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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
El arte desde el pasado fracturado peruano
Lima: Instituto de Estudios Peruanos (IEP) (2018), 352 pp.
"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac
...
Trauma, Memory and Religion
Journal for Religion, Film and Media (JRFM), volume 4, issue 1 (2018), pp. 7-77
"How can we screen trauma? This question might lead the perception of documentary movies about atrocities in the 20th and 21st centuries, like S21 The Khmer Rouge Killing Machine (Rithy Panh, CAMB/FR 2003) about Cambodia, The Look of Silence (Joshua Oppenheimer, ID/DK 2014) about Indonesia or Das Ra
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Formen des Vergessens
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), 224 pp.
"Angesichts der gegenwärtigen Dominanz der Auseinandersetzung mit Erinnerung haben wir das Vergessen anscheinend vergessen. Tatsächlich ist aber nicht das Erinnern, sondern das Vergessen der Grundmodus menschlichen und gesellschaftlichen Lebens. Für das Erinnern bedarf es einer aktiven Anstrengun
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Filmische Zeugenschaft im Abseits: Kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal
Bielefeld: transcript Verlag (2018), 284 pp.
"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s
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O Holocausto no cinema
Revista do Instituto Humanitas Unisinos, issue 501 (2017), pp. 14-49
Kollektives Gedächtnis und Erinnerungskulturen: Eine Einführung
Stuttgart: Metzler, 3., aktual. und erw. Aufl. (2017), xi, 231 pp.
"Gedächtnis' und ‚Erinnerung' sind Leitthemen in der Wissenschaft und im gesellschaftlich-politischen Diskurs. - Dieser Band bündelt die verschiedenen Theorien, Terminologien und Methoden aus der Forschung zum individuellen und kollektiven Gedächtnis und geht insbesondere den folgenden Fragen n
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Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook
Hungarian Historical Review, volume 6, issue 2 (2017), pp. 355-376
"In recent years, more and more social media (Facebook) groups have been created dealing with memories of the Holocaust in Hungary. In this article, I analyze and compare two groups, “The Holocaust and My Family” and “The Descendants of the Victims and Survivors of the Holocaust” in the fram
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Comics & Memory in Latin America
Pittsburgh: University of Pittsburgh Press (2017), vi, 262 pp.
"Latin American comics and graphic novels have a unique history of addressing controversial political, cultural, and social issues. This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contr
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Holocaust memory in a globalizing world
Göttingen: Wallstein Verlag (2017), 278 pp.
"Remembering the Holocaust is a central part of historical awareness and political culture in reunified Germany, Israel, and the United States. But can the same be said for other parts of the world? How have societies that were not affected by occupation and extermination measures under the Nazi reg
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The Asaba Massacre: Trauma, Memory, and the Nigerian Civil War
Cambridge: Cambridge University Press (2017), xvii, 239 pp.
"In October 1967, early in the Nigerian Civil War, government troops entered Asaba in pursuit of the retreating Biafran army, slaughtering thousands of civilians and leaving the town in ruins. News of the atrocity was suppressed by the Nigerian government, with the complicity of Britain, and its sig
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Memorias: 12 historias periodísticas
Bogotá: Consejo de Redacción; Konrad-Adenauer-Stiftung (KAS) (2017), 249 pp.
"La publicación “Memorias: 12 historias que nos deja la guerra” es una apuesta y un acercamiento a los diversos acontecimientos que se entretejen en las regiones colombianas, a las memorias que víctimas, excombatientes, comunidades indígenas, afrodescendientes, líderes sociales y el país en
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Conflict, Trauma and the Media: A Collection of Essays
Newcastle upon Tyne: Cambridge Scholars Publishing (2017), vi, 168 pp.
"This collection of essays explores the complicated relationship between the messengers bringing news of catastrophic upheaval and the recipients of that message. It concentrates on the journalists, photographers and film-makers, reflecting not only the motivations behind their work, but also the ps
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Training journalists in times of transition: The case of Kosovo
Journalism Education, volume 6, issue 2 (2017), pp. 37-47
"With Kosovo as its case, this article explores the context and challenges of journalism education in transition societies. Journalists in Kosovo have lived through constant changes from authoritarian to democracy. In this struggle, journalism education has never been stable and steady. The past con
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Das Theater der Unterdrückten und Vergangenheitsaufarbeitung in Afghanistan: Kollektive Ermächtigung und neue Dependenzen
Peripherie, volume 37, issue 1 (2017), pp. 52-75
"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto Boal (1931-2009) sowie anderen emanzipatorischen Theatermethoden
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The Trauma Graphic Novel
New York; London: Routledge (2017), x, 179 pp.
"The end of the twentieth century and the turn of the new millennium witnessed an unprecedented flood of traumatic narratives and testimonies of suffering in literature and the arts. Graphic novels, free at last from long decades of stern censorship, helped explore these topics by developing a new s
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"The paper presents: A discussion of the methods used in memory studies, explaining how attention to questions of methodology has been limited in memory studies because much research has been more concerned with theoretical issues. The paper reflects on the methods from oral history, as well as othe
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Disaster Drawn: Visual Witness, Comics, and Documentary Form
Cambridge, Mass.; London: Belknap Press; Harvard University Press (2016), 359 pp.
"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d
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Ctrl + Z: The Right to be Forgotten
New York; London: New York University Press (2016), xiii, 269 pp.
"The central thesis of Crtl+Z is that a digital right to be forgotten is an innovative idea with a lot of possibilities and potential. The idea simply needs to be opened up, reframed, and restructured. The extreme options currently on the table limit the many ways to think about digital redemption a
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