"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"This year we have evidence of the growth of distributed (offsite) news consumption, a sharpening move to mobile and we can reveal the full extent of ad-blocking worldwide. These three trends in combination are putting further severe pressure on the business models of both traditional publishers and
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new digital-born players – as well as changing the way in which news is packaged and distributed." (Overview & key findings)
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"This report examines self-regulation in challenging times. Journalism is increasingly a single stream of information disseminated simultaneously across different platforms of media, but its regulation remains dominated by old-fashioned notions of how media work. Usually there are two ways of regula
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ting journalism at national level: a voluntary system for the press and legal controls over broadcasting. These structures were created for yesterday’s media landscape and are increasingly out of date. Today’s digital journalists work on video, print and audio simultaneously. That’s why it makes sense to have only one national regulator, and one that covers all platforms of journalism. Another testing issue is the question of funding. Ideally, journalists and media should pay the bills for press councils, but in these cash-strapped days can media continue to afford it? Increasingly, the answer is no. So who will pay in future? Perhaps we should think about using public funds, after all, independent regulation of media is a public interest activity. But if we use taxpayers’ money how do we ensure it won’t compromise editorial independence? Finally, as this report shows, making self-regulation work at enterprise level is perhaps what counts most. Building trust with the audience should be an issue in every newsroom and the growth in the number of in-house ombudsmen or readers’ editors is a welcome sign that more media are taking the issue seriously. However, in the face of editorial cuts some managements still question money being channelled into cleaning up the mistakes of the newsroom. But as this report illustrates, keeping journalism honest is money well spent for media and, for the public at large, it’s a good investment in democracy." (Introduction, page v)
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"This book considers how Moroccan-Dutch youth, mostly born in the Netherlands, navigate digital spaces to articulate their politicized identities in a time when claims over the failure of multiculturalism, anti-immigration sentiments and Islamophobia sweep across Europe. Digital Passages: Migrant Yo
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uth 2.0 addresses not only to how these mostly second-generation migrant youth navigate across digital spaces, but also considers the digitization of key identity-formation processes, such as coming of age, rites of passage and the negotiation of offline/online gender, diaspora, religious and youth cultural expectations." (Introduction, page 14)
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"Based on 25 in-person and skype meetings and extensive desk research, we identified a significant trend in the journalistic ecosystem in which information is created, delivered and monetized: the trend toward distributed production and delivery and subsequent absence of monetizing capacity and infr
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astructure. We concluded with confidence that quality journalism is a self-supporting proposition in this new ecosystem, and even a quite profitable one. We identified 52 means to generate revenue or reduce costs, and we identified what is lacking in and obstructing development toward the profitable exploitation of quality journalism in the digital age." (Itnroduction, page 1)
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"This is a book about free speech narratives. Stories about how imagination and rational thinking in wildly different cultures capture, imagine, and conceptualize what freedom of speech means. 1989 and 2011 are only two recent (in historic perspective) turning points when freedom of speech and freed
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om of the press emerged, or at least powerful efforts were made to support its emergence, although disheartening backlashes followed in several countries. This book also tells many other free speech narratives that emerged, or evolved outside the frames of 1989 and 2011, also with several troublesome repercussions. The fall of the Berlin wall in 1989, the year of largely velvet revolutions (in the words of Vaclav Havel), brought freedom of speech to Central Europe and Eastern Europe. It also increased the hope that freedom of speech and democracy can prevail in more and more countries on the earth. This book examines, in some historic perspective, to what extent this hope has become reality since and prior to 1989, also in light of the Arab revolutions of 2011." (Introduction, page 1)
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"This volume explores the way governments endeavoured to build and maintain public support for the war in Afghanistan, combining new insights on the effects of strategic narratives with an exhaustive series of case studies. In contemporary wars, with public opinion impacting heavily on outcomes, str
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ategic narratives provide a grid for interpreting the why, what and how of the conflict. This book asks how public support for the deployment of military troops to Afghanistan was garnered, sustained or lost in thirteen contributing nations. Public attitudes in the US, Canada, Australia and Europe towards the use of military force were greatly shaped by the cohesiveness and content of the strategic narratives employed by national policy-makers. Assessing the ability of countries to craft a successful strategic narrative, the book addresses the following key areas: 1) how governments employ strategic narratives to gain public support; 2) how strategic narratives develop during the course of the conflict; 3) how these narratives are disseminated, framed and perceived through various media outlets; 4) how domestic audiences respond to strategic narratives; 5) how this interplay is conditioned by both events on the ground, in Afghanistan, and by structural elements of the domestic political systems." (Publisher description)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"The practicability and effectiveness of state support schemes would have to be assessed on the basis of the economic and sociopolitical context in which the different types of support and subsidies are implemented. The expansive press subsidy schemes of Northern Europe cannot be directly compared t
