"This research explored the utility and viability of digital technologies in the production and promotion of critical audio-visual content by creatives. More specifically, it sought to establish regional trends in the creative sector with regard to uptake of technology in the development of critical
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content; highlight policy and regulatory frameworks for digital technologies and their implication to production, promotion and consumption of critical content in East Africa; identify opportunities for policy development and stakeholder engagement in the use of digital technologies in the production and promotion of critical content and provide recommendations to increase uptake of digital technologies for the production of critical audio visual content by makers especially during the COVID-19 pandemic." (Executive summary, page 4)
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"This book traverses the cultural landscape of Colombia through in-depth analyses of displacement, local and global cultures, human rights abuses, and literary and media production. Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consump
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tion, it investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors. In this examination of mass-marketed cultural products such as narcostories, captivity memoirs, gritty travel narratives, and films, Herrero-Olaizola seeks to offer a hemispheric approach to the role played by Colombia in cultural production across the continent where the illicit drug trade has made significant inroads. To this end, he identifies the "Colombian condition" within the parameters of the global economy while concentrating on the commodification of Latin America's violence for cultural consumption." (Publisher description)
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"In this book, we attempt to integrate three different research approaches: (1) the traditional social-psychological approach that emphasizes cultural differences and how these differences influence communication, (2) the interpretive approach that emphasizes understanding communication in context,
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and (3) the critical approach that underscores the importance of power and historical context to understanding intercultural communication, including postcolonial approaches. We believe that each of these approaches has important contributions to make to the understanding of intercultural communication and that they operate in interconnected and sometimes contradictory ways. In this eighth edition, we have further strengthened our dialectical approach, which encourages students to think critically about intercultural phenomena as seen from these various perspectives." (Preface, page xx)
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"Today's urban environments are layered with data and algorithms that fundamentally shape how we perceive and move through space. But are our digitally dense environments continuing to amplify inequalities rather than alleviate them? This book looks at the key contours of information inequality, and
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who, what and where gets left out. Platforms like Google Maps and Wikipedia have become important gateways to understanding the world, and yet they are characterised by significant gaps and biases, often driven by processes of exclusion. As a result, their digital augmentations tend to be refractions rather than reflections: they highlight only some facets of the world at the expense of others. This doesn't mean that more equitable futures aren't possible. By outlining the mechanisms through which our digital and material worlds intersect, the authors conclude with a roadmap for what alternative digital geographies might look like." (Publisher description)
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"The report documents the quality and usability of Facebook and YouTube content moderation policies in four languages. It found that the translations of Facebook and YouTube's content moderation policies in these languages are far below a standard that would be considered acceptable by the average u
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ser. Each of the translations showed numerous and systematic errors that impacted readers' ability to understand the policy without referencing the original version in English. The report also discusses how translation impacts the entire value chain of content moderation and platform governance - from end-users' ability to report content to moderators' ability to detect and remove harmful content and to regulators' knowledge about what content is on the platform. The report includes recommendations for improving translation policies and processes, as well as for advancing best practices in translation across the industry." (Publisher description)
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"Radio kann mit Gestaltungselementen wie Stimme, Geräuschen und Musik Marken schaffen und profilieren. In einem Experiment wurden drei Radiospots für einen fiktiven Schokoriegel mit gleichem Text, aber unterschiedlicher Emotionalität produziert. Die drei Spots („Der Verführer“, „Der Animat
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eur“, „Der Friedensbringer“) weckten verschiedene Assoziationen. Diese Assoziationen übertrugen sich auf die Marke und wandten sich an die Menschen als Erwachsener, Teenie oder Kind. Die Zielgruppen wurden dadurch emotional angesprochen." (Kurz und knapp, Seite 288)
