel como un todo, la caída de un 41% este último año se agrega a la caída acumulada de un 22% que ya arrastraban los dos años anteriores a la pandemia. Este retroceso en la producción de ficción para televisión abierta no debe ser leído únicamente como una caída en la capacidad productiva. El volumen de material de estreno en VoD, mostrado más adelante, sugiere que al menos una parte del fenómeno es un desplazamiento desde una ventana de exhibición hacia otra." (Página 41)
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"This collection investigates and critiques the dynamism of children's lives online with contributions fielding both global and hyper-local issues, and bridging the wide spectrum of connected media created for and by children. From education to children's rights to cyberbullying and youth in challen
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ging circumstances, the interdisciplinary approach ensures a careful, nuanced, multi-dimensional exploration of children's relationships with digital media. Featuring a highly international range of case studies, perspectives, and socio-cultural contexts, The Routledge Companion to Digital Media and Children is the perfect reference tool for students and researchers of media and communication, family and technology studies, psychology, education, anthropology, and sociology, as well as interested teachers, policy makers, and parents." (Publisher description)
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"This year's report reveals new insights about digital news consumption based on a YouGov survey of over 92,000 online news consumers in 46 markets including India, Indonesia, Thailand, Nigeria, Colombia and Peru for the first time. The report looks at the impact of coronavirus on news consumption a
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nd on the economic prospects for publishers. It looks at progress on new paid online business models, trust and misinformation, local news, impartiality and fairness in news coverage." (Overview)
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"This collection charts the emergence of modern science communication across the world. This is the first volume to map investment around the globe in science centres, university courses and research, publications and conferences as well as tell the national stories of science communication. How did
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it all begin? How has development varied from one country to another? What motivated governments, institutions and people to see science communication as an answer to questions of the social place of science? Communicating Science describes the pathways followed by 39 different countries. All continents and many cultures are represented. For some countries, this is the first time that their science communication story has been told." (Publisher description)
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"Comunicar Ciência num Mundo em Mudança elegeu como tema central o papel desta actividade num horizonte comunicacional altamente volátil, onde transformações radicais alteram os modos da comunicação, as estruturas produtivas, e acabam tendo pesadas consequências na organização social e pol
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ítica. Para abarcar a complexidade destes fenómenos ocupamos-nos deles em três vertentes, correspondendo às três partes em que se encontra dividido este livro: A Ciência nos Media Jornalísticos e Redes Sociais Digitais, Mulheres na Ciência, e Media, Universidades e Assessorias de Comunicação na Divulgação Científica." (Introdução, página 1)
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"The bulk of this report is based on data collected by a survey of more than 80,000 people in 40 markets and reflects media usage in January/February just before the coronavirus hit many of these countries. But the key trends that we document here, including changes in how people access news, low tr
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ust, and rising concern about misinformation have been a backdrop against which journalists, editors, politicians, and public health officials have been battling to reach ordinary people with key messages over the last few months. We know that this crisis has substantially increased the amount and frequency of news consumption as well as influenced attitudes to the news media, at least temporarily. We’ve captured this in a second set of polling data collected in April when the crisis was at its peak in some countries. This has helped us to see the impact of the crisis in terms of sources of news and also reminded us of the critical role that the news media play at times of national crisis, including documenting that people who rely on news media are better informed about the virus than those who do not. While many media companies have been enjoying record audience figures, news fatigue is also setting in, and the short-term and long-term economic impact of the crisis is likely to be profound – advertising budgets are slashed and a recession looms, threatening news media, some of whom are struggling with adapting to a changing world. Against this background, this year’s report also focuses on the shift towards paying for online news in many countries across the world, with detailed analysis of progress in three countries (the UK, USA, and Norway). This year, our report carries important data about the extent to which people value and trust local news, perhaps the sector most vulnerable to the economic shocks that will inevitably follow the health crisis itself. And we also explore the way people access news about climate change as well as attitudes to media coverage for the first time." (Foreword)
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