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o the West African support schemes or the recent Latin American efforts to deconcentrate the media landscape and support to community media. There is no automatic relationship between the economic crisis and the scaling down of state support to media. The development and implementation of support schemes depend on political will." (Conclusion, page 31)
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"Despite the importance of media ownership transparency for both the individual and the state, only two of the surveyed countries—Italy and Romania—address media transparency directly in their constitutions but in both cases the focus is on transparency of fi nancial sources not ownership. In th
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e Turkish Constitution the state is empowered to require information as a precondition to publication. None of these constitutions therefore impose an express positive obligation on the state to ensure that the public has access to information on media ownership. Although the Constitution of Norway does not expressly refer to media ownership transparency, Norwegian media ownership rules, which do provide for ownership transparency, refer back to the provisions on freedom of expression in article 100 of the Constitution. These impose on the state a positive duty to create conditions that “facilitate open and enlightened public discourse”, thus underlining the link between freedom of expression and media ownership transparency." (Key findings, page 3)
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"Do existing structures of media accountability - such as press councils, codes of ethics, and ombudspersons - suffice, or do we urgently need new instruments and initiatives in today's converging media world? These questions were tackled in an international survey of 1,800 journalists in twelve Eur
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opean and two Arab states conducted by the EU-funded research project, «Media Accountability and Transparency in Europe» (MediaAcT). The results provide a solid empirical basis for the discussions taking place. This book advances research on media accountability and transparency, and also offers innovative perspectives for newsrooms, media policy-makers, and journalism educators." (Back cover)
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"Der Umgang mit den Relikten nationalsozialistischer Propaganda ist insbesondere in der Bundesrepublik Deutschland heftig umstritten; dies zeigen gerade die Diskussionen um eine wissenschaftliche Edition von Hitlers 'Mein Kampf'. Die Aufsätze des Bandes beschäftigen sich mit verschiedenen Propagan
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damedien des Nationalsozialismus sowohl im Hinblick auf ihre historische Wirksamkeit als auch vor dem Hintergrund ihrer Relevanz im heutigen geschichtskulturellen Diskurs über die Vergangenheit. Neben Hitlers Schrift 'Mein Kampf' und deren Rezeption in den Nachkriegsgesellschaften der Bundesrepublik, den Niederlanden und Israel widmen sich die einzelnen Aufsätze der nationalsozialistischen Tagespresse, verschiedenen Spielfilmproduktionen, der umstrittenen Ausstellungspraxis von NS-Sachzeugnissen und den von bundesrepublikanischen TV-Dokumentationen genutzten Ausschnitten aus den NS-Wochenschauen. Der Band resümiert, welchen Ort diese Relikte des Nationalsozialismus in der europäischen Erinnerungskultur einnehmen und wie sich der schmale Grat zwischen Aufklärung und Anziehungskraft in den vergangenen 70 Jahren wandelte." (Verlagsbeschreibung)
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"GISWatch 2013 shows that gains in women’s rights made online are not always certain or stable. While access to the internet for women has increased their participation in the social, economic and governance spheres, there is another side to these opportunities: online harassment, cyberstalking, a
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nd violence against women online all of which are on the increase globally." (www.giswatch.org, July 6, 2014)
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"In diesem Band wird sowohl das Gefangenenbüchereiwesen in Deutschland als auch international vorgestellt. Neben der Geschichte der Gefangenenbüchereien werden die Gesetzesgrundlagen und unterschiedliche Bibliotheksangebote für Menschen in Haft erstmalig in einem Band zusammengefasst." (Verlagsbe
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schreibung)
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"The end of the security transition process in Afghanistan in 2014 marks the need to rethink foreign public diplomacy efforts in the country. As Afghanistan is entering its ‘transformational decade’, there is a unique opportunity to disconnect public diplomacy from the military–security paradi
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gm that has dominated international relations with Afghanistan since 2001. With a much more limited foreign military presence on the ground, public diplomacy can be considerably more than a strategy to win hearts and minds. Comparing the experiences of the United States and the Netherlands, the more sizeable American ‘model’ of public diplomacy can be considered a more defensive mechanism of foreign policy, linked to the military and counter-insurgency activities in Afghanistan, and to the broader ideological objective of being part of the debate on the relationship between ‘Islam and the West’. In contrast, the Dutch ‘model’ shows a limited public security effort that incorporates cultural activities and training as an extension of foreign policy. This model is less ideological and is not directly connected to the military conflict in Afghanistan. It is a more indirect form of supporting foreign policy objectives. What is needed beyond 2014 is an approach that is disconnected from the current military framework, that departs from the more modest and non-military Dutch model, but that includes the broader political and especially financial commitment of the American model." (Abstract)
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