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"Como indica o título do livro há em seus 21 textos diversos cenários que se apresentam em torno daquilo que conceitualmente é definido como “desinformação”, ou seja, reflexões sobre o nosso tempo concomitante de vida em que se dá crédito a teorias absurdas, se reescreve o passado a par
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tir da lógica das falsificações históricas e se constrói perigosas verdades alternativas. Como enfatizou Roger Chartier (2022), num recente artigo sobre a questão da verdade, há que se remarcar também as ameaças que o estatuto de desinformação confere à própria interpretação do passado: “nossa relação com o passado está ameaçada pela forte tentação de histórias imaginadas e pelas tentativas políticas de reescrita do passado” (página 9). Exemplar neste sentido, no Brasil, tem sido a volta da idolatria ao período ditatorial levada a cabo por representantes políticos da extrema-direita, capitaneada pelo Presidente Jair Bolsonaro, que incontáveis vezes tem feito apologia à ditadura civil-militar instaurada em 1964 e homenagens a torturadores do período, nas inúmeras ocasiões a que se refere, por exemplo, ao coronel Carlos Alberto Brilhante Ustra, que foi chefe do DOICodi. Refletir sobre desinformação e as teias comunicacionais nos tempos contemporâneos torna-se, portanto, urgente." (Prefácio, página 11)
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"An exploration of the video games as an atmospheric medium questioning its impact on us and our mental health." (Publisher description)
"Die vorliegende Publikation ist ein erster Versuch, die Querschnittsthemen digitale Transformation und Geschlechtergerechtigkeit auf der Grundlage der feministischen Entwicklungspolitik Deutschlands zusammenzudenken. Die deutsche feministische Entwicklungspolitik will in einem globalen System, das
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weiterhin von einer ungleichen Verteilung sozialer, wirtschaftlicher und politischer Macht geprägt ist, entscheidende Veränderungen erwirken. Die Herausforderungen und Hindernisse sind jedoch vielfältig: von bewaffneten Konflikten über Klimaextreme, zunehmenden Hunger und Armut bis hin zum weltweiten Erstarken von Anti-Gender-Bewegungen. Die digitale Transformation fügt der Komplexität hier eine weitere Ebene hinzu. Digitale Technologien – von Smartphones, intelligenten Geräten und Software bis hin zu künstlicher Intelligenz (KI), digitalen Plattformen und Blockchain – eröffnen viele Möglichkeiten für Empowerment und sozialen Wandel. Gleichzeitig spiegeln Technologien die physische Welt und ihre Systeme der Marginalisierung und Unterdrückung wie Patriarchat, Rassismus und Kolonialismus wider. Trotz der in ihr verankerten und reproduzierten Ungleichheiten bleibt das Anliegen, die Potenziale der digitalen Transformation zu nutzen, weiterhin ein Handlungsfeld der deutschen Entwicklungszusammenarbeit.
Die neue feministische Entwicklungspolitik Deutschlands baut auf dem bisherigen Engagement auf und geht gleichzeitig neue Wege. Sie setzt sich für eine geschlechtergerechte digitale Transformation und digitale Teilhabe für alle ein. Gleichzeitig ist das zukünftige Ziel, alle Formen struktureller und systemischer Ursachen von Ungleichheit zu überwinden, die in der heutigen globalen Gesellschaft tief verwurzelt sind. Insbesondere letzterer Aspekt bedeutet auch, den Status quo der gegenwärtigen digitalen Transformation und digitalen Entwicklungspolitik grundlegend in Frage zu stellen. Die vorliegende Studie verdeutlicht, dass eine feministische Entwicklungspolitik im digitalen Raum vielschichtig ist und umfasst eine Bandbreite sich überschneidender Themen. In erster Linie bedeutet eine feministische Entwicklungspolitik für den digitalen Raum jedoch die Überwindung der anhaltenden digitalen Geschlechterkluft." (Zusammenfassung, Seite 6)
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"The commercial advertising industry in Sierra Leone is in a parlous state – unstructured, uncoordinated and unregulated. The shambolic nature of the industry stems from three major shortcomings – a lack of policy regulation, a limited market, and poor professional practices. Existing policy whi
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ch exists only at the level of the Independent Media Commission (IMC) - the body tasked with regulating the media, public relations and advertising practices in accordance with the Independent Media Commission Act, 2020 – is limited to ethical considerations. Just one section (Section 4) of the Media Code of Practice is dedicated to the advertising industry. In the context of the advertising market itself, Sierra Leone has a modest economy with little competition, especially in the private sector. Brand advertising opportunities are few and far between and the government, which is among the leading advertisers in the country, is regarded as a bad debtor, particularly where paying fees to the media industry is concerned. Furthermore, rather than seeking to get value for money, government ministries, departments and agencies are widely suspected of using a system of political patronage and kickbacks when allocating and/or distributing advertising contracts to the media." (Executive summary)
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"This white paper seeks to unpack the use of Indigenous or non-majority language in the existing digital landscape. This ties into ideas about digital colonialism (Kwett, 2022), wherein hegemonic, or dominant, languages are threatening and jeopardising the ability for local language speakers to expr
