"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China, Indian films have a huge following in the Arab world and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon." (Publisher description)
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"Newspapers in Kenya are written for men, and about the affairs of men, whereas women remain invisible in relation to the serious issues of the day. But there have been efforts to cover women’s issues, and to sell newspapers to Kenyan women. These have taken the form of having separate and detache
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d ‘women’s pages’ slotted into the main newspapers. The supplements are filled with stereotyped roles of domesticity, beauty, and fantasy, thus denying women’s productive role in society. This article analyses the negative and stereotyped portrayal of women in the Kenyan print media, and considers what implications this has for the country’s development." (Abstract)
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"The authors present six local and independent radio stations from Africa - community radio stations, and commercial and NGO run radio stations with strong community participation - showcasing good practices for sustainability, defined as "ability of a radio station to maintain a good quality develo
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pmental broadcasting service over a period of time." Asking the question, what is it that needs to be sustained? they offer a holistic view on sustainability by examining how a radio station is embedded in its geographic, economic, infrastructural, social, linguistic and cultural context. Furthermore, the case studies consider the broadcasting environment, programme schedules, management structures and sources of income of the radio stations. Particular attention is paid to the community engagement of the radio stations and to the causes for active community involvement." (commbox)
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"This report is one of the first studies comparing systematically different aspects of community radio practice in developing countries. Based on five country surveys - Colombia, Mali, Nepal, Peru and South Africa - it provides descriptions and analyses of: participatory processes and volunteerism;
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relationship with the community; exertion of rights; accountability and good governance; community radio networks; financing and financial sustainability; and community radio in conflict and post-conflict situations. The detailed country studies show that the practice of community radio broadcasting differs widely according to the national context, the legal environment and the specific role of national community radio associations and networks. In comparing the country studies, the main report stresses good practices, e.g. regarding the role of strong national networks, as well as some challenges like the need to accompany volunteers in a more systematic way and to address the precarious financial state of many community radio stations." (CAMECO Update 5-2008)
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"Liberation and the Media takes a look at the development of the South African daily newspaper market since the end of apartheid. It covers the country's most important political, social and economical developments since 1990 and explains correlations between South Africa's general development and i
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ts newspaper's market between 1990 and 2006. By looking at changes of ownership and new ideas of publishing for a society as divided as South Africa, Liberation and the Media explains what the factors for successful publishing in South Africa are since the end of apartheid, and asks to what extent the market is still influenced by apartheid." (Publisher description)
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"The Gender and Media Baseline Study, conducted in southern Africa in 2003, revealed glaring gender disparities in the media and in its editorial content. With its goal to ‘promote gender equality in and through the media’, Gender Links (GL) has worked with a broad range of partners to try to re
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dress these gaps through research, advocacy, and training, targeting media producers, those who influence news content, and consumers. GL, and the Gender and Media Southern Africa (GEMSA) network that it hosts, are also developing a Gender and Media Diversity Centre, to enhance the sharing of knowledge in this important but relatively new area of work." (Abstract)
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"This article explores what the study of witchcraft in an African setting can contribute to current efforts to theorize mass mediation and the imagination it fosters. Recent ethnographies of witchcraft discourses in Africa have continued to associate them with the formation of small-scale groups, bu
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t evidence from Malawi shows how they enable subjects to imagine sociality on an indeterminate scale. The article deploys the concept of mediation to theorize how in this imagination witches mediate sociality as the unrecognized third parties who give rise to recognized social relationships of varying scale. The ethnography of witchcraft discourses in radio broadcasting and an impoverished peri-urban area demonstrates not only their relevance to apparently disparate contexts but also their potential to exceed the impact of the mass media. The case of a violent conflict involving Pentecostal Christians, South Asian entrepreneurs, Muslims, and members of a secret society provides an example of how arguments about witchcraft had a greater impact on the popular imagination than a mass-mediated report of the same conflict. The article concludes by arguing that witchcraft discourses should be accorded weight equal to the mass media in theorizing the imagination." (Abstract)