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ess themselves and communicate in digital spaces. We hope to analyse a sample of existing scholarship on digital inclusion to examine how it plays out specifically through the use of local language on social media. We map key issues at work when local languages are used on social media platforms. These may concern issues that build on the theme of the digital divide to raise questions about digital equality, participation, citizenship, belonging and identity. Through this white paper, we aim to understand how the digital onboarding of language may empower, limit, extend and enrich user engagement. We also seek to unpack themes of access, safety and usability that the average user in these contexts may experience when using digital platforms for communication and daily life." (Aim of the paper, page 4)
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"Hivos sees vital opportunities to support creatives and build alternative digital spaces and activist communities that will stand up to the digital monoculture. They are essential if we want to imagine and work towards a more humane and sustainable digital future. In 'Counter the Digital Monocultur
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e', the team interviews seven future-oriented activists, artists and academics to answer the question 'How can we counter the digital monoculture?' The interviews cover a wide range of topics, from indigenous futurism to afro-feminism, speculative storytelling, and the need for a fossil-free internet. A recurring theme is the importance of amplifying the work of activists, artists, and filmmakers to reach wide audiences with narratives that focus on humane digital futures." (Publisher description)
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"The production of knowledge in Information and Communication Technology for Development (ICT4D) research has been characterized by an ongoing shift from dominantly Western-based to Indigenous theory formulations. This editorial puts forward core concepts in the decolonization of ICT4D, arguing that
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these are fundamental to the creation, reading, and interpretation of ICT4D know ledge. Drawing on a decolonial read of the articles published in Vol. 28.3, we advance the argument that decolonizing ICT4D, rather than simply a means to read and analyze data, is an emancipatory practice to be adopted in an open challenge to Western-centric modes of doing ICT4D research." (Abstract)
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"The exhibition focuses on how young people envision their identities in their respective countries: what mental images do they collectively have about their life experiences. Thus, this project seeks to present collective memories from different parts of the world in an exhibition that will promote
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visual culture. It explores the way in which parts of the world presents themselves within a contemporary space. This exhibition therefore aims at giving the younger generation an edge in the visualization and narration of their understanding of the past through various means of artistic expressions. The expectation is that, these students’ works, created and exhibited from a wide and divergent cultural experience would provide some sort of emotional templates and indicators for the understanding of other cultures." (Introduction, page 5)
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"Chapo Guzmán was the leader of the Sinaloa Cartel. Although he was a well-known criminal, there is a scarcity of first-hand information about his career. This situation raises a question: how did Guzmán become a public figure without having public exposure? This communicative phenomenon is possib
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le because drug cartels have sophisticated propaganda techniques that allow them to challenge the state not only in the military realm but also in the cultural realm. Among other media, these criminal organizations use narcocorridos, a popular music genre, as a medium for propaganda. This article studies, through a narrative analysis of 66 lyrics, how music, as a form of political communication, is used as propaganda. This study found three main narratives in the narcocorridos dedicated to Guzmán: (i) the origins of this drug dealer; (ii) the masculine features that led him to be a global kingpin; and (iii) his genius for corrupting political systems. These lyrics are propaganda because: (a) they spread knowledge in the form of stories about Guzmán; (b) they create a mythology about the kingpin and the narco-world; and (c) they distort reality by picturing Guzmán as a great man and blur reality by suppressing any reference to the drug wars." (Abstract)
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"[...] partimos da hipótese de que as produções sonoras contemporâneas (dramas e podcasts de storytelling), que se configuram como produções de aprofundamento e que têm deadlines mais amplos, realizam uma reapropriação estética das estratégias e ferramentas expressivas das radionovelas da
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era de ouro do rádio do país [= Brasil] . Com esta reapropriação, aliada ao que as caracteriza como jornalismo, podem complexificar a narrativa e modificar o perfil do conteúdo apresentado à audiência, além de propiciarem um ambiente de consumo imersivo, mais humanizado e mais envolvente para o público. Expandimos essa hipótese também para as séries de reportagens divulgadas em emissoras hertzianas, principalmente considerando as demandas por rejuvenescimento da audiência e ampliação do público do rádio e o perfil de crescimento do consumo de áudio nos últimos anos." (Introdução, página 12)
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"Este es un reporte sobre el comportamiento de los hogares con posibilidad real de consumir contenidos en línea." (commbox)