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"Laura Edmondson examines how politics, social values, and gender are expressed on stage. Now a disappearing tradition, Tanzanian popular theatre integrates comic sketches, acrobatics, melodrama, song, and dance to produce lively commentaries on what it means to be Tanzanian. These dynamic shows inv
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ite improvisation and spontaneous and raucous audience participation as they explore popular sentiments. Edmondson asserts that these performances overturn the boundary between official and popular art and offer a new way of thinking about African popular culture. She discusses how the blurring of state agendas and local desires presents a charged environment for the exploration of Tanzanian political and social realities: What is the meaning of democracy and who gets to define it? Who is in power, and how is power exposed or concealed? What is the role of tradition in a postsocialist state? How will the future of the nation be negotiated?" (Publisher description)
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"'Alternative Media' is the term used to describe non-mainstream media forms that are independently run and community focussed, such as zines, pirate radio, online discussion boards, community run and owned broadcasting companies, and activist publications such as Red Pepper and Corporate Watch. The
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book outlines the different types of 'alternative" (Publisher description)
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"Chapter One focuses on the story of the Kidz Radio Project, and its vision; children's radio in South Africa (case studies and examples); international children's radio initiatives. Chapter Two is a market-place of ideas from kids, mentors and teachers who work in the field of children's participat
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ion. It includes tips from Kidz Radio participants; tips from older people; thoughts on participation and power-sharing; guidelines on how to create a healthy environment for learning. Chapter Three explores a range of activities that you can use in your Kidz Radio training. For example: confidence-building games and energisers; activities to release creativity; role plays; tools for teaching children interview skills, presentation techniques, and “writing for the ear”. Chapter Four discusses the most popular formats in Kidz Radio: magazine shows (including drama, storytelling, interviews, radio diaries, jokes and phone-ins); and news (how to report the stories that matter most to young people in your community). Chapter Five is a library of articles, toolkits, handbooks and websites about children's radio – not just in South Africa, but in other parts of the world too." (Page 7)
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"Discussions on how to support sustainability of independent media generally focus on the political conditions, the legal framework and – especially in German development cooperation – on the quality of journalistic coverage. Nevertheless, economic factors are of equal importance, not only for p
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ure survival but also with respect to editorial independence and the resources available to enhance or guarantee the quality of media outlets. The German Forum Medien und Entwicklung (Media and Development) highlighted in its annual international Symposium, “Money Matters – How independent media manage to survive”, two dimensions marking economic sustainability: factors constituting a restricting or enabling media environment; factors supporting the business management of media in their endeavour to become self-sustainable." (Executive summary, page 5)
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"FilmAid International (FilmAid) is a nonprofit organization whose mission is to use the power of film to promote health, strengthen communities and enrich the lives of the world’s vulnerable and uprooted populations. FilmAid offers programming that aims to facilitate social change by providing co
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mmunication tools, information, and opportunities for people to come together to explore, debate, and express ideas. Although other aid organizations have used film as a medium of change and instruction, unlike the FilmAid approach this has generally been ad hoc, irregular, and part of a wider program of interventions. The FilmAid approach is therefore unique and offers an opportunity to conduct a study of the impact of showing films to a refugee population. Apart from an evaluation conducted in 2003 of FilmAid’s own program in Kakuma, Kenya, the authors are not aware of any other formal assessments. Consequently, there is little known regarding the impact of the FilmAid program. Gaining knowledge on this subject will not only assist FilmAid in their operation of programs, but will also provide guidance for other organizations interested in using films as interventions. The purpose of the assessment reported here was to evaluate the impact of the FilmAid International program in the Kakuma Refugee Camp in Kakuma, Kenya. We used a three-phase approach employing both qualitative and quantitative methods. The assessment was led by an independent consultant assisted by faculty at the Boston University School of Public Health (BUSPH) and the staff of FilmAid." (Executive summary)
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